TWO BIRD STONE SHARES NEW SINGLE & ANNOUNCES FORTHCOMING DEBUT LP

TWO BIRD STONE SHARES NEW SINGLE

 “IF YOU WANNA COME BACK” VIA FOLK RADIO UK 

DEBUT LP HANDS & KNEES OUT SEPTEMBER 11TH VIA SOUNDLY MUSIC

LISTEN: “IF YOU WANNA COME BACK”

Two Bird Stone is a dynamic new band founded by singer/songwriter Liam Thomas Bailey and featuring some of Nashville’s and New York’s finest musicians. The band formed in 2019 and will release their debut album, Hands & Knees, on September 11th via Soundly Music. “Just take a listen to ‘If You Wanna Come Back’ below whose gentle opener gradually builds in pace before hitting dance-pace, set off by a great Dirk Powell fiddle tune that will surely get your feet tapping,” said Folk Radio UK in their premiere of the track. “This story is told by a cheeky fellow who intends to convince his companion that his selfish absence is absolved by the depth of his return,” Bailey told Folk Radio UK. "The tenor of this track suggests that his love is true and that his commitment was fortified by his need to wander.” The satisfied mood of “If You Wanna Come Back” is reinforced by the bright and upbeat fiddle tune “Going Back To Fielden” by Dirk Powell that breaks after the hook. “If You Wanna Come Back” follows the release of  the album’s title track, featuring Sarah Siskind, and album track “Shoebox Money.”  Hands & Knees was co-produced by Bailey and friend and frequent collaborator Dan Rowe, who also contributed keys and vocals to the album. 

WATCH: “HANDS & KNEES ft. Sarah Siskind”

LISTEN: “HANDS & KNEES ft. Sarah Siskind"

LISTEN: “SHOEBOX MONEY”

The music of Two Bird Stone is fueled by Bailey’s contemporary Americana songwriting and the group’s deep appreciation for the traditional fiddle music of Ireland, Scandinavia and North America. Paying tribute to the many swirling cultures that make up the American identity, Two Bird Stone also carefully incorporates traditional melodies and musical tendencies of cultures abroad to reflect the dimensions of this land’s powerful diversity. In lieu of the preservation of traditional material in any strict sense, Two Bird Stone likes to function as a lens through which an audience gets a fresh look at the culture of traditional tune sharing and the instruments upon which we would generally hear them played.

Before spinning off to form Two Bird Stone, Bailey was a highly sought-after Nashville studio and road musician; he also worked in commercial post-production with bandmate, Chad Kelly (accordion), a two-time Emmy Award nominee who has composed original music for numerous award-winning and critically acclaimed films and documentaries. These include Escape Fire: The Fight to Rescue American Healthcare, an official selection of the 2012 Sundance Film Festival and distributed by Roadside Attractions, Starz Network’s The Big Bad Swim, ESPN Films’ The Zen of Bobby V, and the 30 For 30 feature "The Third Man." He has also composed for HBO Documentary Films’ Andrew Jenks, Room 335, The Alzheimer’s Project, and the five-time Emmy Award-winning film, The Real McCoy. Bailey and bandmate Judd Fuller (bass, mandolin, background vocals) traveled the world together for 11 years as members of Nashville country star Rodney Atkins’ touring band. Fuller has also toured and performed with Peter Wolf from The J. Geils Band, Bo Diddley, Entrain, and Carly Simon. New York-based percussionist, composer, and educator Rohin Khemani rounded out the lineup. Known as an extremely versatile and eclectic musician, his sound can be heard on a wide variety of projects weaving through the worlds of jazz, world music, rock, folk and electronica. Khemani was a founding member of Red Baraat and co-leads the band Surface to Air Trio with guitarist Jonathan Goldberger and bassist Jonti Siman. He has performed for audiences at some of the world’s most prestigious concert halls and festivals including Carnegie Hall and Lincoln Center, Sauti Za Busara in Zanzibar, Tanzania, The Monterey Jazz Festival, The London 2012 Olympic Games, and Peter Gabriel's WOMAD Festivals in the UK, Australia, and New Zealand.

HANDS & KNEES TRACKLIST

HANDS AND KNEES

SHOEBOX MONEY

ME AND MY FRIENDS

WAKE ME UP

WHEN SOMEBODY CAN SEE YOUR SOUL

IF YOU WANNA COME BACK

THE 99

I ALREADY KNOW WHAT’S ON YOUR MIND

NEEDLE AND THREAD

DRVIE IT ’TIL THE WHEELS FALL OFF

CONNECT WITH TWO BIRD STONE:

Website || Facebook || Instagram || Spotify || YouTube

 

NATALIE SCHLABS RELEASES TIMELY NEW SONG “GO OUTSIDE”

NATALIE SCHLABS PREMIERES NEW SINGLE “GO OUTSIDE” 

VIA ONES TO WATCH 

NEW LP DON’T LOOK TOO CLOSE  SET FOR RELEASE  ON OCTOBER 16TH 

Schlabs’ voice possesses an audible kindness to it that allows her to carry her performance with the calmness and sincerity necessary to portray a song crafted on the kind of love that overreaches any one type of relationship. - American Songwriter  

Stirring songs...defined by the seamless convergence of her crystalline vocals, introspective lyricism and soaring melodies  - Albumism 

If your life feels like an endless struggle right now...Natalie Schlabs has a message of hope for you. - Audiofemme 

Lyrical sincerity with gorgeous melodies...Natalie Schlabs delivers gilded, Americana-infused sweetness in a song that feels immediately timeless" - Atwood Magazine 

Brings to mind the timeless and melodic pop of the ’70s (plus some crisp Rilo Kiley-esque guitar hooks) with sweet lyrics about someone coming into your life” - Spectral Nights 

Mellow, yet upbeat, and it fills the heart and mind with thoughts and feelings about those that you hold dear. - The Indy Review

Photo credit: Fairlight Hubbard

Photo credit: Fairlight Hubbard

Natalie Schlabs has unveiled timely new single “Go Outside,” a track from her forthcoming album Don’t Look Too Close, due out October 16th. “‘Go Outside’ is the perfect indie soundtrack to a summer afternoon,” said Ones To Watch in its premiere. “The airy acoustic guitars and dreamy vocals give the song a magic quality, as if it were a spell to coax you (safely!) out of wherever you've been quarantining. The delicate harmonies and swaying effects feel like a fresh breeze blowing through a field of flowers. More than anything, this song showcases the simple beauty of everyday life.” Schlabs wrote the song as “a reminder to put down my phone and pursue activities that fill me with a tangible sense of the world and my 'flesh and bone' neighbor outside my door,” she explains. “To be outside is to be surrounded by a world I can't control and beauty I did not have to create myself. I can let go of some of my control and simply be.”

LISTEN: “GO OUTSIDE”  

“Go Outside” follows encouragement anthem “See What I See,” and “Home Is You,” a song about that person who is your “person.” Schlabs enlisted fellow artists and friends like Robby Hecht, the members of Oliver the Crow, Betsy Phillips, and gospel/soul powerhouse Liz Vice for the endearing “Home Is You” video. “Even with COVID-19 keeping many of us apart, artists everywhere are still finding ways to put forth creativity and hope,” said Underground Music Collective of the video. “‘With ‘Home Is You,’ we get a personal look at the quality time spent between loved ones — all of whom happen to be singing along to this undeniably catchy tune.”

LISTEN: “SEE WHAT I SEE”   

LISTEN: “HOME IS YOU”  

WATCH: “HOME IS YOU” 

The nine tracks that comprise Don’t Look Too Close, the second full-length effort from the Texas-bred Nashville-based artist, live in the tension between the beauty and heartbreak surrounding our closest relationships. The songs were written when Schlabs was pregnant with her first child, which caused a lot of reflection on her own upbringing and how she wanted to raise him. The album’s title came from the idea that "he’s going to see all the worst of me, be hurt by the worst of me, as much as I don’t want him to, and, as much as I want to be the best for him. I was thinking about how to raise a child, how to pass down values. There’s a dismantling of what I thought I knew,” she explains. “What do I value in my life and where did those things come from? What do I want to share with my children and what do I want to spare them from?”  

Don’t Look Too Close steps into indie territory with a compelling mix of instrumentation laced with solo vocals that bloom into easy, delicate harmonies. Co-produced by Juan Solorzano and Zachary Dyke, with Caleb Hickman on saxophone and Joshua Rogers on bass, the album swells and ebbs with elegant, absorbing shapes. The songs are moody, candid, and tender, each featuring Schlabs’ characteristically sleek vocals front-and-center, backed by charming instrumental moments that add form and depth to the melodies.     

CONNECT WITH NATALIE SCHLABS: 

Website || Facebook || Twitter || Instagram || Spotify || YouTube || Bandcamp

KONATA SMALL & ZAYDE WØLF RELEASE “RUN THIS TOWN”

KONATA SMALL & ZAYDE WØLF RELEASE  

 “RUN THIS TOWN”

“ZAYDE WØLF has slowly but surely started to take over the world.” - Alternative Addiction

zw-runthistown-cover.png

LISTEN TO “RUN THIS TOWN”: HERE

Alt Rock chart topper Zayde Wølf has teamed up with hip hop artist Konata Small for the release of the epic new track “Run This Town.”  “Producer Al Cres had this dope sampled guitar riff and this rad jungle rhythm that felt so sick together,” says Dustin Burnett (aka Zayde Wølf). Then I heard this shouty group vocal chant followed by some nasty lines Konata had written. At that point I knew I had to find a way to sing on the track. The guys let me rework the chorus a little and help square up some additional production.” 

“Perhaps the perfect description of ZAYDE is simply the dark rock child of Imagine Dragons and The Black Keys.” - Ones to Watch 

ZAYDE WØLF is unconventional, in every sense of the word. Scrawling a poetic lyric on a massive pop-rock wall of sound--hinting at Imagine Dragons and Bastille influence.”  - Pop Dust


Konata Small has been on his grind for the better part of a decade. As a member of acclaimed hip-hop trio Rhema Soul, he toured the world, became a regular presence on the national conference circuit, and released five lauded albums. His music has been featured on Netflix, HBO, Showtime MTV, and many others. On his debut project  Est. 1997, Konata proved once again that he is a force. Featuring masterful production by Al Cres (Rihanna, Jennifer Lopez, BEAM) that spans the gamut of boom bap and trap soul, Konata is at his best and most self-actualize. He knows who he is and where he is going. 

“Run this Town” is ripe for our times. “ Identity is everything, “ says Konata, “you must know who you are to make a lasting impact.  We must decide to take control of our future in spite of stereotypes, agendas, and obstacles. We’re gonna RUN this town.“ 

With ZAYDE WØLF, Burnett has built a reputation for music that inspires, motivates and most importantly connects. His latest full-length album Modern Alchemy charted in over 25 countries on the iTunes overall charts and debuted in the top ten Alternative charts here in the U.S. Since he started releasing music just a few short years ago, the ZAYDE WØLF has grown to 217K YouTube subscribers, 70 million views, and his music has been streamed over 30 million times.  His musical success has led to placements in hundreds of films, TV shows, trailers, commercials, and video games. The list includes Shameless, Skyscraper movie, Love-Simon movie, the Jack Reacher 2, The Maze Runner 3, Pride Prejudice & Zombies, spots for UFC, MLB, NFL, Dodge, Jeep, WWE, Xbox, NBA, and more. Burnett has also creatively expanded his reach by cultivating relationships with partners such as Dude Perfect, one of the top YouTube sports channels with over 40 Million subscribers and 7 Billion views. "I get all these emails, sometimes one a week,” Burnett told Billboard, “with all these stories about how the music has moved people in some way. I wanted to continue to make music for people to be inspired by." Most recently Burnett has been getting notes about how his music has been a beacon of light shining through the heavy cloud of uncertainty the world finds itself in.  “Your songs are pure power, and are helping this immunocompromised family navigate such strange times, and to appreciate what's important,” read an email that came in from Australia. “We are all definitely living life like we never have....”

 KEEP UP WITH KONATA SMALL

https://www.konatasmall.com/

http://www.twitter.com/konatasmall

http://www.instagram.com/konatamsmall

http://www.facebook.com/konatasmall

http://youtube.com/konatasmall

 

KEEP UP WITH ZAYDE WØLF

PR Materials: http://smarturl.it/ZaydeWolfPR

http://www.zaydewolf.com

https://www.facebook.com/zaydewolf

https://twitter.com/zaydewolf

https://www.instagram.com/zaydewolf

https://www.youtube.com/zaydewolf

https://soundcloud.com/zayde-wolf

SHELTER IN PLACE BORN PROJECT ATWATER PUNX RELEASE THEIR DEBUT EP THE FLEA DRAWS BLOOD

QUARANTINE BORN FAMILY PROJECT ATWATER PUNX

RELEASE THEIR DEBUT EP THE FLEA DRAWS BLOOD

Atwater Punx EP Cover.jpg

LISTEN TO THE FLEA DRAWS BLOOD : HERE

Los Angeles band Atwater Punx, named after their Atwater Village neighborhood have released their debut EP The Flea Draws Blood, out today worldwide.

Atwater Punx is the brainchild of Stacy  (American Hi-Fi, Letters to Cleo etc.)  and Kristen Wagner Jones (Shut Up Stella, Bullet & Snowfox). Both Jones’ have spent their careers making music, but it was the birth of their son Waylon that drove them to make music together. The couple started to put together ideas around Waylon’s naptime and after he went to bed in their home studio. The shelter in place orders issued in Los Angeles, where the couple lives, trigger their creativity and with the forced time off they finished the first three Atwater Punx songs inspired by bands like The Clash and Bikini Kill.

“‘Ghost Town’ has elements of bands like Rancid mixed with some of the dance-punk of Le Tigre, but combined with the more pop side of things that Jones has been dabbling in lately.” - If It’s Too Loud

They released their first single, “Ghost Town” earlier this month. The song, like the project, was inspired by being in quarantine and is about the isolation and disconnection of a once busy city turned quiet and nearly completely still, overnight.

“Melding together aggressive keys with Stacy and Kristen’s razor-sharp vocal, “Ghost Town” packs a punch upon first listen and has listeners hitting replay for more.’ - Culture Collide

The driving and adrenaline-filled track “Annie”, is about the angst, energy, and aggression of youth, and the crushing third track “Drums of Death,” a hybrid of ‘Check Your Head’ era Beastie Boys and the noise-pop sound of Sleigh Bells, pays homage to a fearless female protagonist. A born fighter who is a true adversary to anyone standing in her path.

Atwater Punx continue to be inspired and are working on new music. Stay tuned!

KEEP UP WITH ATWATER PUNX

https://www.instagram.com/atwaterpunx/

https://www.instagram.com/kristenaelaine

https://www.instagram.com/stacyglenjones

MARKET JUNCTION ANNOUNCES NEW LP WITH THE RELEASE OF LEAD SINGLE "NEBRASKA"

MARKET JUNCTION UNVEILS NEW SINGLE “NEBRASKA” VIA AMERICAN SONGWRITER

NEW LP BURNING BRIDGES SET FOR RELEASE  ON AUGUST 7TH

Photo Credit: Jason Allison

Photo Credit: Jason Allison

Houston, Texas-based folk/Americana band Market Junction has announced their forthcoming album Burning Bridges, due out August 7th, with the release of lead single “Nebraska.” “Home is not a place. It is a connection to another person,” golden-voiced vocalist Matt Parrish told American Songwriter of the songs’s inspiration. “When you lose those people, you feel uprooted, disconnected, and lost. Being out on the road is hard on a relationship, yet the constant war inside us wages between the dreams we chase and the people we love. Sometimes the road wins and we are left with nothing but our own wanderlust.” American Songwriter called its lyrics “particularly poignant,” saying they “perfectly capture this sense of lonely restlessness.”

LISTEN: “NEBRASKA”

Burning Bridges“features the kind of deft songwriting that has earned Parrish and guitarist/keyboardist Justin Lofton accolades since the band’s debut,” adds American Songwriter. Parrish and Lofton, both award-winning songwriters, set out on a journey to create the kind of music they not only loved to listen to but music that they loved to play. Since those early days, the band expanded its lineup to include Taylor Hilyard on bass guitar and Michael Blattel on drums, sharing stages with Cory Morrow, Ray Wylie Hubbard, Jack Ingram, Radney Foster and more. 

“We’ve done nothing the conventional way”, says Parrish. “It’s taken us nine years to figure out who we are and what direction we want to take our careers,” adds Lofton. The combination of lyrical prowess and Lofton’s fretboard mastery has resulted in a sound that is rooted in place and time, but that transcends both. While the band has found success in their beloved home state of Texas, they are ready to show the rest of the world what they can do. The wait will have been well worth it for Americana music fans across the country - each of the 10 tracks on Burning Bridges tell one story, one of a young man learning about love and its consequences. Sometimes the heartbreak spurs the traveling, and other times the traveling is the cause of the heartbreak. Either way, Burning Bridges will break your heart in the best kind of way, and have you reaching for the keys.   

TRACK LISTING

   When Your Heart Begins To Ache

Out Of Love

I Hope It Breaks Your Heart

Nebraska

Western Coast

A Stone Will Sink

Hello My Dear

Bird In A Cage

Livin’ A Lie

Burning Bridges

CONNECT WITH MARKET JUNCTION:

Website || Facebook || Twitter || Instagram || Spotify || YouTube

MATT LOVELL PLAYFULLY CONFRONTS HIS DEMON(S) IN NEW VIDEO "TROUBLE"

MATT LOVELL UNVEILS NEW VIDEO & SINGLE “TROUBLE” VIA VARIANCE MAGAZINE

 DEBUT LP NOBODY CRIES TODAY OUT JUNE 5TH 

Photo: Jason Lee Denton

Photo: Jason Lee Denton

Singer/songwriter/survivor Matt Lovell has released the latest single and video “Trouble” from his debut album, Nobody Cries Today, produced by Jars Of Clay’s Matt Odmark and due out on June 5th. “Trouble” arrives just in time for Mental Health Awareness Month. “The song, which is inspired by Lovell's own experience with pain and trauma, is intended to serve as a light, reminding others it's possible to make it to the other side of their grief or misfortune,” Variance Magazine says of the encouraging single. The playful video features Lovell accompanied by a character that represents his trouble(s) - at first, it’s unclear if the character is friend or foe, but we quickly find out that this “Trouble Monster” is here to help him learn a thing or two about how to roll with the punches and have a little fun amid life’s ups and downs. 

WATCH: “TROUBLE”

“Trouble” follows previous singles “Be Free,” an Aretha Franklin-style gospel-infused empowerment anthem, “Alligator Lilly,” a song about lost innocence with a quirky, Wes Anderson-inspired video, and “90 Proof,” a torch song about getting over the loss of a relationship. “Lovell knows how to tap into a part of himself that can bring the emotions of ’90 Proof’’ to the surface and doing so is all the more honorable, knowing the story he’s trying to tell, isn’t a made up screenplay,” said American Songwriter of “90 Proof.” “It’s one man being willing to revisit challenging parts of his life and do so with performative solemnity and grace.” 

LISTEN: BE FREE”

WATCH: ALLIGATOR LILLY” 

WATCH: 90 PROOF”  

All but one of the album’s songs were recorded in 2016 - just months before  Lovell nearly lost his life. On January 20, 2017, he was shot in the chest in Nashville by a sixteen-year-old who attempted to steal his car. Miraculously, he lived. “This moment created a new center of gravity and re-ordered my understanding of everything I’ve experienced in this lifetime,” he explains. “Many people who experience acute trauma go through somewhat of a euphoric period immediately after the incident occurs, and this was definitely my experience. The level of peace I felt was something I had never touched before. I wrote profusely, I gardened, I brought new life and vigor to my musical ventures, and I made peace with complicated friendships. More than anything, I found a level of great self-acceptance and this created space for me to begin to learn how to live this life.”   

This era ended with the abrupt onset of PTSD, causing the most difficult time Lovell had ever faced. He began to question everything and struggled to find a way to articulate the horrors he was experiencing.  Now, on the other side of recovery, Lovell is excited to sing these songs again for anyone who will listen. “In these years of writing and recording, I have gathered quite a wild palette of paints,” he says. “In a way, Nobody Cries Today has actually been my teacher.  As I have written these songs, each of them has been like a tiny rowboat to get me from one day to the next. They have witnessed me in the years that I was in the throes of trying to find acceptance for myself and for the world I’m living in.  As a gay man of Southern origin, this proved to be a tall order. These songs have also helped me to explore things like zest for life, discontent, hunger, truth, and hope,” he continues. “Nobody Cries Today contains every bit of earnestness, desire, and love that I have to give.”

CONNECT WITH MATT LOVELL:

Website || Facebook || Instagram || Spotify || YouTube

NATALIE SCHLABS PREMIERES ENCOURAGEMENT ANTHEM “SEE WHAT I SEE”

NATALIE SCHLABS PREMIERES ENCOURAGEMENT ANTHEM “SEE WHAT I SEE” VIA AUDIOFEMME

NEW LP DON’T LOOK TOO CLOSE SET FOR RELEASE ON OCTOBER 16TH

Schlabs’ voice possesses an audible kindness to it that allows her to carry her performance with the calmness and sincerity necessary to portray a song crafted on the kind of love that overreaches any one type of relationship. - American Songwriter

Photo: Fairlight Hubbard

Photo: Fairlight Hubbard

Nashville-based singer/songwriter Natalie Schlabs has released “See What I See,” the second single from her forthcoming album Don’t Look Too Close, due out October 16th, just in time for Mental Health Awareness Month. “If your life feels like an endless struggle right now…Natalie Schlabs has a message of hope for you. Her latest single, ‘See What I See,’ reassures people in various difficult situations that there’s a light at the end of the tunnel, even if they can’t see it at the moment,” said Audiofemme of the song, written to lend encouragement to those who are struggling. “I think we can all offer our eyes to someone when they’re having a hard time, imagining they will be OK again,” Schlabs told Audiofemme.

LISTEN: “SEE WHAT I SEE”

“See What I See” follows lead single “Home Is You,” a song about that person who is your “person.” “Romantic, timeless love songs are great, but what about other kinds of love? Best friends, childhood neighbors, brothers and sisters, a mentor and mentee, family. This is just the kind of angle singer-songwriter Natalie Schlabs poses in many of her songs, including her latest, “Home Is You,” said American Songwriter in its premiere of the track. In this time of social distancing, Schlabs got creative with the song’s video. “Even with COVID-19 keeping many of us apart, artists everywhere are still finding ways to put forth creativity and hope,” said Underground Music Collective. “As for the video? It features at-home footage of Schlabs and her closest family and friends — including fellow musicians like Robby Hecht, the members of Oliver the CrowBetsy Phillips, and gospel/soul powerhouse Liz Vice. With ‘Home Is You,’ we get a personal look at the quality time spent between loved ones — all of whom happen to be singing along to this undeniably catchy tune.”

LISTEN: “HOME IS YOU”

WATCH: “HOME IS YOU”

The nine tracks that comprise Don’t Look Too Close, the second full-length effort from the Texas-bred Nashville-based artist, live in the tension between the beauty and heartbreak surrounding our closest relationships. The songs were written when Schlabs was pregnant with her first child, which caused a lot of reflection on her own upbringing and how she wanted to raise him. The album’s title came from the idea that "he’s going to see all the worst of me, be hurt by the worst of me, as much as I don’t want him to, and, as much as I want to be the best for him. I was thinking about how to raise a child, how to pass down values. There’s a dismantling of what I thought I knew,” she explains. “What do I value in my life and where did those things come from? What do I want to share with my children and what do I want to spare them from?” 

Don’t Look Too Close steps into indie territory with a compelling mix of instrumentation laced with solo vocals that bloom into easy, delicate harmonies. Co-produced by Juan Solorzano and Zachary Dyke, with Caleb Hickman on saxophone and Joshua Rogers on bass, the album swells and ebbs with elegant, absorbing shapes. The songs are moody, candid, and tender, each featuring Schlabs’ characteristically sleek vocals front-and-center, backed by charming instrumental moments that add form and depth to the melodies.

CONNECT WITH NATALIE SCHLABS:

Website || Facebook || Twitter || Instagram || Spotify || YouTube || Bandcamp

OUT TODAY:  REASSURE ME THERE’S A WINDOW -  NEW LP FROM GLENN THOMAS

The 10-song set is a reinvention for Thomas, its rich melodies and careful arrangements nothing like anything he's released before. - Billboard 

Reassure Me There's A Window veers from his previous releases in the realm of atmospheric and visceral rock and into contemplative indie-folk - PopMatters 

At a time when doors are shut, Thomas has thrown open a window to the world of the heart, and the view is  wonderful - Folk Radio UK 

Folky, calm, with a skip in its step, its rhythm is familiar and bright…raised in New England, Thomas encapsulates that ambience of small town daydreaming" – Atwood Magazine 

[Glenn Thomas has] gone from being the frontman and guitarist for the alt-rock trio Wild Sun to harnessing the craft of writing music with a deeper meaning - The Independent (RI)

Tight fingerpicking guitar-based tunes with introspective lyrics fleshed out with resonant string arrangements. - Ghettoblaster

Gently reflective - Americana-UK

Indie-folk backing, with drips of steel guitar and this bubbling melancholy - Backseat Mafia 

Quite enthralling - A1234 

A powerful a sentiment - Ear To The Ground 

 Straddling the line between harmonica-laced folk and cheerful Brit-pop - Underground Music Collective 

You can literally feel the emotion behind Thomas’s voice. His soulful sound is matched by the simple, yet powerful instrumentation - Gas Mask Magazine 

GT.RMTAW.albumcover.jpg

LISTEN: REASSURE ME THERE’S A WINDOW 

Today, Nashville-by-way-of-New England singer/songwriter Glenn Thomas unveils his beautiful new LP Reassure Me There’s A Window. “This album was a long time dream of mine,” recounts Thomas of the LP, which premiered earlier this week via Billboard. “For the last seven years, I’d been touring New England and the East Coast with my alternative rock power trio Wild Sun. Everything I was writing was written for that outfit, and as such brought certain limitations with what I could do with the songs. Throughout that time I was writing a lot of songs that were not rock songs, but I didn’t have a vehicle for them. When the band decided to take a break, I moved to Nashville with the goal of focusing on my solo songwriting. I had always wanted to make a lush songwriter album — a contemporary approach to the big string arrangement-aided songwriter records of the past like Randy Newman, Elton John, and others. I heard this sound in a lot of the records Jordan Lehning had produced,” he continues. “His approach is pretty fearless of genre and boundaries — the production serves the song, not the other way around. I reached out to him about doing an album and after a few lunch meetings, we agreed it would be a good fit. Unlike past recording experiences, there were no chafing moments in the studio — it was a very congruous relationship. The session musicians who played on the record were monster players, and a joy to work with. Pretty much everything was tracked live, except for a few overdubs and the string arrangements.” 

The tracks on Reassure Me There’s A Window, which feature tight fingerpicking guitar-based tunes with introspective lyrics fleshed out with resonant string arrangements, all come from a deeply personal place, and the more Thomas played them for his audiences, the more he realized how much others could relate to them. Each song touches on personal truths and what it means to be human—what connects us and motivates us, as well as the struggles and difficult facts of life. 

 From Shins-esque album opener “All You Can Do,” about accepting that things don’t always go as planned, to “Catherine Ames,” a much-needed slice of catharsis and sonic sunshine inspired by Cathy Ames, the antagonist of John Steinbeck’s East Of Eden - a song about holding on to pain and anger as though they are part of your identity, and understanding that healing and moving forward takes time, to the rowdy, pedal steel-centric “Give A Damn,” about carrying ghosts from the past into a new relationship, Thomas puts life and the human condition under the microscope in order to articulately observe the big questions with small details, paying careful attention to his understanding of himself and the seasonality of life. Thomas has the ability to lyrically turn the world on its side and explain the human condition and its accompanying array of emotions from a beautifully unique perspective.

Thomas, who cut his teeth fronting Rhode Island rock outfit Wild Sun, has shared stages with bands like Langhorne Slim, The Wombats, and Blitzen Trapper. He began writing songs that didn't fit within the rock-centric framework and decided he would strike out on his own, stretching his creative muscles. The album was produced by Jordan Lehning (Rodney Crowell, Andrew Combs, Joshua Hedley); with its throwback flair, Reassure Me There's A Window is a lush, sweetly-arranged collection of articulate folk-tinged songs. 

REASSURE ME THERE’S A WINDOW TRACK LISTING:

ALL YOU CAN DO

REASSURE ME THERE’S A WINDOW

ORIOLE

SHE IS LEAVING

SHY HINGES

THERE’S NOT A THING

GIVE A DAMN

CATHERINE AMES

INITIALS

WHEN YOU ARE GONE

WHADDYA’ KNOW

CONNECT WITH GLENN THOMAS:

Website || Facebook || Instagram || Spotify || YouTube 

LOVE GHOST RELEASE “I’LL BE FINE” SINGLE

LOVE GHOST RELEASE THEIR SINGLE

“I’LL BE FINE” 

FOR MENTAL HEALTH AWARENESS MONTH

 “Drawing on the grungy, hip-hop-meets-rock, sardonically sunny ‘90s, these guys come across as nostalgic – for those of us that remember the decade – but with enough modern shaping to remain original and fresh.” - V13

I'll be Fine artwork.jpg

 

LISTEN TO “I’LL BE FINE” : HERE

“  Intermingling rock, hip hop, and trap influences into their music, Love Ghost has captured the angst that most teens are experiencing these days.” - GHETTOBLASTER MAGAZINE 

Los Angeles band Love Ghost have released their introspective new single “I’ll Be Fine,” for Mental Health Awareness Month.  The Danny Saber (The Rolling Stones, Alice Cooper, the Charlatans, Public Enemy)  produced track intermingels rock, rap and trap influences to convey the feelings of loneliness, and angst that comes with being a teenager. “ ‘I’ll Be Fine’ is a song about depression and isolation,” Love Ghost frontman Finnegan Bell told Ghettoblaster Magazine “ It’s about when you’re so alienated that the only person that can tell you, that you’ll be aight, is yourself. I hope this song helps people that are dealing with depression and can alleviate kids that are feeling like an outsider. I have felt very alone in the past, but that doesn’t mean that things can’t get better. I hope this song gives hope because mental health is a marathon. You need to work on it every day.”

 This song was written and recorded months before the COVID-19 crisis but the themes resonate now more than ever with the forced isolation and lack of human connection, due to shelter in place orders. Although the song addresses some dark themes, it has an overall feeling of hope, that everything that all spokes that go down must come back up again, and that end of the day, everything will be fine. With the release of this Love Ghost is hoping to contribute to conversation around mental health, and mental health awareness month. It’s only  by addressing these issues that the stigma around mental health starts to diminish, giving more people the courage to seek help.

"I'll be Fine" is the somber follow up to the lighthearted "Chasin Money and Bitches " single released in March,  that is a comedic and hedonistic look on what it is that our culture values most, from the viewpoint of a teenager living in Los Angeles in 2020. The song was a breakout hit on Soundcloud garnering over 270,000 plays, 3,079 reposts and 650 comments, resulting in a wildly successful remix contest with an incredible track from  DJ and producer IPN taking the top spot. 

“ The L.A. rockers sound as bratty as any of multi-platinum miscreants who’ve had hits on KROQ, but they fall in more with the play-actin’ bad boys. What the song reflects, though, is having come of age in an era when popular culture glorifies materialism and hedonism, which makes it the saddest kind of parody: funny but true.” - Buzzbands

“Chasin’ Money and Bitches” opens on a potent rumbling, crunching groove, as Finn’s evocative tones reveal delicious, low-slung flavors narrating his frustration, angst, and his cogent realization that money and bitches form the fulcrum of culture and life. There's a cool brattiness to the song, giving it a tongue-in-cheek aroma.” - RAWKUS

 Prior to that, the band released the grunge era-inspired  "Let It All Burn," with the accompanying scorcher of a video, directed by Dean Karr (Queens of the Stone Age, Mark Lanegan).  The song was featured on Spotify’s coveted "New Noise" playlist in addition to Apple’s "Breaking Hard Rock" and "Fresh Blood" playlists, having garnered over 1 Million streams since its release with close to a million streams on the video alone.

 Love Ghost is Finnegan Bell (guitar and lead vocals), Ryan Stevens (bass and background vocals), Samson Young (drums and background vocals), Daniel Alcala (guitar) and Cory Batchler (keyboards). All of whom are fresh out of high school but have been playing together and writing songs since Junior High. Despite their young age, the band are seasoned international road warriors. Last year they toured Ireland, Japan, played the mainstage at Festival fff in Ambato, Ecuador, and most recently played a sold-out hometown show at Resident in Los Angeles. They have supported Buckcherry, Berlin, Smash Mouth, The Young Dubliners, The Tubes, Fuel, and Irish singer/songwriter Mundy. Their music videos have won numerous awards from over 30 film festivals around the world and the band was awarded Best Alternative Rock Band by the Hollywood Music in Media Awards and received The Jean Luc Goddard Award from Cult Critic Magazine.

The band plans on releasing two EP’s this fall and is hoping to be back on the road once shelter in place orders are lifted and it’s safe to do so.

 

KEEP UP WITH LOVE GHOST

Press Materials: http://smarturl.it/LoveGhostPR

http://loveghost.com/

https://www.facebook.com/loveghost.official/

https://www.instagram.com/loveghost_official/

https://twitter.com/LoveGhost_

https://www.youtube.com/channel/UCMNUK51hO36Tog1DRoAJ0-g

https://soundcloud.com/loveghost_official

https://open.spotify.com/artist/2Zt7LyzzIem4ro5xkSP1aA

ATWATER PUNX RELEASE DEBUT SINGLE "GHOST TOWN"

SHELTER IN PLACE BORN PROJECT ATWATER PUNX RELEASE THEIR DEBUT SINGLE

“GHOST TOWN”

Atwater Punx.jpg

LISTEN TO “GHOST TOWN” : HERE

Los Angeles band Atwater Punx have released their debut single "Ghost Town” off of their forthcoming  EP The Flea Draws the Blood that comes out 5/28.  

Atwater  Punx is the brainchild of family duo Stacy  (American Hi-Fi, Letters to Cleo etc.)  and Kristen Wagner Jones (Shut Up Stella, Bullet & Snowfox). Both Stacy and Kristen are lifelong musicians.  The couple have each spent their entire careers making music apart, but it was the birth of their son that drove them to  make music together. After their song Waylon was born they started putting together ideas around toddler nap times and after bedtime in their home studio. When the shelter in place orders hit Los Angeles, their creativity kicked into overdrive and they hunkered down to finishing a batch of songs sonically inspired by bands like The Clash and Bikini Kill, naming the project Atwater Punx after their neighborhood, Atwater Village.

“Ghost Town,” the first single off the three song EP is about the isolation and disconnection of a once busy city turned quiet and nearly completely still, overnight. The song is steeped in the heaviness of the collective struggle to overcome what will most likely be one of the biggest challenges of our lifetime.

 Kristen Wagner Jones was a part of the alternative pop group, Shut Up Stella signed to Epic Records in 2006 and shot a pilot for MTV that documented the making of their debut album. The group disbanded in 2010, after which Jones started her own indie-dance-rock band, Bullet & Snowfox, with guitar player, Josh Shapiro. The band played around the LA club scene, festivals, LA Fashion week and their music was featured on numerous film and TV shows.  This new Atwater Punx release marks Wagner Jones’s first foray back into music since becoming a mom and her first collaboration with husband, Stacy Jones.

Stacy Jones got his start as the frontman and main songwriter for American Hi-Fi, who had the 2001 hit “Flavor of the Weak.” After the peak of the American Hi-Fi days his career took the most unlikely of turns into being a touring and studio drummer and a Music Director. Thirteen years in Jones is one of the most in-demand music directors in his field - working with chart-topping artists like Miley Cyrus, Noah Cyrus, 5 Seconds of Summer,  the Chainsmokers and Troye Sivan among others.  In addition to the MD work, he still works as a drummer,  writer, musician, producer and tours consistently.  He is an active member of his bands American Hi-Fi, and Letters to Cleo, and has been the touring drummer for Matchbox Twenty since 2012.  Last year he did double duty on the Letters to Cleo fall tour, opening with his band American Hi-Fi then playing drums with the headlining act, Letters to Cleo.

https://www.instagram.com/atwaterpunx/

https://www.instagram.com/kristenaelaine

https://www.instagram.com/stacyglenjones

SLOW DAKOTA RELEASES TORNADO MASS FOR VOICE & SYNTHESIZER ALBUM

SLOW DAKOTA RELEASES AN OPUS ON MYSTICISM AND MAGICAL THINKING

TORNADO MASS FOR VOICE & SYNTHESIZER ALBUM

OUT TODAY ON MASSIF RECORDS 

“....a  record which seems perfectly fitting for uncertain times even if it wasn't planned that way... which is at times mystical and enchanting, other times dark and haunting, as Sauerteig's voice sometimes draws hints of Death Cab frontman Ben Gibbard with flares The National's Matt Berninger.”   - VARIANCE MAGAZINE

MMXX 20.jpg

LISTEN TO TORNADO MASS FOR VOICE AND SYNTHESIZER : HERE

Chicago’s Slow Dakota, the songwriter and label owner from Indiana (by way of New York) has released an album for our times Tornado Mass for Voice & Synthesizer.  Sauerteig wrote songs for this album over the course of several years and although the album was not purposely scheduled to come out during a global pandemic the songs on Tornado Mass for Voice & Synthesizer very spiritual, alluding to a looming disaster on the horizon, which could not be more timely.  As a whole, Tornado Mass for Voice & Synthesizer  encourages listeners to indulge in magical thinking and to give them a sense of escape into a beautiful musical landscape steeped in  hope and mysticism.

"Timing is everything, isn’t it?" Sauerteig told Variance Magazine. "I started writing Tornado Mass years ago, about the custom of small, rural communities coming together to rebuild after deadly tornado strikes. Donating food, showing up to volunteer, expecting nothing in return. It’s a very beautiful and holy thing to witness back home in the Midwest. It feels strange to release the album in this cultural moment of COVID, wrought with destruction on a much more global scale."

“ In contrast with the space-y, almost post-rock sound of the song, Sauerteig’s vocals have a certain early 00s indie feel to them, think Ben Gibbard as a reference point.”  - MXDWN  (on “Coming to the Nuisance”) 

Slow Dakota mastermind PJ Sauerteig is a practicing lawyer, and was writing the album while in law school,which is reflected in the songs such as “Force Majeure” and “Coming to the Nuisance,” both of which are legal terms. The latest single, “Burial,” released Easter Sunday was inspired by superstition and mysticism that shrounds burial practice even today. As technology advances, and people leave religion behind, still these traditions remain: the black, the reading, no expense spared for the great and lavish wooden box.  Although the sign strongly resonates with the amount of loss in the word today due to COVID-19, Suaerteig initially wrote the song about Global Warming,  and the byproduct of disaster that would result from the planet warming up.

“This new single is oddly, but perfectly timed as it is about preparing for a mass disaster. When it was written Sauerteig had global warming in mind, but it seems all too fitting these days.” - The Deli (on “Coming to the Nuisance”) 

The name Slow Dakota comes from Sauerteig's great grandfather who spent his final years in and out of hospitals and the occasional psychiatric institute. As his mental health started to deteriorate he began writing letters to The President of the United States, and would always sign them “Yours, Slow Dakota.," although having no relation to North or South Dakota.  During one family visit to the hospital when Sauerteig was only 5 or 6,  his great grandfather slipped him one of these letters and asked him to deliver it. The letter was addressed to President Lincoln. So,  years later, when Sauerteig began releasing music, Slow Dakota felt like an appropriate pen name. Long letters to no one. 

Sauerteig’s music is known for blending baroque pop, folk, classical, and electronic influences like Vangelis and Sufjan Stevens. Sauerteig often employs "spoken word" interludes, and his lyrics fixate on myth, rural folklore, and fairy tales. In 2016, he was nominated for a Pushcart Prize. Sauerteig began releasing music as Slow Dakota from his Columbia University dorm room in 2012.  As an undergraduate, Sauerteig pursued Creative Writing and Psychology, and quietly released his first few albums: Our Indian Boy (2012), Bürstner and the Baby (2013), and The Junior EP (2015). While at Columbia, Sauerteig also founded a small record label, Massif Records, to release his own music, and the music of close friends – including the lovely Margaux. Sauerteig spent two years recording in various cities and tapped longtime producer, Sahil Ansari, and legendary mastering engineer, Greg Calbi for Tornado for Voice and Synthesizer.

 KEEP UP WITH SLOW DAKOTA:

PR MATERIALS: http://smarturl.it/SlowDakotaPR

WEBSITE: http://www.slowdakota.com/

MASSIF RECORDS: http://www.slowdakota.com/massifrecords

INSTAGRAM: https://www.instagram.com/slow.dakota

 

 AUSTRALIAN SONGSTRESS IMOGEN CLARK RELEASES HER NEW SINGLE “FOUND ME” OUT TODAY

 

 AUSTRALIAN SONGSTRESS IMOGEN CLARK

RELEASES HER NEW SINGLE “FOUND ME” OUT TODAY

+ ANNOUNCES NEW EP THE MAKING OF ME – OUT AUGUST 2020

 

 LISTEN TO “FOUND ME” :  HERE

“With powerful vocals and an infectious drum beat, Clark sets out to cure a broken heart. This breakup anthem will pick you up off the floor, dust you off and have you feeling ready to start seeing the world in color once again.”  - PARADE MAGAZINE

Australian singer-songwriter, Imogen Clark today releases a brand new single ‘FOUND ME’, her first new music in two years and the first taste of her The Making Of Me six-track EP, which is due out in August (Potts Entertainment/MGM).

“Found Me” was written with Clare Bowen (who also sings harmonies on the track) and Brandon Robert Young; it’s an uplifting track that highlights Imogen’s soaring vocals. Recorded in LA and produced by Mike Bloom (Jenny Lewis, Rilo Kiley,  Julian Casablancas, Jonathan Rice, Rachael Yamagata), the song represents the songstress’ personal evolution from vulnerable to confident, the journey of finding strength and power in chaos and heartbreak.  

Cutting her teeth playing in local pubs in the Blue Mountains of New South Wales Australia before taking the stage with artists like Shania Twain, Ian Moss and Willie Watson, Imogen has worked relentlessly over the past decade, building up her musical chops. She has worked with Mark Lizotte (Diesel), Kasey Chambers and Jim Lauderdale and now cites Benmont Tench (Tom Petty and the Heartbreakers) and Pete Thomas (Elvis Costello and the Attractions) amongst her collaborators, both appearing on the new The Making Of Me EP.

The songs on this EP are the by product of a year that found Imogen picking up the pieces and putting together a new version of herself.  A huge part of the process of making this EP, and this song, in particular, was allowing herself to embrace imperfections, and make the kind of music that she had previously been too afraid to pursue due to outside forces trying to fit her into someone else’s idea of what is authentic. “I wrote this song at one of my lowest points - fatigued, heartbroken and second guessing the most important decisions I’d made in my life, “ says Clark. “Writing this song gave me the strength to believe in myself again. It’s an empowerment anthem about making the tough decisions to become the person you need to be, and I hope it can relight some people’s fire in the midst of everything right now”.  Imogen has finally come to a point in her life where she stopped caring about the surrounding noise and outside opinions and is writing songs that represent all of who she is. She equally adores artists like Taylor Swift and  Bruce Springsteen and is now making the music that reflects that.


KEEP UP WITH IMOGEN CLARK

Press Materials: http://smarturl.it/ImogenClarkPR 

https://www.imogenclark.com.au/

https://www.instagram.com/imogen__clark/?hl=en

https://www.facebook.com/imogenclark.music/?fref=ts

https://www.youtube.com/user/ImogenClarkVEVO

MARK ERELLI LAUNCHES FUNDRAISER WITH NEW SONG & VIDEO "THE GIG AT THE END OF THE WORLD"

MARK ERELLI RELEASES NEW SONG & VIDEO "THE GIG AT THE END OF THE WORLD" 

AVAILABLE ONLY AT BANDCAMP

PROCEEDS TO BENEFIT THE PASSIM EMERGENCY ARTIST RELIEF FUND

NEW LP BLINDSIDED  OUT NOW VIA SOUNDLY MUSIC

TGATEOTW.png

WATCH: “THE GIG AT THE END OF THE WORLD”

Today, Boston-based singer/songcrafter Mark Erelli has independently released "The Gig At The End Of The World,” a new song and video created and animated entirely by himself and his two young sons, Caleb and Owen. Of the song, Erelli explains:

”In early March, I went out to see my friend’s band play a late Wednesday night set at a small Boston rock club,” Erelli explains. “Concerns about the virus were just beginning to ramp up, but life was still normal enough that I convinced my wife I’d be fine. I’ll stand in the back of the room, as far from the crowd as I can, I told her. I was determined to unplug and just enjoy the music, but I kept overhearing bits of developing news in the changeovers between bands. The NBA is suspending its season. The president just banned travel to Europe. Tom Hanks is sick. The next morning, I woke up and wrote a tongue-in-cheek song about my previous night called ‘The Gig At The End Of The World.’ A day later, my kids’ school would be canceled for what has become the remainder of the academic year. Before the district fleshed out its plan for home education during quarantine, it was largely up to parents to preserve some sense of normalcy and structure. One of the tasks on our hastily-drawn agenda was ‘Home Recording with Dad,’ and over the next few weeks we worked daily on a full-band version of the new song I had just written. I recorded Owen playing drums and keyboards, and he would engineer for me when it was time to track vocals and guitars.

As the quarantine extended into the foreseeable future and the kids home schooling got more official, I needed a new project to preserve my own sanity. I didn’t feel much like writing or singing, and the normal tools in my creative toolbox felt blunt and useless. I don’t know exactly what made me begin work on a home-animated video for ‘The Gig At The End Of The World,’ but I quickly became consumed by the project and the creative challenge of working in a medium with which I have no experience. It provided me precious time out of mind (see the below picture of the flossing zombie from the video), and it kind of saved me at a time when I felt adrift and despondent. 

It is, of course, not the actual end of the world. But right now I can’t envision when it will be safe again for me to travel to your town or to ask you to gather together for live music. Many artists will be out of work for a long time, and I want to use my home school recording project to help them during this unprecedented crisis.

The song is only available for download on his Bandcamp page and is not a part of his regular streaming catalog. Today, Bandcamp is waiving its revenue shares. and all proceeds from the sale of "The Gig At The End Of The World" will benefit the Passim Emergency Artist Relief Fund (PEAR). The PEAR Fund offers grants of up to $500 and is open to any musician who has performed or taught at Cambridge, Massachusetts folk mainstay Club Passim in the last decade. Visit passim.org/pearfund for more information. Click HERE to download "The Gig At The End Of The World.”

On March 27th, Erelli released his highly-acclaimed new album, Blindsided, via Soundly Music. Blindsided, an unflinching examination of the distance between innocence and experience from “the middle” of life’s fantastic journey, is a step in a different sonic direction for the award-winning artist. In it, Erelli contemplates the delicate tension between love and commitment, faith and family, disillusionment and hope. But this isn’t a confession from the therapist’s couch, it’s rock ’n roll, and Erelli is clearly taking his cues from heroes like Petty and Prine. Against the backdrop of Blindsided’s hungrier, hook-laden sound, with the inspired addition of a string quartet on half of the album, Erelli has never sounded more passionate or vital. Over the course of Blindsided’s 11 tracks, the message of each song is distilled to its purest form, as fearlessly honest in perspective as it is straightforward in its delivery. 

LISTEN: BLINDSIDED

WATCH: “THE RIVER ALWAYS WINS”

WATCH: “I CAN’T STAND MYSELF”

WATCH: “BLINDSIDED”

Flossing Zombie.png

CONNECT WITH MARK ERELLI:

Website || Facebook || Twitter || Instagram || Spotify || YouTube || Bandcamp

NEW SINGLE GLENN THOMAS UNLEASHES NEW SINGLE “GIVE A DAMN”

NEW SINGLE “GIVE A DAMN” FROM GLENN THOMAS PREMIERES VIA THE BLUEGRASS SITUATION 

 REASSURE ME THERE’S A WINDOW LP OUT  MAY 15TH VIA PALACE FLOPHOUSE RECORDS

Reassure Me There's a Window veers from his previous releases in the realm of atmospheric and visceral rock and into contemplative indie-folk - PopMatters

Folky, calm, with a skip in its step, its rhythm is familiar and bright…raised in New England, Thomas encapsulates that ambience of small town daydreaming" – Atwood Magazine

Gently reflective - Americana-UK

Indie-folk backing, with drips of steel guitar and this bubbling melancholy - Backseat Mafia

Quite enthralling - A1234

A powerful a sentiment - Ear To The Ground 

Straddling the line between harmonica-laced folk and cheerful Brit-pop - Underground Music Collective

You can literally feel the emotion behind Thomas’s voice. His soulful sound is matched by the simple, yet powerful instrumentation - Gas Mask Magazine 

GT.GiveADamn.singlecover.jpg

Nashville-by-way-of-New England singer/songwriter Glenn Thomas released new single “Give A Damn” via The Bluegrass Situation. “Give A Damn” appears on his forthcoming LP Reassure Me There’s A Window, out May 15th via Palace Flophouse Records. “I wrote this song in the beginning stages of a new relationship I was in,” Thomas explains of of the rowdy, pedal steel-laden track. “I really cared about the person and wanted it to work, but still carried the ghosts of past relationships and dating woes. I felt like I didn’t really have anything new to bring to the table, but ultimately what mattered was I cared and was going to do what it took to make it work. Ultimately, the past is exactly that — the past,” he continues. “I remember sitting on a friend’s speedboat a couple of summers ago getting bounced around by the waves, and the fast up and down movement put this melody into my head. I had the lyrics in my phone notes and sang it into a voice memo right there on the boat.” 

LISTEN: “GIVE A DAMN”

“Give A Damn” follows the release of “All You Can Do,” a Shins-esque song about accepting that things don’t always go as planned, and “Catherine Ames,” a much-needed slice of catharsis and sonic sunshine, inspired by Cathy Ames, the antagonist of John Steinbeck’s East Of Eden - a song about holding on to pain and anger as though they are part of your identity, and understanding that healing and moving forward takes time. Lead single “Oriole,” written after a recurring bout of insomnia about that moment when the sun begins to rise and the birds began to sing. “I thought it would be funny to ask the birds the questions that were keeping me up, since they were all unanswerable anyway,” Thomas has said. “When I set the words to music, I thought it would be fun to make the music sound…lively, like a 60s pop song with serious lyrics.”

LISTEN: “ALL YOU CAN DO”

LISTEN: “CATHERINE AMES” 

LISTEN: "ORIOLE"

Reassure Me There’s A Window features tight fingerpicking guitar-based tunes with introspective lyrics fleshed out with resonant string arrangements. Each of the album’s 11 tracks center around the human condition - ideas of love and loss, isolation and connection, and wondering what more is out there. Thomas writes songs that cut straight to his truths; by putting his life and the human condition under the microscope, his songs articulately observe the big questions with small details, paying careful attention to his understanding of himself and the seasonality of life. 

Thomas, who cut his teeth fronting Rhode Island rock outfit Wild Sun, has shared stages with bands like Langhorne Slim, The Wombats, and Blitzen Trapper. He began writing songs that didn't fit within the rock-centric framework and decided he would strike out on his own, stretching his creative muscles. The album was produced by Jordan Lehning (Rodney Crowell, Andrew Combs, Joshua Hedley); with its throwback flair, Reassure Me There's A Window is a lush, sweetly-arranged collection of articulate folk-tinged songs. 

CONNECT WITH GLENN THOMAS:

Website || Facebook || Instagram || Spotify || YouTube

Destroy Boys Release "Honey I'm Home" Single

DESTROY BOYS RELEASE THE PERFECT QUARANTINE SINGLE TO RELEASE PENT UP ANXIETIES AND AGGRESSION WITH  “HONEY I’M HOME”

“’Honey I’m Home’  heightens its predecessor’s viscous bite and matches it’s theme of frustrated constriction. “FLOOD Magazine

Honey Art.JPG

LISTEN TO “HONEY I’M HOME” : HERE

The San Francisco Bay Area trio Destroy Boys have released their latest single “Honey I’m Home.”  The song is about feeling trapped. Even if your body is physically free, if something has control over you, that control follows you wherever you go, and you always end up returning to it. “It was written at a time in my life where I felt mentally trapped on all sides,”  guitarist Vi Mayugba told FLOOD Magazine.  “I was boxed in by everything around me. Even though there were no physical restraints keeping me from escaping my situation, I couldn’t bring myself to leave. I was able to free myself a few months back, and now the song is more of a redemption song than anything. No more bars on the window, freaky cliff metaphors, et cetera. It’s a perfect quarantine anthem, considering we are all trapped at home.”

The band has been redefining West Coast punk with their blistering take on teenage grind. The band has found champions in West Coast punk royalty Billie Joe Armstrong who not only talked about the band’s debut album Sorry, Mom in  Green Day’s last Rolling Stone cover story (HERE) but has shown public support via Instagram HERE, all before Destroy Boys graduated from High School.

Led by singer Alexia Roditis’ sarcastic and wistful singing and Vi Mayugba’s shredding guitar, held down by Narsai Malik on drums, they pay homage to and represent an evolution of all things classically punk making music that is a searing reminder of how recklessly expressive punk rock was designed to be.  Their second full-length album Make Room led to touring the U.S. and UK with Mannequin Pussy and SWMRS. They were scheduled to support Against Me! this spring, which due to COVID-19 has been postponed, and will be a part of the Sad Summer Festival with All Time Low, The Story So Far, The Maine.

 

 

KEEP UP WITH DESTROY BOYS

Press Materials: http://smarturl.it/DestroyBoysPR 

https://www.destroydestroyboys.com/

https://www.instagram.com/destroyboysband/

https://www.facebook.com/destroyboys

 

 

 

MATT LOVELL RELEASES TIMELY NEW SINGLE "BE FREE"

MATT LOVELL’S NEW SINGLE "BE FREE" PREMIERES

VIA GLIDE MAGAZINE 

DEBUT LP NOBODY CRIES TODAY OUT JUNE 5TH

PHOTO: JASON LEE DENTON

PHOTO: JASON LEE DENTON

Nashville-based artist Matt Lovell has unveiled “Be Free,” a timely new single from his debut album, Nobody Cries Today, out on June 5th. “Lovell grew up learning to sing three-part harmonies in a household steeped in soul...Those roots anchor the tracks on his forthcoming LP,” says Glide Magazine in its premiere. “Be Free,” which Lovell says reminds him of his upbringing, was inspired by the Aretha Franklin-style gospel heard in his youth, music he revisited during the writing and recording process. “Subdued organ and a laid-back rhythm section provide a dreamy, vintage-washed landscape for Lovell’s soulful, velvety vocals,” Glide Magazine adds. “Spendin’ all our days/Trying to make it to the sun/But I don’t wanna go/Unless there’s room for everyone…Somebody tell me when we gon’ be free,” he implores, a question the entire world seems to be asking today – when will we be free of bigotry, free of racism, free of classism, and even free from the sickness currently ravaging our planet?” 

LISTEN: “BE FREE” 

“Be Free,” the third selection from Lovell’s album, follows the release of “Alligator Lilly,” a playful allegory of lost innocence accompanied by a quirky, Wes Anderson-style video filmed at the Gulf Of Mexico. PopDust said “Alligator Lilly” was “full of eye-candy visuals and striking, hypnotic imagery.” Lead single “90 Proof” was written during attempts to let go of a relationship that had ended. “Lovell knows how to tap into a part of himself that can bring the emotions of ’90 Proof’ to the surface and doing so is all the more honorable, knowing the story he’s trying to tell, isn’t a made up screenplay,” said American Songwriter. “It’s one man being willing to revisit challenging parts of his life and do so with performative solemnity and grace.”

WATCH: “ALLIGATOR LILLY” 

WATCH: “90 PROOF” 

All but one of the album’s songs were recorded in 2016 - just months before  Lovell nearly lost his life. On January 20, 2017, he was shot in the chest by a sixteen-year-old who attempted to steal his car. Miraculously, he lived. “This moment created a new center of gravity and re-ordered my understanding of everything I’ve experienced in this lifetime,” he explains. “Many people who experience acute trauma go through somewhat of a euphoric period immediately after the incident occurs, and this was definitely my experience. The level of peace I felt was something I had never touched before. I wrote profusely, I gardened, I brought new life and vigor to my musical ventures, and I made peace with complicated friendships. More than anything, I found a level of great self-acceptance and this created space for me to begin to learn how to live this life.”   

This era ended with the abrupt onset of PTSD, causing the most difficult time Lovell had ever faced. He began to question everything and struggled to find a way to articulate the horrors he was experiencing.  Now, on the other side of recovery, Lovell is excited to sing these songs again for anyone who will listen. “In these years of writing and recording, I have gathered quite a wild palette of paints,” he says. “In a way, Nobody Cries Today has actually been my teacher.  As I have written these songs, each of them has been like a tiny rowboat to get me from one day to the next. They have witnessed me in the years that I was in the throes of trying to find acceptance for myself and for the world I’m living in.  As a gay man of Southern origin, this proved to be a tall order. These songs have also helped me to explore things like zest for life, discontent, hunger, truth, and hope,” he continues. “Nobody Cries Today contains every bit of earnestness, desire, and love that I have to give.” 

CONNECT WITH MATT LOVELL:

Website || Facebook || Instagram || Spotify || YouTube

GLENN THOMAS RELEASES NEW SINGLE “ALL YOU CAN DO”

GLENN THOMAS RELEASES NEW SINGLE 

“ALL YOU CAN DO” VIA POPMATTERS 

 REASSURE ME THERE’S A WINDOW LP OUT 

MAY 15TH VIA PALACE FLOPHOUSE RECORDS

Photo: Annelise Loughead

Photo: Annelise Loughead

Today, singer/songwriter Glenn Thomas has released “All You Can Do,” the timely new single from his forthcoming LP Reassure Me There’s A Window, out May 15th via Palace Flophouse Records. “Reassure Me There's a Window veers from his previous releases in the realm of atmospheric and visceral rock and into contemplative indie-folk,” says PopMatters. “There's bittersweet reflection to be unearthed in Thomas' new single, the ‘All You Can Do.’ A subtle melange of string instrumentation helps to paint a plaintive image, swirling into a percussive, low-key folk jam…there can be a hopeful tinge garnered from its message, the implication being to let some of life's low-points be and to focus on what can be changed.” Thomas wrote “All You Can Do” about the resolve to accept things the way they are, which often is the hardest thing to do, and says “The lyrics came pretty quickly thinking of how sometimes, despite our best intentions, things aren't always as we want them to be, and not to get too worked up about it."

LISTEN: “ALL YOU CAN DO”

“All You Can Do” follows the release of “Catherine Ames,” a much-needed slice of catharsis and sonic sunshine, inspired by Cathy Ames, the antagonist of John Steinbeck’s East Of Eden - a song about holding on to pain and anger as though they are part of your identity, and understanding that healing and moving forward takes time. Lead single “Oriole,” written after a recurring bout of insomnia about that moment when the sun begins to rise and the birds began to sing. “I thought it would be funny to ask the birds the questions that were keeping me up, since they were all unanswerable anyway,” Thomas has said. “When I set the words to music, I thought it would be fun to make the music sound…lively, like a 60s pop song with serious lyrics.”

LISTEN: “CATHERINE AMES” 

LISTEN: "ORIOLE"

Reassure Me There’s A Window features tight fingerpicking guitar-based tunes with introspective lyrics fleshed out with resonant string arrangements. Each of the album’s 11 tracks center around the human condition - ideas of love and loss, isolation and connection, and wondering what more is out there. Thomas writes songs that cut straight to his truths; by putting his life and the human condition under the microscope, his songs articulately observe the big questions with small details, paying careful attention to his understanding of himself and the seasonality of life. 

Thomas, who cut his teeth fronting Rhode Island rock outfit Wild Sun, has shared stages with bands like Langhorne Slim, The Wombats, and Blitzen Trapper. He began writing songs that didn't fit within the rock-centric framework and decided he would strike out on his own, stretching his creative muscles. The album was produced by Jordan Lehning (Rodney Crowell, Andrew Combs, Joshua Hedley); with its throwback flair, Reassure Me There's A Window is a lush, sweetly-arranged collection of articulate folk-tinged songs. 

GT.AllYouCanDo.singlecover.jpg

A sycamore sways in spite of its weight,

like unmeant words that you can’t unsay.

Past days hang in a frame on the wall,

constantly come to pass, but they still linger on.

Cries for the everyman, cries for the law,

cries for the ones who have given up.

Prayers will be said, but they work too slow

when you have to fix the things that someone else broke.

It’s all you can do.

I looked to the crowd and I felt so small.

Have to wonder why I even worry at all.

Got the tools in the box and a plan and a game,

but the bartender winks and I order the same.

It’s all you can do.

Secondhand premonitions

can’t solve the world in a day.

Keep keeping on with the thinking,

but I still don’t know what to say.

It can patter like the rain or rush like the flood,

all that’s gonna be left are the things you’ve done.

So say one for me and I’ll say one for you.

Cheers to trying to make it through.

It’s all you can do

CONNECT WITH GLENN THOMAS:

Website || Facebook || Instagram || Spotify || YouTube

NATALIE SCHLABS PREMIERES NEW SINGLE “HOME IS YOU” & ANNOUNCES NEW LP "DON’T LOOK TOO CLOSE" SET FOR RELEASE ON OCTOBER 16TH

PHOTO: FAIRLIGHT HUBBARD

PHOTO: FAIRLIGHT HUBBARD

Singer/songwriter Natalie Schlabs has announced her forthcoming album Don’t Look Too Close,  due out October 16th, with the release of lead single “Home Is You.” The song was co-written with Bekah Ham and features backing vocals from Katie Herzig. “Romantic, timeless love songs are great, but what about other kinds of love? Best friends, childhood neighbors, brothers and sisters, a mentor and mentee, family. This is just the kind of angle singer-songwriter Natalie Schlabs poses in many of her songs, including her latest, “Home Is You,” said American Songwriter in its premiere of the track, inspired by that person who is your “person.” “Schlabs’ voice possesses an audible kindness to it, that allows her to carry her performance with the calmness and sincerity necessary to portray a song crafted on the kind of love that overreaches any one type of relationship.” “Home Is You”

LISTEN: “HOME IS YOU”

The nine tracks that comprise Don’t Look Too Close, the second full-length effort from the Texas-bred Nashville-based artist, live in the tension between the beauty and heartbreak surrounding our closest relationships. The songs were written when Schlabs was pregnant with her first child, which caused a lot of reflection on her own upbringing and how she wanted to raise him. The album’s title came from the idea that "he’s going to see all the worst of me, be hurt by the worst of me, as much as I don’t want him to, and, as much as I want to be the best for him. I was thinking about how to raise a child, how to pass down values. There’s a dismantling of what I thought I knew,” she explains. “What do I value in my life and where did those things come from? What do I want to share with my children and what do I want to spare them from?” 

The tracks on Don’t Look Too Close traverse the spectrum of feelings that tend to coincide with love, from bittersweet consideration of “the wilderness caused by depression or illness” in “See What I See,” to the haunting gentleness of “Ophelia,” written for a friend who lost her daughter. The title track addresses the everyday aches and pains people tend to hide from loved ones, and reflects on love’s blindness, how “sometimes the ones you love will never know how much you love them.” The album as a whole represents a place, a time, and a pocket of feelings that are as distinctly human as they are beautiful. “Growing up surrounded by family in the flatlands, there’s not a whole lot going on outside of the people. The climate is extreme, and isolation binds you to the people around you. Everyone’s in each other’s business, and you learn that love can go in many directions. Sometimes it’s about solidarity and sacrifice, sometimes it’s obsessive or painful,” Schlabs says. “This record is about navigating those feelings within our closest relationships.”

Don’t Look Too Close steps into indie territory with a compelling mix of instrumentation laced with solo vocals that bloom into easy, delicate harmonies. Co-produced by Juan Solorzano and Zachary Dyke, with Caleb Hickman on saxophone and Joshua Rogers on bass, the album swells and ebbs with elegant, absorbing shapes. The songs are moody, candid, and tender, each featuring Schlabs’ characteristically sleek vocals front-and-center, backed by charming instrumental moments that add form and depth to the melodies.

CONNECT WITH NATALIE SCHLABS:

Website || Facebook || Twitter || Instagram || Spotify || YouTube || Bandcamp

MARK ERELLI PREMIERES “THE RIVER ALWAYS WINS” VIDEO 

MARK ERELLI PREMIERES  “THE RIVER ALWAYS WINS”

VIDEO  VIA FOLK ALLEY

NEW LP BLINDSIDED  OUT NOW VIA SOUNDLY MUSIC 

TRAW3.jpg

 “...soars on the wings of jangly guitars, heartfelt vocals and soulful harmony lines...Yep, that's the sweet spot right there. And there's enough of it to make this album matter." - The Associated Press

Erelli’s not going to blindside you. He’s going to give it to you straight.” - The Boston Globe

"...finds him trimming back the guest list and nodding to another icon, heartland hero Tom Petty, whose influence looms large over the song’s 12-string guitar jangle and straightforward vocal hooks." - Rolling Stone

"Comes out swinging" - The Boot

"...Blindsided may be his best yet" - Medium

Blindsided is a bit of Americana alchemy, a concoction that can only be served up by someone who knows the rules inside and out — enough to break them when needed.” - No Depression

"For Erelli, music is a way to appreciate the world and the people in his life. And perhaps most acutely, the practice of music has taught Erelli the beauty of sublimation and reinforced the joy of helping others achieve their dreams, which, in turn, helps Erelli also achieve his." - American Songwriter 

"...a really wonderful record. Go for a walk… listen, become happy." - Maine Public Radio

"...echoes Tom Petty and John Prine" - PopMatters

"...a serious, talented artist, but he also understands his role as a storyteller and entertainer...Erelli pulls from lots of places and makes things his own." - Glide Magazine

"Blindsided is ballad heavy with a rocker cut here, a mid-tempo groove there, it is a nod to Mark Erelli’s diversity that the album showcases an ability to cross genre lines." - The Alternate Root

"You know those artists who release a great first record and then have enormous trouble following it up with anything as interesting? Yeah, that’s not Mark Erelli. Mark has consistently expanded his sound while also not chasing whatever wave seems to be cresting at any given moment. The result is a catalogue of depth and heart." - Red Line Roots

"Erelli's always been a brilliant songsmith, but here he finds a dynamic that melds the cerebral with the celebratory." - Country Standard Time

"Erelli has a way with words that really hits in the world we live in now…this album is very well done, and Erelli shows that as a songwriter, he is worthy of emulation.” - Americana Highways

"Mark Erelli has taken a new direction, delving deeper into his rockier side.  A roots-rockier side that has room for a few strings and a pile of melody." - Americana-UK

"...songs and songwriting of a quality rarely encountered. Mark Erelli’s Blindsided. Don’t tell me you didn’t see it coming. Most highly recommended." - Fervor Coulee

__________________________________________________________________________

WATCH: “THE RIVER ALWAYS WINS”

Boston-based singer/songcrafter Mark Erelli has unveiled a new music video for “The River Always Wins,” a track from his highly-acclaimed new album, Blindsided. "I wrote this song with Berklee College of Music professor and singer/songwriter Susan Cattaneo,” Erelli told Folk Alley, who premiered the video. “It started out simply enough, trying to describe the tension between a small town and a river. One needs the other, but the cycles of disaster and rebirth started to make us wonder if the reverse was true. When we decided to write it as if the river itself were the song’s protagonist, things got far more interesting. The central riff of the song is one of the favorite things I’ve ever written. I could play it for days.” Of the video, Folk Alley, who called Blindsided a “career-best,” said, “the song leans into a darkly edgy groove that feels like something Steve Earle would throw down, as Erelli runs through the ramblings of life as viewed from the crystal clear perspective of the river, itself.”

LISTEN: BLINDSIDED

The album, an unflinching examination of the distance between innocence and experience from “the middle” of life’s fantastic journey, is a step in a different sonic direction for the award-winning artist. “For Blindsided he has amped up with a superb band,” noted The Boston Globe in its premiere of the album. “Blindsided says just as much about who he is as it does about where he’s been. The secrets are embedded in the restraint of the 11-song set, a collection efficient yet varied, emotional yet exact,” said No Depression, who called Erelli “an expert craftsman.”

WATCH: “I CAN’T STAND MYSELF”

WATCH: “BLINDSIDED”

Blindsided was forged in a process of reckoning, of taking stock of the soul, and being pleasantly surprised. In it, Erelli contemplates the delicate tension between love and commitment, faith and family, disillusionment and hope. But this isn’t a confession from the therapist’s couch, it’s rock ’n roll, and Erelli is clearly taking his cues from heroes like Petty and Prine. Against the backdrop of Blindsided’s hungrier, hook-laden sound, with the inspired addition of a string quartet on half of the album, Erelli has never sounded more passionate or vital. Over the course of Blindsided’s 11 tracks, the message of each song is distilled to its purest form, as fearlessly honest in perspective as it is straightforward in its delivery. 

Erelli has forged a colorful career by making the art of “being everywhere all the time” seem effortless. It’s hard to think of another artist who seems equally at home serving as a sideman for GRAMMY-winning artists like Paula Cole, Marc Cohn, and Josh Ritter, or producing albums for Lori McKenna, as he does writing and producing his own material, like last year’s “By Degrees,” on which he was joined by a host of voices including Rosanne Cash and Sheryl Crow. That song was nominated for “Song Of The Year” at the 2019 Americana Music Awards and served to reintroduce Erelli to a wider audience. And just in time, because Blindsided combines the exuberance of Erelli’s signature sound with the wisdom that comes with over 20 years of songwriting, capturing an artist at a point in his career where he is clearly digging deep and swinging for the fences. “In one of my favorite Tom Petty songs, he sings ‘it took a world of trouble, took a world of tears, it took a long time to get back here,’” Erelli says. “I think I know exactly how he felt.”

ZAYDE WØLF RELEASES A SWEEPING LOVE SONG FOR OUT TIMES  “I GOT YOU (END OF THE WORLD)” W/ PROCEEDS GOING TO THE MUSIC HEALTH ALLIANCE

ZAYDE WØLF RELEASES THE LOVE SONG FOR OUR TIMES 

 “I GOT YOU (END OF THE WORLD)”

“Perhaps the perfect description of ZAYDE is simply the dark rock child of Imagine Dragons and The Black Keys.” - Ones to Watch

ZAYDE WØLF is unconventional, in every sense of the word. Scrawling a poetic lyric on a massive pop-rock wall of sound--hinting at Imagine Dragons and Bastille influence.”  - Pop Dust 

“ZAYDE WØLF has slowly but surely started to take over the world.” - Alternative Addiction

zaydewolf-igyeotw-cover-3k.jpg

 

LISTEN TO “I GOT YOU”: HERE

 Zayde Wølf has released an uplifting and powerful love song for our times “I Got You (End of the World).” “Two years for, I started writing this song during a very hard time in my life.” says Zayde Wølf mastermind Dustin Burnett. “I have been unsure if I should release such an honest relationship-pop-song. But things have changed since Covid-19 and life seems so fragile right now. It even feels like the end of the world sometimes. But through it all, we have each other. We have love, hope, and meaning... and we need to share those things. This song is all about that, it's about feeling the world is going crazy, but always having each other!” A portion of the proceeds from the song will go directly into the Music Health Alliance’s COVID-19 Relief Fund to assist musicians and music professionals who have been affected by the pandemic. Learn more about the Music Health Alliance HERE.  

“With this electric and in your face musical creation he inspires us to speak up and follow your dreams. He embraces his own fire to give life to this soundscape as it unites melodies and lyrics to craft something that is sure to trigger something in all of us. The track comes as a breath of fresh air in these troubling times as it reminds us that we still have something to fight for once all of this is back to normal.”  - Wolf In A Suit (on “Let’s Go”) 

“Here whispery intensity blossoms into a melodic and sonic tour de force as the song is triumphantly orchestrated.” - Parade Magazine  (on “Let’s Go”)

“ I Got You”  Zayde Wølf’s second new single this year and follows his triumphant return to releasing new music with, “Let’s Go,” his first new release of 2020. These two singles  succeed the “Reimagined” series that saw Burnett reinventing some of his biggest hits, including “New Blood  (Reimagined)” and “Oblivion (Reimagined).” The “Reimagined Series” pulled Burnett through a bout of writer’s block opening up a new well of creativity, forecasting an abundance of new music from Zayde Wølf for 2020.

 “Zayde Wolf had the boldness to “take his launchpad song and make it better” (apologies to “Hey Jude”).......Zayde Wolf worked with Nick Box to reimage the single into an orchestral, cinematic force that demands and commands attention.”

Indie Obsessive (on “New Blood” Reimagined)

“Zayde Wolf‘s new rendition of their 2016 hit “New Blood” is nothing short of chilling.”

 - Apiate (on “New Blood” Reimagined)

 With ZAYDE WØLF, Burnett has built a reputation for music that inspires, motivates and most importantly connects. His latest full-length album Modern Alchemy charted in over 25 countries on the iTunes overall charts and debuted in the top ten Alternative charts here in the U.S. Since he started releasing music just a few short years ago, the ZAYDE WØLF has grown to 203K YouTube subscribers, 63 million views, and his music has been streamed over 25 million times.  His musical success has led to placements in hundreds of films, TV shows, trailers, commercials, and video games. The list includes Shameless, Skyscraper movie, Love-Simon movie, the Jack Reacher 2, The Maze Runner 3, Pride Prejudice & Zombies, spots for UFC, MLB, NFL, Dodge, Jeep, WWE, Xbox, NBA, and more. Burnett has also creatively expanded his reach by cultivating relationships with partners such as Dude Perfect, one of the top YouTube sports channels with over 40 Million subscribers and 7 Billion views. "I get all these emails, sometimes one a week,” Burnett told Billboard, “with all these stories about how the music has moved people in some way. I wanted to continue to make music for people to be inspired by." Most recently Burnett has been getting notes about how his music has been a beacon of light shining through the heavy cloud of uncertainty the world finds itself in.  “Your songs are pure power, and are helping this immunocompromised family navigate such strange times, and to appreciate what's important,” read an email that came in from Australia. “We are all definitely living life like we never have....”

 In addition to Zayde Wølf, Burnett is also the co-owner of a drum sample and loops company called That Sound that has gone on to serve nearly 50,000 customers in over 30 countries around the world. This year the company has joined forces with the leading platform for music creation, Splice, whose users include over 3 million musicians — from Top 40 hitmakers to bedroom producers. The partnership enables That Sound to provide their signature sounds to Splice’s expansive global user base of music makers and creatives.

KEEP UP WITH ZAYDE WØLF:

PR Materials: http://smarturl.it/ZaydeWolfPR

http://www.zaydewolf.com

https://www.facebook.com/zaydewolf

https://twitter.com/zaydewolf

https://www.instagram.com/zaydewolf

https://www.youtube.com/zaydewolf

https://soundcloud.com/zayde-wolf