LOS ANGELES ARTIST JASON HALOGEN RELEASES “RUXPIN IN THE ATTIC" SINGLE + ANNOUNCES THE RELEASE OF DEBUT SOLO ALBUM DISASTERPIECE THEATRE

Photo by Heidi Yowell

LISTEN TO “RUXPIN IN THE ATTIC” : HERE

Los Angeles by way of Burlington, VT artist Jason "Halogen '' Dunn is excited to announce the release of his single, “Ruxpin in the Attic.” Halogen is an award-winning, multi-instrumental singer-songwriter, film composer, producer, and audio engineer, whose combination of anthemic pop, rock and psychedelia has earned him comparisons to artists ranging from Matthew Sweet, Oasis, R.E.M., Death Cab For Cutie, Pink Floyd and more. 

“Ruxpin in the Attic” was one of the first songs Halogen started working on as a solo artist, evident in lyrics referring to the worldwide population at 7 billion (as we now approach 8 billion). Epic, wistful and heartfelt, Ruxpin is inspired by the need to be remembered fondly after the dissolution of a relationship, even if it means going back in time and hiding a Teddy Ruxpin doll in an ex's crawlspace, playing back the happy memories and good times as that love slowly fades into history.  

The song is from his forthcoming debut  "solo album", Disasterpiece Theatre coming out 10/22. Cinematic and thick with lush arrangements of guitars, synths and harmonies, the record pulls the listener through stories of defiance, sadness, injustice and the struggle to find peace within the turbulent world of being human in the 21st century.

Halogen fronted the alternative pop bands The Halogens and The Luxury in Boston, both of which toured extensively throughout the east coast and yielded a number of local and regional awards nominations and wins. Moving to Los Angeles in 2016, Halogen took up the mantle of "solo artist", crafting what would become Disasterpiece Theatre in his home studio while trying to define home in a new culture on a new coast. The result is a wild, deeply human swing through an eclectic set of musical and emotional motifs, touching on love, friendship, loss, indignation, isolation, growth, and hope. 

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IAMEVE RELEASES HER SINGLE RAINDROPS + ANNOUNCES EP ARCHETYPE

“... if Alice took Ziggy Stardust’s hand and followed him down the rabbit hole to a world guided by the twists and turns of ethereal and colorful vocals.” - The Huffington Post

Photo by Heidi Yowell

LISTEN TO “RAINDROPS” : HERE

 "Deftly and viscerally channeling Kate Bush and ’90s era industrial Bowie (remember Outside?), and with a few obvious nods to NIN, it envisions an explorer navigating a journey of the self, represented in video form by a sparkly avatar surfing the cosmos (without the help of space-racing billionaires, we might add).” - BlackBook

Los Angeles-based artist IAMEVE has released her ethereal new single “Raindrops” from her forthcoming EP Archetype out on October 22nd. 

The song was written on an uncharacteristically rainy day in Los Angeles.  Randol is not one to revel in sunny weather so this was pure joy for the songwriter who had been struggling with writer's block and feeling stifled by traditional song structure. To help work through this creative desert and her desire and break out of her box, Randol abandoned her usual methods. Steering clear of old habits and removing the “agenda” of songwriting gave Randol the space to let things unfold and capture the moment.  The rain put her into a trance-like state and started looping some music in the studio and something just clicked.  

Each song on the EP speaks to a different soul archetype, and the theme of "Raindrops" is The Seeker.  A seeker follows their curiosity, independent of the world around them with a sense of adventure and devoted to fulfilling their soul purpose. In the video, we see the metamorphosis of Eve splitting off and reuniting with her offshoots in a whimsical and musical exploration about human creation and the metamorphosis that our souls go through as we evolve. 

IAMEVE has won several awards for her short film “Starman” and is currently in production on a 360 Fulldome show. She has been featured in numerous TV shows and films, most notably for the theme song “To Feel Alive” in Percy Jackson: Sea of Monsters with composer Andrew Lockington and Nicholas Dodd on Sony Classical. She has performed with many celebrated artists, notably as a guest vocalist for Moby, The Today Show, Fox Good Day NY, and is featured in TC Helicon’s “The Ultimate Guide To Singing”.  

Described as “... if Alice took Ziggy Stardust’s hand and followed him down the rabbit hole to a world guided by the twists and turns of ethereal and colorful vocals," by The Huffington Post, IAMEVE is a singer, songwriter, and storyteller. Her evocative sound tapestries are inspired by a world of a supernatural nature full of hypnotic vocals, spacey sounds, and surrealism.   

In addition to IAMEVE Randol is the co-founder of Mamas in Music an organization with the intention of shifting the stereotyping of women in the music industry through open dialogue and a sustainable structure that offers a continuum of output, celebration, and teamwork for Women who are faced with the task of being a mother and working in the industry, with a special focus on artists and creatives. Her EP Archetype, will be the first release through the Mamas In Music's strategic distribution partnership with Burnside/TheOrchard.

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DESTROY BOYS RELEASE THEIR “ESCAPE” SINGLE FROM THE FORTHCOMING ALBUM OPEN MOUTH, OPEN HEART OUT OCTOBER 8 VIA HOPELESS RECORDS ANNOUNCE NATIONAL HEADLINING TOUR

“Hailed by many as the next great punk band, and with over 40 million streams as confirmation, Destroy Boys play hard with heavy guitar tones that radiate tuneful defiance and steely pop hooks in equal measure.”  - Heavy Magazine 

“......it's safe to say Destroy Boys have successfully carved their niche in punk rock.” - Guitar World

"Channeling the spirit of anarchic American garage rock and melodic sensibilities of classic Bay Area punk into short snarling songs, Sacramento’s Destroy Boys whip up noise that is truly timeless.” - Rock Sound

“ Using their platform on gender and racial equality as well as LGBTQIA+ rights, Destroy Boys channel that same unbridled passion into their lyrics. The group give a voice to the underrepresented with a fresh perspective on love, loss and everything in between.” - Alternative Press

"Originally from Sacramento and now based in San Francisco, Destroy Boys is an absolutely need-to-know punk trio.” - San Francisco Chronicle

“The fresh-faced, young female fronted band are pumping fresh blood back into the life of power punk.” - Ladygunn

“Led by singer Alexia Roditis’ sarcastic and wistful singing and Vi Mayugba’s shredding guitar, held down by Narsai Malik on drums, they pay homage to and represent an evolution of all things classically punk, making music that is a searing reminder of how recklessly expressive punk rock was designed to be.”  - Culture Collide

Photo by Heidi Yowell

LISTEN TO “ESCAPE”: HERE

Northern California’s three-piece Destroy Boys are releasing the single “Escape,” the final single from their forthcoming album Open Mouth, Open Heart, produced by Will Yip. Coming out October 8th via Hopeless Records the album is available to pre-save and pre-order  HERE.

“‘Escape’  is about wanting an out from the regular life I was living,’ says frontperson Alexia Roditis.  “I wrote it pre-pandemic, though you might not have known that if you listened to it. It’s about wanting to go on tour and wanting to escape reality in any way possible.” Roditis will be getting her wish as the song is released on the heels of the announcement of their National Headlining tour that starts off in Northern California at the end of the month.  The band has made a name for themselves writing visceral, personal songs of scene bullies, elitist cliques, betrayal, and unrequited love - and have won over the hearts and ears of eager listeners ranging from the fervent teens who pack out their shows to Green Day’s Billie Joe Armstrong (see his mention in the Rolling Stone cover story HERE via Instagram HERE) and Fender Guitars, who partnered with the band for the launch of the Fender's  Player Plus Series

 “Escape” follows the band's no holds barred formula of speaking their mind with cutting commentary on how our culture views artists, through unapologetic lyrics such as the monologue mid-song: "You know I don’t see anyone asking anyone of any other profession except for artists what their plan B is.  Like if you’re gonna be a mathematician no one asks you what your fucking plan B is even though who knows what they do, I don’t know. Ok. But we need art to live and survive but, I need a plan B? I do. Me. You know I could really go without ever hearing that question ever again.”

Twelve of the thirteen songs on Open Mouth, Open Heart were produced and recorded by Will Yip at his studio near Philadelphia during an intense, productive, and isolated February 2021.  The shredding 1 minute track “Muzzle” was produced and recorded by Martin Cooke in Los Angeles shortly beforehand. The album as a whole shows immense growth in the band both as musicians and people. Outspoken advocates for a myriad of social justice issues, especially when it comes to racial equality, LGBTQA+ rights, and inclusion for all, these themes are prevalent in their music, their actions, and how they use their platform. The album tackles themes of abuse, bullying, insecurity, as well as deeper familial forces and sees the band stepping into, and owning their power - and truly finding their voices.  It also features two songs recorded in Spanish, “‘Te llevo conmigo” and  “Lo peor,”  which is a first for Destroy Boys. “I grew up bilingual,” Roditis told the East Bay Express. “This song is a tribute to my grandparents. I didn’t get to know them but I feel them around me, so I wanted a song to honor them. I haven’t heard many metal songs in Spanish, so I was excited to write it.” The album as a whole is a huge step forward for the band both musically and the depth and density of subject matter. “Everyone adding their own element makes the songs come alive,” says Roditis, “but the biggest difference was going from 19 to 21. I feel like a different person, esthetically.”

Destroy Boys are Violet Mayugba (guitar/vocals) and Alexia Roditis (vocals/guitar), rounded out by drummer Narsai Malik. The punk trio have been redefining West Coast punk, making waves from the California shoreline to the UK, sharing stages with up-and-coming bands like Mannequin Pussy as well as punk stalwarts such as Face To Face and Lagwagon. In addition to having racked up over 60 million streams, their music can be heard in Tony Hawk’s Pro Skater 1+2 game, and Tik Tok has embraced them to the tune of 20 thousand user-made videos and over 3.5M views. After a hiatus from playing live due to the pandemic, Destroy Boys are elated to be heading out on the road, interacting with fans and  playing songs from the new record. 

U.S. TOUR DATES 

SEP 30 The Dip @ Redding, CA
OCT 1 Bottom Of the Hill San Francisco, CA 
OCT 2 Harlow's Restaurant & Nightclub Sacramento, CA
OCT 3 The Holland Project Reno, NV
OCT 5  The Vera Project Seattle, WA
OCT 6 Lola's Room Portland, OR
NOV 19 Chain Reaction Anaheim, CA
NOV 20 VooDoo Room San Diego, CA
NOV 21 Nile Theater Mesa, AZ
NOV 23 Antone's Austin, TX
NOV 24 Ruins Dallas, TX
NOV 26  The End Nashville, TN
NOV 27 Purgatory At The Masquerade Atlanta, GA
NOV 28 Crowbar Tampa, FL
NOV 30 Local 506 Chapel Hill, NC
DEC 1  Songbyrd Music House Washington, DC
DEC 2 Space Ballroom Hamden, CT
DEC 3 Market Hotel Brooklyn, NY
DEC 4 First Unitarian Church Philadelphia, PA
DEC 5 Fête Music Hall Lounge Providence, RI
DEC 6  Brighton Music Hall Allston, MA
DEC 8 Mahalls Cleveland, OH
DEC 9 The Sanctuary Hamtramck, MI
DEC 10 FRI Cobra Lounge Chicago, IL
DEC 11 SAT Odyssey Lounge Springfield, MO
DEC 13 89th Street Collective Oklahoma City, OK
DEC 14 Launchpad Albuquerque, NM

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I AM KAWEHI RETURNS TO THE ROAD FOR “THE QUARANTINE SESSIONS ON TOUR” BEGINNING SEPTEMBER 19th IN ATLANTA

NEW SINGLE COMING THIS FALL

Photo by Heidi Yowell

SINGLE “Hawai’i ‘78” (OUT NOW)
LISTEN

LAWRENCE, KS – I AM KAWEHI is a new breed of musician, a pop/electronic loop artist that Elle Magazine called “The Genius One-Woman Band” who uses technology to carry the weight of a full band on her own. After a long absence from tour due to the pandemic, I AM KAWEHI returns to the stage this fall beginning September 19th in Atlanta.

Earlier this summer, Kawehi performed three special shows in her native Hawai’i and recorded her own rendition of “Hawai'i '78” – made popular by Iz Kamakawiwo’ole – that has a deep personal connection for her. “I was lucky to be sent to Kaiapuni (Hawaiian immersion school) when I was young - it was a new adventure in learning, an immersion into the Hawaiian language where all classes were taught in Hawaiian,” she recalls. “I look at my roots as an immovable mountain - when all is gone, I’ll be found in you, still standing.”

With renewed energy and inspiration from her 2021 Hawai’i performances, Kawehi returns to the stage for a two-month headlining tour with new music expected this fall. Confirmed dates are below.

ABOUT KAWEHI

Raised in O’ahu, Hawai’i, Kawehi (pronounced Kuh-VAY-Hee) first pursued music by the encouragement of her piano teacher when she auditioned for the band East that took her from the islands to the mainland in Los Angeles. It is there that Kawehi began her DIY journey as a solo artist, honing her craft with producer/musician (and now husband) Paul Wight.

Since her debut release Songs From My Apartment, Kawehi has independently co-produced and co-written 6 EPs through crowdfunding on Kickstarter, and built an impressive following on social media.

She has done TED performances, was featured in a Super Bowl commercial, and with over 21 million views on her YouTube channel, Kawehi has been performing sold out shows across the nation and has already been on three world headlining tours.

U.S. TOUR DATES
SEPT 19 / ATLANTA, GA @ Eddie’s Attic
SEPT 21 / NASHVILLE, TN @ High Watt
SEPT 23 / AUSTIN, TX @ 3TEN
SEPT 24 / DALLAS, TX @ Three Links Deep Ellum
SEPT 25 / SAN ANTONIO, TX @ Paper Tiger
SEPT 28 / GREELEY, CO @ Moxi Theater
SEPT 29 / DENVER, CO @ Globe Hall
OCT 1 / PHOENIX, AZ @ Valley Bar
OCT 2 / SAN DIEGO, CA @ Winstons Beach Club
OCT 4 / LOS ANGELES, CA @ The Moroccan Lounge
OCT 6 / SAN FRANCISCO, CA @ The Independent
OCT 7 / SANTA CRUZ, CA @ Moe’s Alley
OCT 9 / SACRAMENTO, CA @ Goldfield Trading Post
OCT 12 / PORTLAND, OR @ Doug Fir Lounge
OCT 13 / SEATTLE, WA @ Triple Door
OCT 15 / NINE MILE FALLS, WA @ Live at Andre’s
OCT 17 / BILLINGS, MT @ Pub Station
OCT 19 / OMAHA, NE @ Slowdown
OCT 21 / ST. PAUL, MN @ Turf Club
OCT 22 / CEDAR RAPIDS, IA @ CSPS Hall
OCT 23 / LAWRENCE, KS @ The Granada
OCT 26 / ST. LOUIS, MO @ Blueberry Hill
OCT 27 / CHICAGO, IL @ Beat Kitchen
OCT 28 / INDIANAPOLIS, IN @ White Rabbit Cabaret
OCT 29 / KALAMAZOO, MI @ Bell’s Eccentric Café
OCT 30 / LAKE ORION, MI @ 20 Front Street
OCT 31 / CLEVELAND, OH @ Beachland Ballroom & Tavern
NOV 2 / TORONTO, ON @ The Drake Hotel
NOV 3 / ROCHESTER, NY @ Montage Music Hall
NOV 5 / CONCORD, NH @ Bank of New Hampshire Stage
NOV 6 / CAMBRIDGE, MA @ The Middle East
NOV 9 / BROOKLYN, NY @ Baby’s All Right
NOV 11 / VIENNA, VA @ Jammin Java
NOV 13 / ANNAPOLIS, MD @ Rams Head On Stage

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DALLAS DUO OLIVE VOX LIVE PERFORMANCE DEBUT AT LEVITATION FESTIVAL OCTOBER 28th IN AUSTIN

"… evoking the gloriously sludgy grunge psychedelia of Screaming Trees, Temple of the Dog and Stone Temple Pilots.” – Dallas Observer

Photo by Heidi Yowell

Photo by Heidi Yowell

“BURY ME LOW” (OUT NOW)
OFFICIAL VIDEO || STREAM

DALLAS, TX - Olive Vox, the creation of singer-songwriter, social media creator/influencer Parker James and his brother guitarist-songwriter Caden Shea, will make their live performance debut on Thursday, Oct 28th at Levitation Festival in Austin, TX. On the bill is psychedelic rock band Fuzz featuring Ty Segall, one of Olive Vox’s musical influences. Following this performance Olive Vox will embark on their Fall 2021 tour in November. Tickets on Sale this Friday, September 17th.

Originally from Orange County, CA, Parker & Caden moved to Texas as preadolescent kids searching to fit into a new landlocked environment. During the COVID induced lockdown Parker and Caden developed their sound influenced by psychedelic indie rock, garage rock, 90s grunge and more. Their Gen Z perspective makes the music they play resonate to an audience searching for a new sound to embrace.

The debut single “Bury Me Low,” a sludgy, psychedelic rocker, was released this summer. It has drawn comparison to giants of the genre as the Dallas Observer notes: “Parker’s voice rigs out like a young David Gilmour standing by the Nile in 1969, while Caden’s guitars purr with the finesse of a freshly refurbished muscle car." Olive Vox will be on tour this fall with new music coming soon, all confirmed shows below. U.S.

TOUR DATES
OCT 28 / AUSTIN, TX @ LEVITATION FESTIVAL (@ 8:30 pm Mohawk Austin 912 Red River St Austin, TX 78701) OCT 29 / FORT WORTH, TX @ Tulips
NOV 13 / ATLANTIC CITY, NJ @ Anchor Rock Club
NOV 15 / NEW YORK, NY @ Mercury Lounge
NOV 17 / VIENNA, VA @ Jammin Java
NOV 18 / COLUMBUS, OH @ The Basement
NOV 19 / CHICAGO, IL @ Subterranean
DEC 1 / LOS ANGELES, CA @ The Mint

KEEP UP WITH OLIVE VOX
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BRITISH SINGER/SONGWRITER NEWTON FAULKNER RELEASES “LEAVE ME LONELY” TODAY

NEW ALBUM INTERFERENCE (OF LIGHT) OUT ON 10/8/21

Photo by Heidi Yowell

Photo by Stevie Kyle

“LEAVE ME LONELY” || LISTEN

LONDON, UK. – Today, British singer-songwriter Newton Faulkner releases his latest single “Leave Me Lonely,” a soulful folk/rock song that showcases his rich vocal range. The song is featured on his forthcoming album Interference (Of Light) available October 8, 2021 with distribution through BFD/The Orchard in North America + South America. The album will be released via Battenberg Records on various vinyl, CD and digital formats.

Four years on from his last studio album, Newton Faulkner has been working throughout lockdown from his recording studio in East London, exploring a number of new and unexplored styles and musical ideas, using them as the building blocks for this album. Twisting these inside out, he has pushed himself further and further. “I’m not very precious any more,” he remarks. “The music is a bit chunkier, it’s definitely way heavier and much less acoustic than previously. I feel like the stuff I’ve written recently is simpler, but it’s tasteful… it works as songs. I can feel it.”

Interference (Of Light) is an album that has seen Newton push himself musically and vocally: “I want to boil things down to their strongest form,” Newton says. “It’s about the songs. However good you are at playing, if the voice isn’t up to scratch and the songs aren’t good enough, no one is going to listen to them. It’s grizzly, soulful, and a step further,” he says of his new material. “Vocally, I’ve learned a huge amount over the years. I was a guitarist and a writer who sang. That’s kind of where I came from. And now I feel like my voice has caught up with the stuff I was doing on guitar.”

Since the release of his debut album Hand Built By Robots in 2007 (featuring the smash hit ‘Dream Catch Me’), Newton Faulkner has become one of the UK’s most successful singer-songwriters of this millennium. Later this year, he will be heading out on tour to play to live music-starved fans across the UK, starting with a few socially distanced gigs, many of which are already sold out. Plans for a North American tour are in the works.

NEW ALBUM INTERFERENCE (OF LIGHT) OUT ON 10/8/21 

KEEP UP WITH NEWTON FAULKNER
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NASHVILLE DUO HAUNTED LIKE HUMAN RELEASE THIRD SINGLE “WHISTLING TREE” TODAY

“…a distinctly queer story of forbidden love… [‘Whistling Tree’] anchored on the image of their secret meeting place in a nearby forest, the singer urges her lover to stay strong.” – Country Queer

Photo by Caroline Voisine

Photo by Caroline Voisine

“WHISTLING TREE” VIDEO ||  SPOTIFY 

NASHVILLE, TENN. - Nashville duo Haunted Like Human - Cody Clark (multi-instrumentalist and singer-songwriter) and Dale Chapman (lead singer, lyricist) – release their new single “Whistling Tree” today.

The third single from the forthcoming Tall Tales & Fables, is a stormy, ominous song full of the joy and danger of forbidden love.

“It’s one of the most personal songs I’ve ever written, and it took a year,” says Dale Chapman. “The inspiration really came from a good friend of mine who attempted suicide in high school because her parents were making her life a nightmare trying to keep her away from her girlfriend. As I really came into my own identity as a member of the LGBTQ+ community, this story felt more and more important to tell. The image of the tree is a place of life and death, love and hate, all wrapped into one.”

Tall Tales & Fables, available October 15, delves deeper into inspired songwriting, sparse arrangements, and, naturally, the frisson-inducing harmonies that marked their previous two releases. Glide Magazine noted of their songwriting recipe “…take a cup of orchestrated folk, sprinkle in some angelic harmonies, and pour in full-bodied production and you get the earthy joy of this Nashville duo.”

Despite the album’s title, these songs are honest, above all else. Real, tender, messy honesty.

 

BUZZ

“The stirring acoustic number [“Stay”] puts mental health at the forefront, as they ride ravaged waters with grace and ease, alongside a peaceful melody of guitar and strings complementing their haunting, yet serene harmonies.” -AudioFemme

 the cinematic “Ghost Towns,” combines a Damien Rice-like heartfelt basket of musical nuances atop an atmospheric gleam.” – Glide Magazine

 “…chilling yet angelic… [“Ghost Towns”] resembles the wisdom a grey sparrow might sing you after it lands on a fence from a long flight north. It offers the song as wisdom as the creature catches its breath before moving on again. ‘How do I set you free when the lost don’t want to be found?’ it might whistle. ‘There’s nothing left here for you now.’” –American Songwriter

 

ABOUT HAUNTED LIKE HUMAN:

Hoping to find collaborators who were serious about music, Clark drove from Oregon to Nashville in 2017. Within a couple days, he met Chapman at a coffee shop. She deduced that he was a lost tourist and struck up a conversation, leading to a cowriting session. Next thing they knew, Clark had relocated to Nashville and they were making their first album, Ghost Stories.  On the heels of that, they offered up their Folklore EP, featuring standout single “Feels Like Fire.” While that EP sought to channel the minimalist, intimate spirit of their live shows, Tall Tales & Fables is the next step in their maturation. Polished but not shiny, the album benefits from Mitch Dane’s production. Together with skilled string players, the album developed its own life while staying true to Clark and Chapman’s partnership, one built on literal and metaphorical voices.

 

U.S. TOUR DATES

OCT 1 / THE PLAINS, OH @ Pleasant Folk Café
OCT 9 / HUNTSVILLE, AL @ Yellowhammer Brewing
OCT 14 / NASHVILLE, TN @ The 5 Spot (Album Release Show)
OCT 16 / PAINTSVILLE, KY @ Alley On Main
OCT 23 / GREENVILLE, SC @ The Velo Fellow
OCT 29 / MOBILE, AL @ The People’s Room
NOV 5 / HOLLAND, MI @ The Park Theatre

“STAY” OUT NOW || SPOTIFY || LISTEN
“GHOST TOWNS” ||  
SPOTIFY || LISTEN
“WHISTLING TREE”
VIDEO ||  SPOTIFY

KEEP UP WITH HAUNTED LIKE HUMAN
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OUT TODAY: ALISA AMADOR’S DEBUT MINI-ALBUM NARRATIVES

OUT TODAY:

ALISA AMADOR’S DEBUT MINI-ALBUM NARRATIVES

“Alisa Amador is a pitch-perfect rendition of my wildest dreams” - NPR

“These are Alisa Amador’s fight songs” - The Boston Globe

“Alisa Amador sings with the ease of someone who has been performing for the entirety of her life” - American Songwriter 

"...her latest effort is a document of the breadth of human experience, examining the narratives that encompass us amidst powerful indie folk arrangements” - Under The Radar

"Alisa Amador’s Narratives does what an EP is meant to do. It gives a taste of Amador’s sweet vocals and melodies, leaving the listener wanting more.” - PopMatters

"Not only can you sense her own musical drive and talent, you can almost feel how she puts her soul into her multi-genre art…Alisa Amador is a prime example of the amazing music Boston churns out” - WERS

“…knocks together the worlds of Lake Street Dive and Fiona Apple into a tell-it like it is a morning anthem. With skatty jazz bravado and an engaging vocal presentation, Amador is a chill addition to the ’70s influenced singer-songwriter sect”- Glide Magazine

"Her songcraft is deeply personal, examining her intersecting identities, but there’s something universally relevant about the way she approaches these themes, her warm and wise voice skipping from genre to genre like stones across a glassy lake.” - Audiofemme

“…a breath of fresh air” - Sound Of Boston

Amador’s crystalline vocal delivery set against soul-soothing grooves and playful lyrics will make your heart skip a beat.” - East Of 8th

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LISTEN: NARRATIVES 

Today, Boston-based artist Alisa Amador has released Narratives, her critically-acclaimed debut mini-album. This six-song snapshot in time is a deep look at a person stumbling through life in two languages — English and Spanish — and in many states of mind about it all. 

Album opener “Timing,” a familiar tale of romantic uncertainty, accompanied by an irresistible horn section, was featured on Spotify’s "Fresh Finds,” "Fresh Finds: Indie,” and "Stay in Bed" playlists, as well as Apple Music’s "Now That's What I Call Today's Top Hits.” “Slow Down,” a Queen-tinged self-care anthem, was written a healing exercise meant to give a name to the chaos of navigating strained work relationships and an endless to-do list, while Beatles-esque standout “Burnt And Broken,” highlighted at The Bluegrass Situation, calls out rape culture and toxic masculinity. 

Intentionally sparse in its arrangement, “Burnt and Broken” examines myriad systems of oppression. “Violence stems from fear, and fear grows from a lack of understanding,” Amador says. “An absence of a conversation around these violences causes such pain.” 

“Alone,” a three-and-a-half-minute dissertation on the importance of committing to self-love with abandon, is followed by “Nada Que Ver,” a love song entirely in Spanish, which she says is “the language closest to my heart, and the language of some of my most vulnerable writing. This song is me bargaining with love. Stating clearly what I want and naming my qualms.”  Album closer “Together,” is a song about systemic violence which Under The Radar called “a heartwarming tribute to friendship and camaraderie. Amador begins stark and solitary, accompanied only by the steady chime of her guitar as she acknowledges the pain that all too often defines life’s experiences.

WATCH: “TIMING” 

WATCH: “SLOW DOWN”

WATCH: “NADA QUE VER”

“The word ‘narratives’ encompasses not only the existing cultural messages that hurt people individually and collectively,” Amador says, “but also the revolutionary power of writing ourselves new narratives; rejecting a culture of fear; and catalyzing a culture of honesty, bravery, and self-love in the process.” 

When listening to Amador’s music, her time spent immersed in Latin folk and jazz is undoubtedly present in her own songs, written in both English and Spanish. But there is also pop, funk, soul, and something uniquely her own. Her specialty is sparking connection across both listeners and musical styles. Working with producer Daniel Radin (The Novel Ideas, Future Teens), Narratives concentrates on the journey of Amador’s live set, taking listeners through songs that may elicit a laugh, bring introspection, offer a cathartic cry, or encourage a sing-along. 

The genre-bending effort is as empowering as it is heart-wrenching. These songs explore themes of romance and heartbreak, of chaos and healing, exposing systems of oppression and shining a light on the intricacies of the human condition. They might break your heart open, but by the end, it will be mended, uplifted, and stronger—a ‘Life and Love Survival Kit' in the form of a bilingual EP. Click HERE to order Narratives.

TOUR DATES

9/19 - P.M. Sundays  - Richmond, VT

9/22 - Club Passim - Cambridge, MA

9/23 - Club Passim - Cambridge, MA

10/7 - Fruitlands Museum - Harvard, MA

10/15 - Somerville Theatre - Somerville, MA*

10/22 - The Foundry - West Stockbridge, MA

11/1 - City Winery New York - New York, NY

11/8 - City Winery New York - New York, NY

11/19 - Rockwood Music Hall - New York, NY

* w/ Billy Wylder

PHILLIP-MICHAEL SCALES PREMIERES NEW SINGLE “WHEN THEY PUT ME IN MY GRAVE (ft. ARCHIE LEE HOOKER)” VIA POPMATTERS

PHILLIP-MICHAEL SCALES PREMIERES NEW SINGLE

“WHEN THEY PUT ME IN MY GRAVE (ft. ARCHIE LEE HOOKER)” VIA POPMATTERS

SINNER-SONGWRITER LP OUT ON OCTOBER 29TH VIA DIXIE FROG RECORDS

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LISTEN: “WHEN THEY PUT ME IN MY GRAVE (ft. ARCHIE LEE HOOKER)”

Today, Nashville-based artist Phillip-Michael Scales unveils “When They Put Me   In My Grave (ft. Archie Lee Hooker),” the powerful new single from his forthcoming LP Sinner-Songwriter, set for release on October 29th via Dixie Frog Records. 


“Scales’ latest tune, ‘When They Put Me in My Grave,’ features electrifying licks that can’t help but call back to [B.B.] King’s iconic style,” noted PopMatters in their premiere. "Its opening moments tease something bigger, starting with an acoustic rhythm, subtle tinges of electric lead, and Scales’ passionate vocals. Shy of 40 seconds in, the track explodes into full-throttle blues. Scales soulfully dishes out lyrics that speak to his family legacy—and the one that he wants to forge for himself.”


“I think a lot about legacy, being black and how that all ties in for me,” Scales told PopMatters. “My mother was the first black female to have her own practice in the state of Michigan, and my grandmother went to college in the 1940s despite not being able to stay or eat on campus. So, the question of how I want to live my life so that my future kids will be better off later is something I think of a lot. The label heard the song and suggested that their artist Archie Lee Hooker jump on the track,” he continued. "I thought it was cool to hear the voice of someone who’d lived much more life than me on the track.

"I come from sons and daughters of lambs who escaped the slaughter / My bloodline should have stopped with Bones and Chains in that blue water / What will they say when they put me in my grave? / Gammy told me “Son, you better keep our flame," he sings in “When They Put Me in My Grave.” The song follows the release of “Another Man’s Sin,” of which Pancakes & Whiskey said, “‘Dive Bar Soul’ is how Scales describes his music and this track perfectly embodies that statement; rocking music that has heart and soul, but feels very accessible for any music fan to appreciate,” and bluesy anthem “O, Hallelujah.”

LISTEN: “ANOTHER MAN'S SIN”

LISTEN: “O, HALLELUJAH”

Growing up, Phillip-Michael Scales had an uncle who played guitar for a living. He knew it was a big deal but didn’t understand the significance that his uncle’s name was B.B. King. Even though Scales played guitar, he shied away from soloing and most things blues-related. Instead, he fell in love with songwriting when an English teacher told him “A great writer can make their reader identify with anyone.” The trouble was he couldn’t find his story in the blues. 

Born with a fierce independent streak and a passion for performing, Scales fronted his own indie bands, wrote and recorded his own music, and worked to make a name for himself on his own terms. All the while, his uncle just smiled a knowing smile and encouraged him to “stay with it.” As he began to discover “the blues” in his private and personal life, their relationship grew closer. 

It wasn’t until his uncle passed away that Scales began incorporating more of it into his music. “These days I’m finding more of my story in the blues,” he explains. “A lot has led me here—between politics, my identity, and of course: Legacy.”  

Throughout its 14 soulful tracks, Sinner-Songwriter, Scales explores, growth, mistakes, being black in America, searching for love, and finding your place in the world. He calls his sound “Dive Bar Soul,” blending indie rock storytelling with the passion of the blues. His single “O, Hallelujah” has broken 200K plays, he has been featured in Rolling Stone France and is in regular rotation on Nashville’s Radio Station Lightning 100. Scales’ music has taken him all the way to the Middle East, as well as festivals across Europe and North America. He has opened for Fantastic Negrito, Anderson East, Guster, David Cook, Bethany Joy Lenz, Matt Hires, Billy Raffoul, Crystal Bowersox, Tyler Hilton, Jon McLaughlin, and Cory Brannan.

TOUR DATES

9/17 - WYNDHAM GARDEN KENOSHA HARBORSIDE - KENOSHA, WI 

9/18 - LISTENING  ROOM - PORT CLINTON, OH 

9/19 - MUSIC BOX SUPPER CLUB - CLEVELAND, OH 

9/20 - CLUB CAFE - PITTSBURGH, PA 

9/22 - SELLERSVILLE THEATER - SELLERSVILLE, PA

9/23-9/25 - AMERICANAFEST - NASHVILLE, TN [Official Showcase Artist]

9/26 - INFINITY MUSIC HALL & BISTRO - NORFOLK, CT 

9/28 - CITY WINERY - NEW YORK, NY

9/29 - DARYL’S HOUSE - PAWLING, NY 

9/30 - CITY WINERY - WASHINGTON, DC  

10/1 - THE TIN PAN - RICHMOND, VA 

10/2 - ISIS MUSIC HALL - ASHEVILLE, NC 

10/3 - LIGHTNING 100: NASHVILLE SUNDAY NIGHT @ 3RD & LINDSLEY - NASHVILLE, TN

10/8 - McMENAMINS WHITE EAGLE SALOON - PORTLAND, OR

10/27 - GOLDEN DAGGER - CHICAGO, IL (Record Release) 

10/29 - 20 FRONT STREET - LAKE ORION, MI (Record Release) 

11/5 - THE BASEMENT - NASHVILLE, TN (Record Release) 

WILD HEART CLUB PREMIERES NEW SINGLE “GLITTER ON THE DRUM” VIA GLAMGLARE

Photo: Anna Haas

Photo: Anna Haas

DEBUT LP ARCADE BACK IN MANITOU 
OUT ON NOVEMBER 12TH 

LISTEN: “GLITTER ON THE DRUM”   

Today, with the release of lead single “Glitter On The Drum,” Nashville-based band Wild Heart Club has announced their debut LP Arcade Back In Manitou, due out November 12th. The song, which feels like mourning the loss of a lover while soaring across a roller-rink under twinkling lights, was inspired by a YouTube comment on a Robyn video. The music sparkles, but its glittery edges are sharp. 

“She creates irresistibly fascinating indie-pop, by blending elements from different kinds of genres, freely employing digital and analog tools as needed,” noted glamglare of Kristen Castro, the creative force behind the band. “While many artists these days tend to take from different musical styles and using a plethora of different instruments, Castro stands out. Her songwriting comes from a personal place but its message is universally understood. She manages to offer intimacy with her soothing, reassuring vocals yet also keeps us on the edge. Most notably thanks to her stellar guitar work which takes on new heights in the magnificent ‘Glitter on the Drum.’” 

“‘Glitter on the Drum’ started as a guitar melody in the middle of night when I couldn’t sleep,” says Castro. “I was channeling Maja Ivarsson from The Sounds and Warpaint when I was writing the song and the word glitter came out of nowhere. I grew up listening to a lot of disco unwillingly whenever my dad worked out in the garage so I have a lot of subconscious 80s influences. I found a disco drum beat in Logic and that became the backbone of the song. I was listening to a lot of Robyn at the time and a person commented on her video saying she’s the only one who makes them cry on the dance floor,” she adds. “That was the pulse of the song, self-talk and crying on the dance floor.” 

~  

Singer, songwriter, and multi-instrumentalist Kristen Castro is a genre-crossing artist known for blending a surprising range of electronic, digital, and analog elements into her dreamy, atmospheric indie-pop. She built a name for herself as an independent solo artist with a penchant for electric guitar, a dark sensibility, and a bracing tenderness reminiscent of acts like the Cocteau Twins.  

Transforming abstract emotion into compelling music, her early releases feature everything from mandolin to bass, piano to synth, banjo to drum programming, in songs that feel both effortless and complex at the same time. Castro’s latest project, Wild Heart Club, builds off the hybrid style of her solo work, evolving her eclectic foundations into an even more distinct and cohesive sound. The synth-heavy, guitar-driven soundscapes are laced with Castro’s breezy, candied vocals: think Sigur Rós meets Heart. It’s a strange and compelling combination that feels right for the current moment.  

“I’ve always been drawn to people who aren’t in the cool club—the weirdos embracing their weirdness. This is music for them, as always.” Written, recorded, and produced primarily by Castro herself, Wild Heart Club’s debut album Arcade Back in Manitou is set for release this fall. 

Castro started writing the songs that would become Arcade Back in Manitou in January 2020, while living with her brother in L.A. and recovering from heartache after a particularly difficult breakup. She was also navigating the breakup of her band and listening to Fleetwood Mac’s Gypsy on repeat. 

Named for a happy memory (visiting a Colorado penny arcade with an ex), Arcade Back in Manitou is an ethereal and lush collection of melancholy songs with a brilliant gloss of retro sheen. The resulting music feels unexpectedly bright, like walking through a clean, sunlit, white-tiled mall in the glowy light of a sitcom flashback. Throughout the album, there’s a genuine and hopeful engagement with the positive, a buoyant, almost-ironic sense of cheer teeming from the instrumentation, and a spirit of experimentation and discovery, despite the themes of loss the lyrics explore.  

Hints of 80s plastic-pop and elements of 90s alternative cool are nestled in the mix, as well as nods to vintage and modern Swedish pop acts like Robyn, Léon, and ABBA. “I want to be the artist who can make you cry on the dance floor. I like songs that pair darker thoughts with happy vibes. Emotions are complex. It feels right to have that kind of complicated juxtaposition play out in music,” she says. “It feels honest.”          

 

ARCADE BACK IN MANITOU TRACK LISTING  
Her, If Losing You Had A Sound 
Arcade Back In Manitou 
Unhappy 
Glitter On The Drum 
Ever You Go 
Down From The Heavens 
Chemistry  
Tupelo Honey 
Rainbow 
Overflow (Ruled by Saturn) 

 

 

INTRODUCING: SPENCER LAJOYE

Photo: Whitney Wilson and Hannah LaJoye Photography

Photo: Whitney Wilson and Hannah LaJoye Photography

  NEW SINGLE “HOUSE FIRES” OUT TODAY  

REMEMBER THE OXYGEN EP 
SET FOR RELEASE NOVEMBER 5TH 

LISTEN: “HOUSE FIRES”   

Boston-based singer/songwriter Spencer LaJoye has announced their forthcoming EP Remember The Oxygen with the release of powerful lead single “House Fires.” "Reclaiming myself as a nonbinary person was about so much more than gender.,” LaJoye explains of the song. “To summon up the resolve to say 'these boxes aren’t for me,' I also had to say, 'these relationships aren’t for me, these systems aren’t for me, this people-pleasing disposition is not for me.' Ultimately, on the other side of all of that going up in flames, I found clarity and peace...and I’m still settling into who I am." "House Fires" is the story of deciding what parts of ourselves and our lives we hold onto when everything else burns. 

Spencer LaJoye’s music feels like taking a long walk on cracked pavement. Their dynamic acoustic tones and layered vocals are reminiscent of melancholic sixties folk songs - but their genre-bending doesn’t end there. Resonant vocal loops spin these classic sounds into delightfully boppy pop songs that are both mesmerizing and haunting with their detailed, autobiographical lyrics.  

Out of Boston, Massachusetts, LaJoye is a folk/pop singer songwriter, violinist, and vocal loop artist who has garnered a growing fan base around the world through live performances, live streams, and an ever-increasing loyal Patreon community. Charming, humorous, and acutely self-aware, their live performances leave audiences crying, laughing, and wanting more.  

One of eight in a family of musicians in rural Southwest Michigan, LaJoye picked up a violin at the age of five, and pursued classical music until college, when they swapped their bow for a pen. They wrote their first EP as a closeted queer kid in a historically conservative Christian college while pursuing a degree in theology. Their songwriting and theologizing became tools of self-empowerment amid a culture of shame. Now an outspoken nonbinary bisexual, LaJoye’s goal is to foster a life-affirming community through music, and to “bring people to church” at their shows.  

Their first EP We’ve Been That Way Before won the WYCE Jammie Award for Listener’s Choice in Grand Rapids, Michigan, and most recently, LaJoye was chosen as a winner of the 2021 Kerrville New Folk Songwriting Competition.  

This fall, LaJoye will release their new four-track EP, Remember The Oxygen, written before, during, and following their coming out as trans/gender non-binary. The songs document them becoming themselves, a journey that involved just as much looking to the past as it did moving towards the future. “As it turns out, I knew who I was from the very beginning,” says LaJoye. “I knew how to breathe all along. To re-becoming myself. I just had to let some things burn, let some things hurt, and finally, remember my own oxygen.” 

THE SLANG  PREMIERES NEW SINGLE “DIVIDE” VIA V13

Photo: Morris Photography

Photo: Morris Photography

DEBUT FULL-LENGTH LP DIVIDE   SET FOR RELEASE SEPTEMBER 24TH 

LISTEN: “DIVIDE”   

Today, Washington, DC-based rock duo The Slang has unveiled “Divide,” the title track from their forthcoming debut LP set for release on September 24th. “Divide” is about the moment a relationship is over, and you’re bracing for the inevitable impact from the crash about to occur. “Armed to the teeth with style, grace, and aplomb, The Slang is reemerging with their brand new single…,” said V13 in the song’s premiere, calling it “a juicy slice of melodic power pop, reminiscent of one of those radio songs that somehow finds its way onto every format…A very strong first full-length offering, The Slang is confidently moving forward in the right direction, with both precision and self-assurance.” 

“I sometimes see a divide growing as people reveal their true personalities,” says frontman John Bobo of “Divide.” “It could be personal or viewed in the context of society. Careful to not choose a side… the hope is that people will explore the divide and find a way to come together.” “Divide” follows the release of “Disguise,” a hook-laden dreamscape that brims with shimmering guitars that explores our tendency to hide our true selves from others, and "Nothing Lasts Forever," about addictions, and unhealthy vices and attachments.  

LISTEN: “DISGUISE”   

LISTEN // WATCH: “NOTHING LASTS FOREVER” 

Divide features 10 sparkling alt-rock gems written by co-founders John Bobo and Felix Nieto, and produced by Nieto. “It’s our first full-length album, so we used that to our advantage to take risks that we may not have on our prior EP’s,” explains Bobo. “As the expression goes, ‘Stories Don’t End,’ so what happens after the movie ends and the credits have rolled? Divide is an album about trying to overcome the inevitable, but continues asking that question of ‘what happens next?’”  

Offering a distinct blend of power-pop, alternative, and contemporary rock, The Slang is comfortable testing genre lines and taking their time to capture the minutiae of modern life. With a laid-back intensity that infuses their music, lead vocalist/multi-instrumentalist John Bobo serves as the main songwriter while bassist/multi-instrumentalist Felix Nieto focuses on production. Both artists share a kind of low-key perfectionism: hands-on, hyper-attuned to textural detail, and aware of what elevates a song from good to great. “We want to do it right,” says Bobo. “And we’re willing to do whatever it takes to make the best possible track each time.”   

With smooth vocals and striking guitar melodies, The Slang is often compared to bands like Snow Patrol and The Killers, but with a modern twist and more experimental production value. “We care about the experience, whether on headphones or at a live show,” says Nieto, whose production adds a sleekness and edge. Bobo’s introspective lyrics explore singular moments that define human relationships. This beautiful blend of respective talent is evident on Divide, which features the band’s characteristic melodic precision, bright, electric guitar-driven anthems, and top-quality production, but with a more pop-leaning sound.  

Be sure to follow The Slang via the links below for the latest news, updates, and tour information, and check out their hilarious Facebook group The Slang Gang

SEAN ROWE PREMIERES NEW SINGLE “SQUID TATTOO”

Photo: Joe Navas

Photo: Joe Navas

NEW LP  THE DARKNESS DRESSED IN COLORED LIGHTS 

OUT ON OCTOBER 8TH VIA FLUFF & GRAVY RECORDS 

Sean Rowe alludes to the duality of the human spirit in all of us...and brings insight when it comes to a broken heart — a theme that resonates for this gifted songwriter KCRW   

Rowe’s voice radiates experience and with a robust passion that recalls British artists like Elbow and David Gray. We can grab onto the state our protagonist inhabits, as he is longing and calling out strong though vulnerable and seeped in desire. Glide Magazine  

Traditional folk-rock…into vibrant alt-rock - Holler  

There’s something about Rowe’s baritone that cuts right to the core, the feeling of heartbreak and reckoning palpable at every turn. Mother Church Pew 

LISTEN: “SQUID TATTOO”  

Today, internationally acclaimed singer/songwriter Sean Rowe has unveiled his new single “Squid Tattoo,” the latest from his brilliant forthcoming LP The Darkness Dressed In Colored Lights, due out on October 8th via Fluff & Gravy Records. “'Squid Tattoo’ is about the fleeting feeling of romantically projecting a future life with someone who you haven’t actually met yet and one that will most likely never happen,” Rowe explains of the track. “I think it’s a common thought experiment that a lot of us go through at times and certainly intensifies with the element of alcohol. I think it says more about our mind’s ability to color our own stories rather than the reality of real love. And in that sense, I think there’s actually an underlying sadness in the song despite being on the surface, tongue in cheek," he adds, referencing the song lyrics, "Now I love you/But I can’t believe you’re from Ohio." "I’m really not trying to offend Ohio’s sensibility here. But, a good line is a good line.” 

“Squid Tattoo” follows “Little Death,” a song which Rowe says is about “that strange elation that comes at the end of a long journey with another soul,” and lead single “To Make It Real,” in which Rowe is “alluding to the duality that I feel is in all of us. All the hidden parts and all the guts that spill out when we’re faced with tragedy, adversity, or a broken heart.” 

LISTEN: “LITTLE DEATH”  

LISTEN: “TO MAKE IT REAL”  

The Darkness Dressed In Colored Lights was forged in the fires of self-discovery and acceptance and is the result of work Rowe’s been doing to build a fitter, happier version of himself. He credits therapy and a guided ayahuasca retreat with helping him to reach this understanding. Over the course of an intense weekend, he had experiences that stripped away his anger and defenses and brought him to a place of intense beauty and peace--he realized we create the heaven and the hell that swirls in our heads, and we have to choose in which of those dimensions we want to reside. This album is ripe with both. 

Through its 11 gut-punching tracks, Rowe tackles everything from losing oneself in the despair of heartache to rising from the ashes—the paradox between what once was and what now is, and sometimes being lost in the in-between. His powerful baritone spans the gamut of emotions - and on this record, he makes it clear that at some point it’s hard not to feel them all at once. Every song cuts right to the quick.   

Rowe has also spent years in the woods exploring, foraging, and obsessively learning all that he could about the natural world around him. Through his web series, Can I Eat This?, he’s found a means of indulging two of his great passions: music and nature. In each of the episodes of Can I Eat This?, Sean goes on a foraging mission for all manner of wild foods and uses the harvest to prepare some tasty creation. To check out Can I Eat This?  visit Sean's YouTube Channel 

The Darkness Dressed in Colored Lights will be released on CD and double-vinyl, as well as available on all streaming services on October 8th.  Click HERE to pre-order. 

 

TOUR DATES:  

9/22 - 9/25: Nashville, TN | AMERICANAFEST (Official Showcase) 
9/30: Portsmouth, NH | The Press Room 
10/1: Portland, ME | Sun Tiki Studios 
10/2: Cambridge, MA | Club Passim 
10.20: Vienna, VA | Jammin Java 
10/24: Norfolk, VA | North Shore Point House Concerts 
11/3 & 11/4: Brooklyn, NY | Union Pool 
11/5: Kennett Square, PA | Kennett Flash 
11/6: Rochester, NY | Abilene 
11/19: Northampton, MA | The Parlor Room 
11/20: Egremont, MA | Egremont Barn 

 

 

ANGUS GILL UNVEILS NEW DUET WITH JIM LAUDERDALE “WHITTLING AWAY” VIA BLUEGRASS TODAY

Screenshot 2021-09-13 182501.png

NEW LP THE SCRAPBOOK OUT ON SEPTEMBER 24TH

LISTEN // WATCH: “WHITTLING AWAY”   

Today, ARIA and three-time Golden Guitar nominee Angus Gill released “Whittling Away,” a duet written and performed with the legendary Jim Lauderdale, that highlights the resilience and strength people are displaying in the midst of these trying times. The track appears on Gill’s forthcoming LP The Scrapbook, due out September 24th via Rivershack Records/MGM.  

“Despite growing up far from bluegrass music’s native home, he says that the sound has called to him since he was a child,” said Bluegrass Today of Gill, who hails from New South Wales, Australia. Gill told Bluegrass Today that “Whittling Away” was initially inspired by the heroic struggles his mom went through getting her mother into a nursing home, and it actually served as the catalyst for entire full album, 

“I have always wanted to record a bluegrass album with players that are incredibly passionate about the genre, and know it like the bow of their fiddle or the metal picks on the tops of their fingers…people that have bluegrass in their blood,” Gill told Bluegrass Today.  

“I had half a dozen bluegrass songs that I had written from several years ago that I restructured or altered for this project. I wrote a few new ones and then we had all of the songs for a new record. I called up Tim (Crouch) and asked him if he would play and co-produce the album with me, and we brought Randy (Kohrs), Clay (Hess), and Tony (Wray) onto the project and recorded it all remotely at the start of 2021,” he added. “It’s pretty cool because it sounds like we were all playing in the same room, despite being over 15,000 kms away.”  

“Angus is one of the most creative and talented people I’ve ever worked with,” said Lauderdale of the collaboration. “It was an honor to get to write with and sing with him. I hope we can do much more down the road!” “Whittling Away” follows the release of album single “Always On The Run.” 

LISTEN: “ALWAYS ON THE RUN” 

Recorded during the COVID-19 pandemic, The Scrapbook features Gill backed by a stellar lineup of Grammy winning musicians, and affords him the chance to show a different side to his well-honed songwriting and musicianship. Along with his duet with Lauderdale, Gill also recorded a duet with bluegrass icon Jerry Salley which appears on The Scrapbook.  

Previously, Gill has supported country music superstar Kris Kristofferson and collaborated with music legends including Steve Earle, Adam Harvey, James Blundell, Gina Jeffreys, Diesel, and many more. Gill is one of the youngest Australians ever to have performed at the Grand Ole Opry in Nashville, Tennessee. There, he shared the stage with Charles Esten, who is also featured on the albumPre-save and pre-order The Scrapbook HERE.              

 

TRACK LISTING  

Always on the Run (Angus Gill/Thomm Jutz)  

Samson (Angus Gill/Bill DiLuigi/Kirsti Manna)  

Whittling Away featuring Jim Lauderdale (Angus Gill/Jim Lauderdale)  

Caught Between a Rock and a Heartache (Angus Gill/Rivers Rutherford)  

Feet of Clay (Angus Gill/Charles Esten)  

Let’s Have a Drink (To Not Drinking Again) featuring Jerry Salley (Angus Gill/Jerry Salley/Bill 

Whyte/Aaron Wilburn)  

The Scrapbook (Angus Gill/Bill Whyte)  

Put ‘Er There (Angus Gill/Gary Burr)  

Still Missing (Angus Gill/Thomm Jutz)  

Heartquake (Angus Gill/Thomm Jutz)  

Forget Me Not (Angus Gill/Bill DiLuigi/Kirsti Manna) 

LULA WILES SINGER/GUITARIST ELEANOR BUCKLAND PREMIERES THIRD SINGLE “I’M NOT SAYING” VIA POPMATTERS

Photo Credit: Laura Partain

Photo Credit: Laura Partain

ON TOUR THIS FALL TO SUPPORT SOLO DEBUT
YOU DON’T HAVE TO KNOW DUE OCTOBER 29th ON SOUNDLY MUSIC

“I’M NOT SAYING” (OUT 9/10)
LISTEN || PRE-SAVE

BOSTON, MA. – Singer/songwriter, guitarist Eleanor Buckland releases “I’m Not Saying,” her third single from her forthcoming solo debut You Don’t Have To Know, on Friday 9/10. Eleanor will begin her tour in support of the album with two performances at the Brooklyn Americana Festival on Friday 9/17 and Saturday, 9/18 and continue through the fall.

“I’m Not Saying” examines the unhealthy side of relationships and debuted today on Popmatters: “Throughout, the singer-songwriter sets a magnifying glass over past relationships, exposing their detrimental undertow. She deftly navigates its soaring chorus, brooding with honesty in her reflections on a one-sided romance.” 

Eleanor Buckland first made her mark in the Boston-based folk-rock trio Lula Wiles that has become an acoustic music scene favorite with their three critically hailed albums. During this time, however, Buckland was also working on another musical project – her own album. You Don’t Have To Know (due October 29 on Soundly Music) spotlights a different side of Buckland’s musical interests as it sets her deeply personal songs against inventive indie rock arrangements.

On You Don’t Have To Know, Buckland takes listeners on an emotional journey as her songs address love complicated and love lost, explore struggles with depression and insecurity, and grapple with feelings of uncertainty and helplessness. Or as Buckland succinctly describes the album: “It’s about me trying to figure out who I am and who I was at that time.”

 

BUZZ

“Restless driving rhythms and smoky guitar licks make their way to the forefront on, ‘Static,’ introducing an anxious and insistent side to Buckland’s music…celestial harmonies add a stark beauty to the track, all while Buckland finds herself searching for hope and meaning, but drowned out by the noise of anxiety.” -Under The Radar

“…a catchy indie number that somehow perfectly juxtaposes feelings of desperation and gloom with optimism and hopefulness. With energetic indie beats paired with Buckland’s soothing delicate vocals, ‘Don’t Look Down’ creates a balance between dark and light energies that makes you feel cleansed within.” -BTR Today

“Eleanor Buckland makes a brilliant debut with the indie single ‘Don't Look Down’… clean, raw and honest.” - Popmuzik 

“With this exquisite and instantly hypnotizing blend of melodies and lyrics, she connects with the listeners with a tale that is hopeful and inspiring.” – Wolf In A Suit

 

U.S. TOUR DATES

SEPT 17 / BROOKLYN, NY @ Brooklyn Americana Festival

(@ 6:30 pm DUMBO Archway 155 Water St, Brooklyn, NY 11201)
SEPT 18 / BROOKLYN, NY @ Brooklyn Americana Festival

(@ 6 pm Liberty View – Pier 6 Plaza @ Brooklyn Bridge Park)
NOV 5 / NEW YORK, NY @ Rockwood Music Hall

NOV 7 / CAMBRIDGE, MA @ Club Passim (2 shows)

 

“DON’T LOOK DOWN” (OUT NOW) YOUTUBE || STREAM
“STATIC” (OUT NOW)
YOUTUBE || STREAM
“I’M NOT SAYING” (OUT 9/10) 
LISTEN || PRE-SAVE

LETTERS TO CLEO ANNOUNCE FALL TOUR + ANNUAL HOMECOMING SHOWS

Photo Credit: Chris Sikich

Photo Credit: Chris Sikich

After two years, Boston's Alt. Rock pioneers Letters to Cleo will be headed back out on the road this fall for a short run of intimate shows on the east and west coast including their annual pair of homecoming shows at the Paradise Rock Club in Boston. The band will be doing two nights at the Paradise with both single and two-day tickets available.  The idea for the annual homecoming shows started in 2016 when the band was on the road supporting their first release in 17 years, their Back to Nebraska EP.  The band was on stage at the Paradise playing to an enthusiastic and elated hometown crowd when their manager suggested “same time next year?,” and now this year will be their fourth annual set of homecoming shows.  In addition to the two Boston shows the tour starts out in Southern California  with stops in New York City and Hamden, Connecticut. "I’m so excited for Cleo to be back playing shows after 2 years,” says Michael Eisenstein. “We’re playing some of our favorite venues and resuming our tradition of ending the tour with homecoming shows at The Paradise in Boston the weekend before Thanksgiving. We can’t wait!"

Letters to Cleo formed in 1990 in Boston, lead by guitarist Greg Mckenna and singer Kay Hanley. The band came onto the national spotlight with the release of their first hit single "Here & Now,” released by Giant Records (a subsidiary of Warner Brothers Records). The song reached No. 10 on the Billboard Modern Rock Singles chart. The band’s music could be heard on many of the top TV shows and films throughout the 1990’s, including the cult classic 10 Things I Hate About You, where the band contributed 4 songs to the soundtrack and were featured in the film.  The band played their last show in 2000 and each of the members went on to have successful careers working in different areas of music from the production, writing, performance, musical directing etc.

In addition to Back to Nebraska, Letters to Cleo released a Christmas EP in 2019  called Ok Christmas, in addition to releasing their first three albums Aurora Gory Alice, Wholesale Meats and Fish and Go! On vinyl for the very first time through a limited edition pressing. Copies of all three albums along with the vinyl version of Back to Nebraska are available on LettersToCleo.net 

TOUR DATES

November 11 The Parish at House of Blues  Anaheim, CA+
November 12 Troubadour West Hollywood, CA +
November 16  Bowery Ballroom New York, NY ^
November 17  Space Ballroom Hamden, CT ** 
November 19  Paradise Rock Club Boston, MA **
November 20 Paradise Rock Club Boston, MA **

+ Supported by Dear Elise 
** w/ Charly Bliss
^ w/ Tracy Bonham


NASHVILLE ARTIST BETTY RELEASES MISTAKES MADE, LESSONS LEARNED EP TODAY

Photo Credit: Taylor Napier

Photo Credit: Taylor Napier

MISTAKES MADE LESSONS LEARNED || PURCHASE/STREAM

NASHVILLE, TENN. – Nashville artist Betty Reed has released the debut EP Mistakes Made, Lessons Learned today! The EP premiered earlier this week on Americana Highways.

“[Mistakes Made Lessons Learned] is a concept album, if you consider that the concept is ‘life.’ Ranging from clarifying misjudgments (on “Misunderstood”) to releasing resentments (on “Let it Out”) the album simply tracks individual development…” – Americana Highways

Drawing on personal experiences, Betty Reed relates stories of everyday life through her music. Struggles. Triumphs. Journeys. Her expressive vocals and clever lyrics resonate throughout her debut EP Mistakes Made, Lessons Learned, produced by Bill McDermott.

It’s an eclectic collection of songs that showcase Reed’s ability to write and perform across a musical spectrum. The first single “Karma” is about that moment you are free from an abusive relationship while the other person finally gets their comeuppance. “Misunderstood” sheds light on the #MeToo movement and standing up for ALL victims of harassment or assault.

While “Let It Out” and “Happy” are about her experiences with depression — the ways in which she finds her way out of the dark and into the light.

“Even though the subject matter of most of songs is serious, I mask it with an upbeat vibe—it’s this veneer of cheeriness that you feel you have to project in order to feel normal.”

Mistakes Made, Lessons Learned is out today!

“The polished country-pop tune is meaningful in so many ways, a bold statement about an important issue that for too long has been swept under the rug.” – V13

“Reed’s liberating version of payback is transformed into a modest pop number where instead of wishing ill upon her former partner, she finds freedom in personal happiness and self-love.” – AudioFemme 

“As an artist who writes songs inspired by not only her own life experiences but also moments and events she’s been witness to around the world, ‘Misunderstood’, about the #MeToo movement and standing up for victims of harassment or assault, is already, unsurprisingly, resonating strongly with and deeply touching those who have heard it.” – Popwrapped 

“…sounds upbeat and empowering — and it is, but with a twist… optimistic outlook bubbles throughout the peppy song — even when Reed confesses in the verses that she has trouble opening her heart to people.” -The Boot


 “KARMA” (OUT NOW)  
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“MISUNDERSTOOD” (OUT NOW)  SPOTIFY || YOUTUBE

HAPPY (OUT NOW) SPOTIFY || YOUTUBE

MISTAKES MADE, LESSONS LEARNED OUT TODAY!

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GUITARIST JOHN SIERRA (OF THE ALT/ROCK BAND ATTALUS) MAKES SOLO DEBUT WITH FIRST SINGLE “A DREAM WORTH KEEPING” OUT NOW

Photo Credit: Flightless Bird Photography

Photo Credit: Flightless Bird Photography

"A DREAM WORTH KEEPING" || STREAM

RALEIGH, NC. – Raleigh singer/songwriter and guitarist John Sierra  – formerly of the Raleigh-based band Attalus on Facedown Records –makes his solo debut with the single “A Dream Worth Keeping” out today. Acoustic guitar with heavenly harmonies, the first single explores the ambivalence between fear, desire and our dreams.

As John explains, "‘Dream Worth Keeping’ is a conversation with myself about pushing through fear when it comes to desires and dreams. It’s my way of working through frustration and deep regret. I spent much of my life trying to prove myself to others, living in a ‘dream-only’ world, hiding in addiction or behind others who I deemed better, for fear of rejection.” 

The single is featured on the debut album The Wonder (out 11/5) that marks a departure from the alt/rock sound of his former band with influences that range from The Killers, Mumford and Sons, C.S. Lewis and Puccini.

On his debut album, The Wonder, John Sierra invites listeners on a thoughtful journey into the emotional landscape of the heart. Rich with soaring harmonies, driving acoustic rhythms, and haunting melodies, The Wonder wades through a folk-inspired sound with songs that are unapologetically raw. Exploring heartache, healing, relationship, and working through regret, The Wonder is meant to be an experience for any who would listen.

ABOUT JOHN SIERRA:

His early twenties were categorized by smoky clubs and raging guitar amps, performing as an integral part of the alternative rock band, Attalus, signed to Facedown Records. This foray into the music scene set an incredible foundation for John Sierra's music career. But, this season also marks a great recovery of heart for John. After shipwrecking almost everything beautiful in his life, he was careened into the realization he had lost himself along the way. Even the band had become a false identity. Through therapy, mental health, and a recovery of heart, he began to find the life he had always longed for…

And in that place, from that place, he began to write. To share the story of hope, forgiveness, healing, and restoration he experienced. Each of the songs on The Wonder stem from this season: from the recovery of a young man’s heart towards beauty, to exploring the roots of addiction and the power to overcome, to the active choice to push against regret towards a dream.

 THE WONDER ALBUM (COMING 11/5)
“A DREAM WORTH KEEPING" (OUT NOW)  
SPOTIFY || YOUTUBE

Single - A Dream Worth Keeping.jpg

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DESTROY BOYS RELEASE THEIR “ALL THIS LOVE” SINGLE FROM THE FORTHCOMING ALBUM OPEN MOUTH, OPEN HEART OUT OCTOBER 8 VIA HOPELESS RECORDS

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“ Using their platform on gender and racial equality as well as LGBTQIA+ rights, Destroy Boys channel that same unbridled passion into their lyrics. The group give a voice to the underrepresented with a fresh perspective on love, loss and everything in between.” - Alternative Press

“......it's safe to say Destroy Boys have successfully carved their niche in punk rock.” - Guitar World

“A forceful vocal from Roditis likens her adolescent harassment to the hysteria of a witch-hunt, as a wall of electric guitar chords and Malik’s formidable backbeat support her.” -  East Bay Express 

"Channeling the spirit of anarchic American garage rock and melodic sensibilities of classic Bay Area punk into short snarling songs, Sacramento’s Destroy Boys whip up noise that is truly timeless.” - Rock Sound

“The fresh-faced, young female fronted band are pumping fresh blood back into the life of power punk.” - Ladygunn

"They stay true to punk’s roots with the angry material, fast tempo and guitar riffs. It has such an wrathful sound to it that the lyrics are just begging to be screamed." - Riff Magazine 

"Originally from Sacramento and now based in San Francisco, Destroy Boys is an absolutely need-to-know punk trio.” - San Francisco Chronicle

“Led by singer Alexia Roditis’ sarcastic and wistful singing and Vi Mayugba’s shredding guitar, held down by Narsai Malik on drums, they pay homage to and represent an evolution of all things classically punk, making music that is a searing reminder of how recklessly expressive punk rock was designed to be.” - Culture Collide

LISTEN TO “ALL THIS LOVE”: HERE

Northern California’s three-piece Destroy Boys have released their new single “All This Love,” the fourth track from their forthcoming album Open Mouth, Open Heart, produced by Will Yip. Coming out October 8th, the album is available to pre-save and pre-order  HERE.

“All This Love” is as close to a ballad as the band gets on this new album. The song is a lament about  yearning for love, and ultimately,  a realization that you need to first love and connect to yourself before you can be a true partner in a relationship with someone else.  This song follows three blistering singles. “ Muzzle,”  that Alternative Press called “Ferocious,”  and about which Refinery 29 said “Destroy Boys aren't playing nice on ‘Muzzle,’  kicking ass and taking names in the high-energy new single about fighting back against the powers that be.”

The second single “Drink”  is a raw and honest look at the relationship that can exist with mind-altering substances, and how it can be both destructive and comforting. Brooklyn Vegan called it a “ripper,” and Harderbeat said the song is “Lyrically poignant and musically full of hooks, this is the sort of track that just doesn’t sound like it reflects the subject matter until you really listen to it. A track that rewards multiple listens.” The last single release,  “Locker Room Bully” that KQED called “a proverbial middle finger that offers a swift takedown to petty-minded interlopers,”  saw the band punching back at bullies and the toxicity of the internet, with its culture of supporting half-truths and warped reality.

Although Open Mouth, Open Heart is the band's third full length album, it’s an album of firsts for Destroy Boys. Recorded in Philadelphia earlier this year during lockdown, Roditis, Mayugba and Malik lived in their own little bubble,  for the first time being able to patiently build the songs layer by layer.  Entering the studio with producer Will Yip, (who produced all the songs on the album except for “Muzzle” which was produced by Martin Cooke), with songs that were more fully formed allowed Yip and the band time and freedom to focus on the production. The album also features two songs recorded in Spanish, “‘Te llevo conmigo” and  “Lo peor,”  another first for Destroy Boys. “I grew up bilingual,” Roditis told the East Bay Express. “This song is a tribute to my grandparents. I didn’t get to know them but I feel them around me, so I wanted a song to honor them. I haven’t heard many metal songs in Spanish, so I was excited to write it.” The album is a huge step forward for the band both musically and the depth and density of subject matter. “Everyone adding their own element makes the songs come alive,” says Roditis, “but the biggest difference was going from 19 to 21. I feel like a different person, esthetically.”

Destroy Boys are Violet Mayugba (guitar/vocals) and Alexia Roditis (vocals/guitar), rounded out by drummer Narsai Malik. The punk trio have been redefining West Coast punk, making waves from the California shoreline to the UK, sharing stages with up-and-coming bands like Mannequin Pussy as well as punk stalwarts such as Face To Face and Lagwagon. In addition to having racked up over 60 million streams, their music can be heard in Tony Hawk’s Pro Skater 1+2 game, and Tik Tok has embraced them to the tune of 20 thousand user-made videos and over 3.5M views. Their visceral personal tales have won over the hearts and ears of eager listeners who pack out their shows. The band will be back on stage playing shows in the Bay Area later this fall. 


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PHILLIP-MICHAEL SCALES ANNOUNCES SINNER-SONGWRITER LP OUT ON OCTOBER 29TH VIA DIXIE FROG RECORDS

 NEW SINGLE “ANOTHER MAN’S SIN” PREMIERES

Photo Credit: Bryan H Iglesias

Photo Credit: Bryan H Iglesias

VIA PANCAKES & WHISKEY

LISTEN: “ANOTHER MAN'S SIN

Today, Nashville-based artist Phillip-Michael Scales unleashes “Another Man’s Sin,” the smoldering new single from his forthcoming LP Sinner-Songwriter, set for release on October 29th via Dixie Frog Records.

“‘Dive Bar Soul’ is how Scales describes his music and this track perfectly embodies that statement; rocking music that has heart and soul, but feels very accessible for any music fan to appreciate,” said Pancakes & Whiskey in the track’s premiere. “Starting with Phillip-Michael’s soaring voice and a simple guitar chord, the song makes us listen intently and when the undeniable hook kicks in, we can imagine ourselves at a dark and dusty bar whilst sipping whiskey and stomping about. What stands out for us in this single and the album as a whole, is the honesty of the lyrics and the vivid storytelling, quite likely a trait he learned from his legendary uncle B.B. King"

“This is one of my favorite tunes off the record,” Scales told Pancakes & Whiskey. “Most people have pivotal moments that inform how we act in the relationships that follow (for better or worse). ‘Another Man’s Sin’ is about the bad cycle of passing on the hurt because we’ve been hurt.”

~

Growing up, Phillip-Michael Scales had an uncle who played guitar for a living. He knew it was a big deal but didn’t understand the significance that his uncle’s name was B.B. King. Even though Scales played guitar, he shied away from soloing and most things blues-related. Instead, he fell in love with songwriting when an English teacher told him “A great writer can make their reader identify with anyone.” The trouble was he couldn’t find his story in the blues.  

Born with a fierce independent streak and a passion for performing, Scales fronted his own indie bands, wrote and recorded his own music, and worked to make a name for himself on his own terms. All the while, his uncle just smiled a knowing smile and encouraged him to “stay with it.” As he began to discover “the blues” in his private and personal life, their relationship grew closer.

It wasn’t until his uncle passed away that Scales began incorporating more of it into his music. “These days I’m finding more of my story in the blues,” he explains. “A lot has led me here—between politics, my identity, and of course: Legacy.” 

LISTEN: “O, HALLELUJAH” 

Throughout its 14 soulful tracks, Sinner-Songwriter, Scales explores, growth, mistakes, being black in America, searching for love, and finding your place in the world. He calls his sound “Dive Bar Soul,” blending indie rock storytelling with the passion of the blues. His single “O, Hallelujah” has broken 200K plays, he has been featured in Rolling Stone France, and is in regular rotation on Nashville’s Radio Station Lightning 100. Scales’ music has taken him all the way to the Middle East, as well as festivals across Europe and North America. He has opened for Fantastic Negrito, Anderson East, Guster, David Cook, Bethany Joy Lenz, Matt Hires, Billy Raffoul, Crystal Bowersox, Tyler Hilton, Jon McLaughlin, and Cory Brannan.

KEEP UP WITH PHILLIP-MICHAEL SCALES

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