New Single

THE FBR RELEASE “BEFORE I DROWN” SINGLE + ANNOUNCE THE RELEASE OF THEIR DEBUT ALBUM GHOST

“BEFORE I DROWN” : WATCH // LISTEN

Franklin Tennessee's the FBR have released their haunting single “Before I Drown”  from their forthcoming debut album Ghost due out on January 19 available for vinyl pre-order HERE.

The FBR is fronted by  Malarie McConaha and Tim Hunter.  The two met at an open mic night at Puckett’s (now Fox and Locke) the local watering hole in Leiper’s Fork outside of Nashville.  The two bonded over their love of Leonard Cohen and  what started as an acoustic project became a blues, roots southern rock inspired band named to honor the Cohen song “Famous Blue Raincoat,” from his album The Songs of Love and Hate  

McConaha is the band’s lead singer and electric guitar player. Tim Hunter, songwriter, acoustic guitar and harmonica player, writes much of the band’s original music. Storytelling is what he is most known for, having spent years studying classic literature and writing thousands of poems and songs to hone his craft. 

“Before I Drown” is an Acoustic driven Southern Gothic tinged tale about a friend who chose in her adult life to dull the pain of her horrific childhood with alcohol, leading to a life consuming addiction. She wields new demons to abolish the older demons, perpetuating the cycle of darkness, breeding more and more nightmares.  As the opener on Ghost the song paints the picture of how our past experiences shape who we are today and how dark memories tend to linger and haunt us like ghosts, setting the tone of the album. Mixed by veteran Grammy winning producer, Jim Scott (Tom Petty, Dixie Chicks, Tedeschi Trucks Band). Scott weaves piano, and electric guitar flourishes around McConha’s passionate vocal delivery and Gospel style harmonies between her and Hunter.

The FBR will be previewing these new songs live at an acoustic residency at  the Fox & Locke next month and with the full band show at the Basement in Nashville on November 17th 

TOUR DATES

Nov. 12 Fox & Locke (Acoustic Residency) Franklin, TN

Nove. 17 The Basement  (FULL BAND) Nashville, TN

Nov 26 Fox & Locke (Acoustic Residency) Franklin, TN

GHOST (out January 19)

1. Before I Drown

2. Rain On

3. Empty Room

4. Bottle Of Blues

5. Deadman’s Highway

6. Set The Anchors Free

7. Skies Of Donegal Blue

8. Independence Day

9. Still On The Run

KEEP UP WITH THE FBR

Website || Facebook || Instagram || TikTok || YouTube 

NINJA SEX PARTY’S BRIAN WECHT RELEASES “SANTA MONICA BOULEVARD” NEW SINGLE + VIDEO FEATURING TOM CARDY

FROM HIS FORTHCOMING DEBUT ALBUM AS TREY MAGNIFIQUE MATURE SITUATIONS OUT NOVEMBER 10

“Like a siren’s call, Trey Magnifique’s sax work will draw you in.”  - BIFF BAM BOP

“SANTA MONICA BOULEVARD”:  WATCH // LISTEN

Musician, comedian, and theoretical physicist Brian Wecht has released his second single,  as his smooth persona Trey Magnifique “Santa Monica Boulevard,” out today on all digital platforms. The song follows the release of “Satin Velvet,”  from the Mature Situations album out November 10 and pre-order in multiple physical formats HERE.

The video features Brian and comedian, musician and TikTok star Tom Cardy in a Miami Vice type of setting shot in Los Angeles, all  through a smooth jazz filter. The album Mature Situations was five years in the making and was initially sparked by the purchase of a Soprano Sax. Brian has been a sax player in college, and although he hadn’t touched a horn in years, was drawn to the oddball nature of the Soprano Sax, and what he could  possibly create with it. The purchase manifested into the eleven songs that make up Mature Situations. The album celebrates Brian’s love of jazz through the exploration of multiple styles, from straightforward Smooth Jazz to Latin Jazz, Blues, Easy Listening, and more, all of which were written and produced by Brian and his  longtime collaborator Commander Meouch, the bassist for the popular electro-funk band TWRP. “The idea was to take the music seriously, but make it intentionally cheesy and of questionable artistic value” says Brian. “The kind of thing that sounds great if you’re not really listening to it, but once you start paying attention, you’re asking yourself”

Brian is one of the most popular comedy musicians in the world, best known as the keyboard-playing “Ninja Brian” in his comedy bands Ninja Sex Party, who were Billboard’s top-selling comedy artist of 2018, and Starbomb, who were Billboard’s top selling comedy artist of 2019. Brian is also known for his kids’ comedy band Go Banana Go!, a mainstay on SiriusXM station Kids Place Live. and other family music stations around the world. Collectively, Starbomb and Ninja Sex Party have released 13 albums, and have over 500M views on YouTube, and over 2M social media followers. 

Brian is originally from Pompton Lakes, NJ, and In addition to his musical exploits, Brian had a long career as a scientist, including a doctorate in theoretical physics from the University of California, San Diego. Brian held postdoctoral research positions at MIT, Harvard, the Institute for Advanced Study in Princeton, and the University of Michigan, and was a faculty member in the Centre for Research in String Theory at Queen Mary University of London. Brian has authored over 30 papers in theoretical physics, focusing on supersymmetric quantum field theories and string theory. While pursuing his academic interests, Brian began doing improv comedy with San Diego TheatreSports and went on to become the Musical Director of the Improv Asylum in Boston, MA. After moving to New York, he met Dan Avidan through a mutual comedy friend, and the two created Ninja Sex Party in 2009. In 2015, Wecht left his faculty position at Queen Mary in order to focus on his YouTube career full-time. In addition to Ninja Sex Party and Starbomb, Wecht’s projects include the children’s comedy band Go Banana Go! (along with NSP producer Jim Roach), and the podcast Leighton Night with Brian Wecht (along with Leighton Grey). Outside of music, Wecht maintains an active career as a public speaker and science communicator and is one of the organizers of the annual Northeast Conference on Science and Skepticism (NECSS).

Brian will be playing an album release show at the Moroccan Lounge in Los Angeles on November 9, also featuring Bonavega and DJ Thanksgiving Brown. Tickets and information can be found HERE.

KEEP UP WITH BRIAN WECHT

Trey Magnifique  Instagram | Twitter | SoundCloud 

Ninja Sex Party : YouTube // Twitter // Instagram


“LITERATE FOLK POP” SINGER-SONGWRITER ARIELLE SILVER NAVIGATES PAST CURRENTS AND THE INNOCENCE OF FIRST HEARTBREAK ON “GHOST SHIPS”

SECOND SINGLE FROM FORTHCOMING ALBUM WATERSHED PREMIERES VIA AMERICANA HIGHWAYS

“Beautiful” - Cheryl Strayed

“We’ve all been in situations where the plans we made were never brought to fruition — and Arielle asks us to think of those memories on her thoughtfully delivered song of breakups and ghost ships passing in the night.” - Americana Highways on “Ghost Ships

“A beautiful melody, a Silver signature, is combined with her wonderfully clear and ringing alto vocals that leave no doubt that the lyric is king here. It’s a melody that is easy to sing along with and becomes an instant hit between the ears.” - A Little More Vodka, A Little Less Milk on “Bramble Vine”

“Arielle Silver is a baker of pies and a penner of poetry.” - Americana UK

"Lovely songwriting" - The Boston Globe

“With a keen sense of how a song works; expressive lyrics…Silver wrestles with and makes peace with the world.” - Acoustic Music
“What Really Matters”…was born from both an introspective internal analysis of her own life as well as two tragic events near her Los Angeles residence…filled with an infectious percussive groove, hand claps, foot stomps and an urgent commanding vocal.” - American Songwriter on “What Really Matters”

“GHOST SHIPS” : LISTEN | WATCH

LOS ANGELES, CA - LA based singer-songwriter Arielle Silver has released “Ghost Ships,” an evocative folk-pop song and second single from her forthcoming album Watershed, out October 6th. “The video is hopeful, foreboding and simultaneously lovely and soothing, just like the song itself,” says Americana Highways in the premiere for the stunning stop-motion video crafted by accomplished animator Damon Wellner. Navigating through musings on youthful love and the innocence of first heartbreak, “Ghost Ships” finds inspiration from two literary sources, including Cheryl Strayed’s essay “Ghost Ships” from her book Tiny Beautiful Things: Advice on Love and Life From Dear Sugar, as well as writing Silver had previously published. With the official seal of approval from Strayed herself, who described the song as “beautiful,” Silver sets a course through reflective waters on “Ghost Ships.”

“A song about journeys not taken, the idea for this emerged from a flash essay I wrote called ‘The Sleeping Porch,’ first published in Under The Gum Tree.” Silver’s stunning guitar layers, paired with lush vocals and a beautiful cello feature underscores the lessons learned through yesterday’s currents. Joined by an all-star cast of performers and instrumentalists including producer Shane Alexander, Justine Bennett (Jakob Dylan, Liz Phair), Denny Weston Jr. (KT Tunstall, Don Was) “Ghost Ships” is a voyage into the past, while recognizing these lessons and relationships are ultimately a compass for the future. 

The video was completed in collaboration with Wellner, who translated Arielle's vision and journey with the song into what you see today. “When we first talked, I shared the studio recording and lyrics with him, along with the 13-point sketch that I had imagined,” says Silver on the collaborative process. “He showed me some paper-animation work that he had done for a previous project, and it felt like we were exactly on the same page (no pun intended) right from the start.”

Wellner and Silver also snuck in multiple easter eggs in the video that reference her written work, as well as images and details from her everyday life. It's a breathtaking effort that truly enhances the meaning and power of the song. "The story in the opening magazine shot was of ‘The Sleeping Porch.’ The next imagery of the piano was from a home where I was performing a house concert, and the rest of the furniture and pictures are from my living room. That's my cat leaping onto the piano bench."

A literary mind who cites inspiration in writers like Strayed, Jane Austen, Jeanette Winterson, and Mary Oliver (to name a few), Silver's lyrics read like moving self-contained stories, and are further elevated by her striking instrumental and vocal performances. When writing, Silver asks herself “what is the mission for this song in the world? If I’m going to spend time creating a song, and people are going to listen, why is it worth their while? Where’s the real treasure in this song?” 

This consideration carries Silver through the songwriting process to gorgeous results: fully realized songs that waste no space in delivering moving messages to listeners, while recalling past experiences and relationships, or settings that shape these narrative-based stories and emotional musings. In all, Silver crafts moving pieces that capture the heart and soul of the human condition. 

“Ghost Ships” and first single “Bramble Vine” follow Silver’s 2020 acclaimed album A Thousand Tiny Torches. With support from Americana UK, American Songwriter, and more, the album was produced and recorded with Shane Alexander, whose partnership with Silver continued throughout the recording and production of Watershed. 

Silver is a consummate storyteller whose Americana-roots-influenced songs are rich with imagery, empathy, and insight. Conceived in the quiet of the pandemic quarantine, Watershed takes its title as much from that watershed moment in time as it does from the North American spaces where the story-songs take place. Renewing and reflective, water runs through many of the songs as crosscurrents that connect ideas to experiences, and people to places. 

Creative writing adjunct faculty at Antioch University and the founder of Bhavana Flow Yoga studio, Silver’s writing and songwriting pulls inspiration from her childhood and surroundings, from engaging character-based narratives, and a deep sense of spirituality. Growing up with the music of Paul Simon, Elton John, Joni Mitchell, Joan Baez, and John Denver, all artists introduced to her by her father on acoustic guitar, has led Silver through troubadour traditions across the valleys of the great American music genres; Americana & roots music, folk, blues, county, and more round out Silver’s style. She finds equal inspiration in the sounds and storied histories of Laurel Canyon and Greenwich Village.

Silver serves as the President of FAR-West (Folk Alliance Region West), where she fosters and promotes the work of artists, songwriters, and more across traditional, contemporary, and multicultural folk music, storytelling, and performing arts. She additionally serves as a key team member for the SONA Foundation, a charitable organization that supports songwriters and music creators through resources, programs, and grants for career development, mental health, and financial wellness.

Born on Florida’s Gulf Coast and raised along the Atlantic seaboard, Arielle now lives just a traffic jam away from the Pacific Ocean in her adopted home of Los Angeles. Memories of places and times serve as touchstones through her songs, as does the troubadour music traditions of folk, country, and rock that she heard from her guitar-strumming architect father. Throughout her music and storytelling runs an ethic of care, along with an essential wellspring of interpersonal relationships and ecological notice.

Silver will be performing Watershed in full on October 6th in Los Angeles at the Hotel Cafe with a full band and special guests Alice Howe & Freebo.

Photo by Anabel DFlux

KEEP UP WITH ARIELLE SILVER

PRESS MATERIALS | WEBSITE | INSTAGRAM | FACEBOOK | TWITTER | SPOTIFY | APPLE MUSIC

“LITERATE FOLK POP” SINGER-SONGWRITER ARIELLE SILVER CONTEMPLATES COMPLICATED RELATIONSHIPS OVER PIE IN “BRAMBLE VINE” - HER FIRST SINGLE IN THREE YEARS

FORTHCOMING ALBUM WATERSHED TO BE RELEASED OCTOBER 6th 

“Arielle Silver is a baker of pies and a penner of poetry.” - Americana UK

"Lovely songwriting" - The Boston Globe

“With a keen sense of how a song works; expressive lyrics…Silver wrestles with and makes peace with the world.” - Acoustic Music

“What Really Matters”…was born from both an introspective internal analysis of her own life as well as two tragic events near her Los Angeles residence…filled with an infectious percussive groove, hand claps, foot stomps and an urgent commanding vocal.” - American Songwriter on “What Really Matters”

“Silver builds upon the tradition of performers like Carole King and Sarah McLachlan…With crystal-clear lyrics weaving considerable narrative depth.” - Neufutur 
“...creative and inventive tunes that capture your soul and make you want to fly. The songs are “sad” in feeling, yet very uplifting and enriching in context, and leave you feeling refreshed and vibrant.” - Music Connection

“BRAMBLE VINE” : LISTEN | WATCH

LOS ANGELES, CA - Today LA singer-songwriter Arielle Silver released the folk-pop ballad “Bramble Vine,” the first offering from her forthcoming fifth album Watershed out October 6th. Silver was inspired by the blackberries that grew outside her childhood home for the song, and leads the viewer through piemaking and a performance in the Kevin Rhoades directed and produced music video. “One day I was making pie and thinking about relationships,” says Silver, “and thinking that some kinds of love are complicated but worth the work.” An earthy, scenic singer-songwriter ballad in 6/8, “Bramble Vine” is grounded in acoustic guitar and tender piano, and exemplifies Silver’s literary approach to songwriting, or in her words - “literate folk pop.” 

“Some kind of love is like that / sweetness buried in a thorny patch / bramble vine, heat, and time / form a heart from the scraps,”  sings Silver over delicate acoustic strumming and an understated Wurlitzer. “Bramble Vine” is rounded out by memorable performances from celebrated musicians including producer-singer-songwriter Shane Alexander (backing vocals, electric guitar, glockenspiel), composer Darby Orr (bass, piano, Wurlitzer), and Denny Weston Jr. (drums, percussion). 

As a longtime yoga practitioner and storyteller, Silver’s goal as a songwriter is to carry these practices and philosophies into her music, and to imbue the songs with a sense of purpose for those listening. When writing, Silver asks herself “what is the mission for this song in the world? If I’m going to spend time creating a song, and people are going to listen, why is it worth their while? Where’s the real treasure in this song?” 

This consideration carries Silver through the songwriting process to gorgeous results: fully realized songs that waste no space in delivering moving messages to listeners, while recalling past experiences and relationships, or settings that shape these narrative-based stories and emotional musings. In all, Silver crafts moving pieces that capture the heart and soul of the human condition. 

“Bramble Vine” follows Silver’s 2020 acclaimed album A Thousand Tiny Torches. With support from Americana UK, American Songwriter, and more, the album was produced and recorded with singer-songwriter Shane Alexander, whose partnership with Silver continued throughout the recording and production of Watershed. 

Silver is a consummate storyteller whose Americana-roots-influenced songs are rich with imagery, empathy, and insight. Conceived in the quiet of the pandemic quarantine, Watershed takes its title as much from that watershed moment in time as it does from the North American spaces where the story-songs take place. Renewing and reflective, water runs through many of the songs as crosscurrents that connect ideas to experiences, and people to places. 

Creative writing adjunct faculty at Antioch University and the founder of Bhavana Flow Yoga studio, Silver’s writing and songwriting pulls inspiration from her childhood and surroundings, from engaging character-based narratives, and a deep sense of spirituality. Growing up with the music of Paul Simon, Elton John, Joni Mitchell, Joan Baez, and John Denver, all artists introduced to her by her father on acoustic guitar, has led Silver through troubadour traditions across the valleys of the great American music genres; Americana & roots music, folk, blues, county, and more round out Silver’s style. She finds equal inspiration in the sounds and storied histories of Laurel Canyon and Greenwich Village.

Silver serves as the President of FAR-West (Folk Alliance Region West), where she fosters and promotes the work of artists, songwriters, and more across traditional, contemporary, and multicultural folk music, storytelling, and performing arts. She additionally serves as a team member for the SONA Foundation, a charitable organization that advocates on behalf of songwriters and music creators. 

Born on Florida’s Gulf Coast and raised up and down the Atlantic seaboard, Arielle now lives just a traffic jam away from the Pacific Ocean in her adopted home of Los Angeles. Memories of places and times serve as touchstones through her songs, as does the troubadour music traditions of folk, country, and rock that she heard from her guitar-strumming architect father. Throughout her music and storytelling runs an ethic of care, along with an essential wellspring of interpersonal relationships and ecological notice.

Photo by Anabel DFlux

KEEP UP WITH ARIELLE SILVER

PRESS MATERIALS | WEBSITE | INSTAGRAM | FACEBOOK | TWITTER | SPOTIFY | APPLE MUSIC

LOS ANGELES FUNK COLLECTIVE ‘SCARY GOLDINGS’ RELEASES “LOUIS COLE SUCKS” SINGLE FEAT. JOHN SCOFIELD + ANNOUNCES SCARY GOLDINGS LIVE ALBUM OUT SEPTEMBER 8TH

LISTEN TO  “LOUIS COLE SUCKS” : HERE

The Los Angeles-based funk collective Scary Goldings have released “Louis Cole Sucks,” the first single from their forthcoming live album Scary Goldings LIVE! feat. John Scofield is out on September 8th. 

Scary Goldings is a collaboration between keyboardist Larry Goldings, who has made a name for himself playing world-renowned artists such as Jack DeJohnette, James Taylor, John Mayer, and more, and the rotating funk ensemble Scary Pockets, anchored by keyboardist Jack Conte and guitarist Ryan Lerman. 

The group had the honor of collaborating and performing with the legendary Grammy Award-winning guitarist John Scofield, who is featured on the album and will be joining the group at the Newport Jazz Festival and Monterey Jazz Festival this summer and fall. “Having worked in John Scofield’s band on and off since the early 1990s, it was an obvious choice to bring him into the Scary Goldings world,” says Larry Goldings. “We have a great musical and personal rapport, and for Ryan, Jack, and the whole band, it was definitely a dream come true.”

 The album, including the single “Louis Cole Sucks”, was recorded last year at  Jazz A La Villette in Paris, with the exception of “Professor Vicarious” which was recorded in Los Angeles at the Echoplex.  “I grew up listening to John Scofield,” says Ryan Lerman.  “So, it was a real trip to hear the sound I used to come home from school and practice to, coming from the amp next to me on stage. He’s just the greatest. “

Guitarist Ryan Lerman met his Scary Pockets co-founder keyboardist Jack Conte when the two were still in high school in Marin County, California. It’s a relationship that has informed and influenced him, musically and professionally, ever since. Both musicians tend to be systems-level thinkers who focus on the process instead of the outcome. This process type of thinking has resulted in incredible productivity and a massive online following. Scary Pockets have released at least one new video a week on YouTube since 2017, racking up 1 Million Subscribers and over 350 Million views, and a loyal audience of funk enthusiasts worldwide. They’ve recorded hundreds of songs featuring a continuously rotating lineup of quality musicians and singers. Their collaborators include a wide array of artists including Jacob Collier, Louis Cato, Louis Cole, Tyler Duncan, Joey Dosik, Larry Goldings, Caleb Hawley, Cory Henry, Theo Katzman, Lawrence, Adam Levy, Monica Martin, Jake Sherman, Antwaun Stanley, Jack Stratton, and Cory Wong.

SCARY GOLDINGS UPCOMING TOUR DATES 

July 13  August Hall San Francisco, CA

July 14  The Guild Theatre Menlo Park, CA

July 15 The Teragram Los Angeles, CA

July 16  Belly Up Solana Beach, CA

Aug 6  Scary Goldings ft. John Scofield at Newport Jazz Festival

Sept 22 Scary Goldings ft. John Scofield Monterey Jazz Festival

Scary Goldings LIVE! Ft. John Scofield 

(out September 8)

  1. We Come In Peace

  2. The Shakes

  3. Professor Vicarious

  4. Disco Pills

  5. Take My Jet

  6. Louis Cole Sucks

  7. The Shiner

  8. Day Old Socks

  9. Scary Poppins

KEEP UP WITH SCARY GOLDINGS

Website | Facebook | Instagram | YouTube | Spotify | Apple Music 

BONNIE & TAYLOR SIMS RELEASE “DEVIL AND THE DEEP BLUE SEA” SINGLE + ANNOUNCE THE BONNIE & TAYLOR SIMS ALBUM DUE OUT  ON SEPTEMBER 15TH

“DEVIL AND THE DEEP BLUE SEA” : LISTEN // WATCH

The Texas-bred Colorado-based artists Bonnie & Taylor Sims have released the twangy earworm “Devil and the Deep Blue,” the first single off their forthcoming self-titled album Bonnie & Taylor Sims due out on September 15.  Bonnie and Taylor have almost done it all. They are RIAA Certified Gold recording artists, have seen breakaway global success with their song “I See Red” that has over 250 Million streams with their project Everybody Loves an Outlaw, had a major label deal with Columbia, have toured the world, and graced the stages of major festivals. Amidst this wave of newfound success Bonnie and Taylor never lost touch with the thing that was most important to them: writing songs and making music with each other. With the shift the world took during the pandemic came the need for the duo to go down a different path and change directions artistically.  

“Devil and the Deep Blue Sea'' is the first step in this new direction. This song, as with the majority of the songs on the album, were born out of the juxtaposition of a changing world. They explore the dichotomy of beauty and pain, hope and destruction, and with this single,  the tangible elements of black and white, sea and stone, and at its core is a song of transition and duality. “Devil and the Deep Blue Sea” is a harbinger of the new sound we’ve been developing over the past two years,” Bonnie Sims told Folk n’ Rock.  “This song is a portrait of our edgy-punk-rock-reality that has been bubbling right beneath the surface. We’re illustrating a collection of opposing forces and contrasting ideas that lean into the duality of our humanity, as musicians and as people.”

This summer sees the band on the road in their adopted state of Colorado playing festivals and a number of concert series. Find information on the tour dates HERE

KEEP UP WITH BONNIE & TAYLOR SIMS

Website | Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music 

BONNIE & TAYLOR SIMS  

(album out September 15)

  1. Devil And The Deep Blue Sea

  2. Liza 

  3. Side By Side 

  4. Cigarette Song 

  5. I Am Woman 

  6. Texas Again

  7. All My Love

  8. Me And Caroline

  9. Levelland

  10. Lay Yourself To Sleep

ISAAC WATTERS TRAVERSES THE STREETS OF LOS ANGELES IN ETHEREAL SINGLE “COCONUT IN THE STREET” VIA hi-res records

FORTHCOMING EXTENDED PLAY 002 TO BE RELEASED AUGUST 30TH

“Watters has been dipping his toes in assorted genres over the years, but he seems to rest most comfortably along the mesmerizing continuum between minimalist folk and moody theatricality.” - Magnet Magazine

“Isaac Watters, too, poignantly connects with his past on the typically immersive “Child in the Rain,” - Buzzbands LA

“Blending unique sounds with deep and sometimes haunting lyrics, Watters conjures up a new perspective for listeners and burgeoning artists.” - Los Angeleno

“Extended Play 001 offers a first full glimpse of his restless and idiosyncratic artistic impulses, with tracks diverting towards minimalist art pop, funky indie rock, and off-kilter balladry… the EP closes off with “Sliding,” a slinking and smoky effort carried by bass-driven grooves and Watters’ decadent vocal melodies.” - Under The Radar

“...it’s hooked me, line and sinker. ‘Everywhere I go, I leave a little sadness,’ sung in the vein of Wolf Parade’s wobbly warbles? Take my money.” - Monster Children

“The result is a collection of songs (with more to come) that reflect different shadows of Watters’ LA life, but also process fears and anxieties about the natural world, climate change, and apocalypse that’s very much “in the air” for the artist.” Glide Magazine
”Watters has the ability to connect on a higher level, and his work signifies his sincere way with words, his adeptness at creating moments of innocence, and the way his music reverberates. All of this while at the same time not being raucous.” - The Review Geek

“Coconut In The Street”: LISTEN

LOS ANGELES, CA - Today LA based artist and storyteller Isaac Watters has released the ethereal “Coconut In The Street,” his latest single and second offering from his forthcoming release Extended Play 002, out August 30th via hi-res records. A stunning and haunting single that presents a number of harrowing vignettes while traversing the streets of Los Angeles, “Coconut In The Street” examines the ever-growing chasm between wealth and poverty in the city, and the potential tragic ends that await all sides of this divide. 

Watters’ signature setting-based storytelling narrative thrives on the scenes he paints from roaming nighttime crosswalks, traveling LA’s most recognizable arteries, and passing its disenfranchised inhabitants. A steady, contemplative acoustic strum accompanied by shimmering, delayed-out synth sonics set the pace for this uncanny nighttime walk as Watters reflects on his place throughout it all. “We’re all going to the corner bar / see you in the morning if I don’t make it that far / either way it’s been a real good time / tired of trying to bring it back.” As the song progresses, a chilling call-and-response from Watters solidifies the songs’ identity in the sidewalk, filling the space within the cracks.

Anyone who has spent time in the city will recognize the scenes that Watters sees at night, as well as the contrasts between the haves and have-nots in a shadowed cityscape. A group of friends on their way to the next bar while passing a homeless man sleeping on the street, a man trying to sell mangoes from a plastic bag on the intersection in 110 degree heat, an addict who wanders to the edge of the freeway, a construction worker who removes his harness and helmet and leaps from the newest luxury highrise. 

“These are all scenes I was thinking about while writing “Coconut In The Street,” says Watters. “But really it's just a song about being out in Los Angeles at night. Roaming the streets with your friends, or trying to find someone to be your friend. All these images are things that happen in LA. I think it's something about the compression of wealth and poverty, facelessness and celebrity. It drives people to the extremes.”  

It’s true that the city attracts hopeful dreamers hellbent on dreams of grandeur, but Watters’ ability to hold a mirror to Los Angeles’ less examined subjects that live in the shadows is what separates him from other LA based artists and songwriters, and carves a place in a storied tradition of deeply moving, meaningful songwriting.

“Double back flip of the new glass tower downtown / Is that you they found? Is that your enemy? / Is that the friend you always meant to be,” sings Watters, a reminder of the stakes facing the city’s vulnerable.

“Coconut In The Street” joins previous single “All I Need” as the first two offerings from Extended Play 002, his second release via Los Angeles based label hi-res records. Watters found a partnership in the label, and in producer/engineer Matt Linesch, whose analog-first approach to recording and production perfectly encapsulates and supports the warmth of Watters’ artistic vision and songwriting approach. 

Watters will be performing in Los Angeles at Gold-Diggers on July 28th, with more performances slated throughout the summer.

Photo by Robbie Jeffers

KEEP UP WITH ISAAC WATTERS

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TOMI RELEASES “IF YOU TRIED” SINGLE + ANNOUNCES LATE BLOOMER ALBUM DUE OUT IN AUGUST

“IF YOU TRIED”:  LISTEN

Los Angeles artist TOMI has released the single “If You Tried,” available worldwide today across all digital platforms.  "If You Tried"  is an unfettered anthem about letting go of blame and moving on with a middle finger in the air, after a long drawn-out breakup. TOMI, led by musician songwriter and producer Pam Autuori, who left her major label in the pursuit of artistic freedom, embraces a new musical sensibility while building on the sweeping emotional range of her prior releases (2018’s What Kind Of Love EP and 2021’s Sweet, Sweet Honey).  This is the debut single from the forthcoming album Late Bloomer due out in August, that navigates Autuori’s journey into adulthood,  of coming out,  and the growing pains that come with both. 

TOMI and creative director Haile Lidow (LIDOW ARCHIVE) thought up the fantasy land of the video for the song, to the 90s Mom Rock single while floating in a sensory deprivation tank in their hometown of Los Angeles. The two brought one of Lidow’s several mannequins to life - toying between fantasy and reality and a lopsided communication style. The story unfolds as TOMI picks up her lover at a bar and there begins a whirlwind romance - ultimately ending in a heartbreak. From an extravagant dinner of fake shrimp and lobster to a flirty band rehearsal, “If You Tried” steps into the world of a giant Barbie…Lesbian Barbie. 

 TOMI’s style is characterized by ferocious guitar and rich vocals—an unfettered, urgent, and emotionally supercharged sound that was forged from a ruthless determination to sing, play, and do things her own way, even in the face of life’s obstacles. For Autuori, music has been a sanctuary since coming out at twelve years old in suburban Connecticut. A few short years later she moved straight to New York City as soon as she found a car and a drummer. She started a band in Brooklyn and played anywhere that would let her wail on guitar,  scream into a microphone and serve an underage band. After years of hustling and being underwhelmed by the producers she was collaborating with, she decided to take hold of the creative reins of her career and created  TOMI,  named after her dead pet lizard “Tommy.” The first song she released was called “Carry You.” Two weeks after the song was posted to Soundcloud she signed her first record deal with RCA. TOMI has now come full circle, back to being independent in an effort to retain creative control. These newest songs are a reflection of that gray area of leaving your adolescents behind but not being quite ready for the leap into adulthood,  all written while listening to a lot of PJ Harvey. 

TOMI  celebrates the start of Pride month with a show at the Troubadour tonight with LA band Beginners. She then heads off on tour to support KT Tunstall and will be making her  Bonnaroo debut later this month.

KEEP UP WITH TOMI

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TOUR DATES

JUNE 1  The Troubadour West Hollywood

JUNE 4  Ventura Music Hall Reserved Ventura, CA*

JUNE 7  Belly Up Tavern San Diego, CA*

JUNE 9 Fremont Theater San Luis Obispo, CA*

JUNE 12  Felton Music Hall Felton, CA *

JUNE 13  Great American Music Hall San Francisco, CA*

JUNE 15 BONNAROO 

*supporting KT Tunstall

ISAAC WATTERS LOOKS TO THE STARS ON NEW SINGLE “ALL I NEED” VIA hi-res records

“Blending unique sounds with deep and sometimes haunting lyrics, Watters conjures up a new perspective for listeners and burgeoning artists.” - Los Angeleno

“Watters has been dipping his toes in assorted genres over the years, but he seems to rest most comfortably along the mesmerizing continuum between minimalist folk and moody theatricality.” - Magnet Magazine

“Isaac Watters, too, poignantly connects with his past on the typically immersive “Child in the Rain,” - Buzzbands LA

“...it’s hooked me, line and sinker. ‘Everywhere I go, I leave a little sadness,’ sung in the vein of Wolf Parade’s wobbly warbles? Take my money.” - Monster Children

“The result is a collection of songs (with more to come) that reflect different shadows of Watters’ LA life, but also process fears and anxieties about the natural world, climate change, and apocalypse that’s very much “in the air” for the artist.” Glide Magazine

“Extended Play 001 offers a first full glimpse of his restless and idiosyncratic artistic impulses, with tracks diverting towards minimalist art pop, funky indie rock, and off-kilter balladry… the EP closes off with “Sliding,” a slinking and smoky effort carried by bass-driven grooves and Watters’ decadent vocal melodies.” - Under The Radar

Watters has the ability to connect on a higher level, and his work signifies his sincere way with words, his adeptness at creating moments of innocence, and the way his music reverberates. All of this while at the same time not being raucous.” - The Review Geek

“All I Need”: LISTEN / WATCH

LOS ANGELES, CA - Today Los Angeles based artist Isaac Watters released “All I Need” via hi-res records. It’s a stunning widescreen rumination on loneliness that pairs Watters’ signature pensiveness with gorgeous shimmering guitar sonics. “This is all I need / A cup of coffee on a mountain top / A cabin tucked into a cleft of rock / An empty notebook and a stone flowing ink,” sings Watters atop of a steady-paced groove and drum section, perfect to soundtrack a dusty desert montage. 

Subtly soaring galactic synths recall the scene that Watters took in at a cabin in the desert just outside Joshua Tree, CA, where a panoramic vision of the vast desert landscape inspired a prolonged look up to the stars. “I began to imagine being in outer space, floating away from the surface of our planet, and towards the farthest reaches of the universe,” says Watters. “It felt like a metaphor for the internal loneliness we all share, the farther we go inside ourselves mirrored only by the great expanse outside of us.”

It also got him thinking about Michael Collins, the astronaut that went around the dark side of the moon during the moon landing while Neil Armstrong and Buzz Aldrin were down on the surface. A New York Times article (see more below) Watters cites as inspiration draws clear parallels to “All I Need.”

“I am still here up on the mountain / Been tryin’ for years to come down / See the dust kick up in the distance / I hope that it's you coming round,'' wails Watters as the resonance in his voice underscores the isolation and wanting of that human connection. There's a through line between self and surroundings throughout Watters’ music, a constant conversation between the landscape, the forces that shape it, and the inhabitants who call it home. "All I Need" finds Watters considering his own place in the universe, and the perpetual perseverance of loneliness in an ever-changing world.

Watters found a partnership in the label, and in producer/engineer Matt Linesch, whose analog-first approach to recording and production perfectly encapsulates and supports the warmth of Watters’ artistic vision and songwriting approach.

The music video was directed by Aaron Eisenberg  of Sound + Video Co. and filmed in Pipes Canyon in Yucca Valley, CA. Avid cinephiles and fans of the 1984 film Paris, Texas may recognize a nod to Harry Dean Stanton’s character in Watters’ attire, performance, and march through the desert. The relationship between sight and sound has always shown itself in Watters’ work. Trained as an architect, Watters began his career working for legendary Frank Gehry and recently contributed his expertise as a set designer on the films Don’t Worry Darling, Boston Strangler, and many others. 

Watters will be performing in Los Angeles at Club Tee Gee on April 24th and May 22nd. 

New York Times Michael Collins Interview for reference for “All I Need"

“For half a century, Michael Collins has been answering variations of the same question asked by reporters, he says:

“Mr. Collins, weren’t you the loneliest man in the whole lonely history of this lonely planet by your lonely self behind the lonely moon in this lonely orbit? Weren’t you terribly lonely?” he mused.

“I had this beautiful little domain,” Mr. Collins said. “It was all mine. I was the emperor, the captain of it, and it was quite commodious. I had warm coffee, even.”  

Photo by Robbie Jeffers

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LOS ANGELES ROCKER + GIBSON GUITARS’ ARTIST DEVON THOMPSON RELEASES HER “NAPOLEON” SINGLE

“This artist channels elements of classic rock, with a modern flair, and a twist of vibrant personality to make songs like this shine. - Chorus FM

"Smart and seductive the track captures the power of anthemic rock with a passion that seeps through the speakers, sounding both retro and modern at the same time." - We All Want Someone to Shout For

“A raw, driving rocker.”   - Buzzbands LA

“The driving guitar track is the snarling sound of a young woman discovering who she is.” - She Makes Music

"Thompson’s charisma and guitar bravado have drawn comparisons to PJ Harvey, but she’s too much of a rock scholar to ever get pigeonholed.” - Beats Per Minute

"Devon's voice exists between self aware breathiness and full throated howls with emotional grit underneath all the while and I thought of artists like PJ Harvey, Sarah Bettens, Johnette Napolitano." - American Pancake

“A Blistering new song about unreturned affection…" - V13

“NAPOLEON”: LISTEN HERE

Wielding her Gibson Epiphone guitar, a sharp tongue and loads of female defiance, Los Angeles artist Devon Thompson has unleashed her newest single “Napoleon” out today worldwide on all digital platforms. “‘Napoleon’ is   an ode to blocking toxic, soul-sucking people from your life, " Thompson told V13 Magazine . “ It’s that ‘final straw”’before hexing an unrequited love. The song came together fast and hard, as if it was ready to be written. The pieces of the song came together with passionate ease. The recording itself was done live, and it was an electrifying process.”

“Napoleon '' follows the fiery single “Soft Like Water,”  that is the snarling sound of a young woman discovering who she is. These new songs made their live debut on an East Coast tour last month, which was followed by Thompson’s SXSW debut.  At just 21, Thompson has already managed to shed the layers of early, formative high school bands, bitter bullying from former classmates, and find her sound as a devout rock musician unfettered by the musical trends.  “I started playing rock music at a very young age,” says Thompon. “I sometimes sang pop songs, but I taught myself to play guitar when I was 12 because I liked rock. I’ve always played the guitar my whole life, I was never just a singer. I liked Fleetwood Mac and Blondie, and the music my parents were listening to. My mom would listen to music from the ‘80s, and that decade is one of my bigger influences, but the type of music that inspires me the most now didn’t click for a long time.” Thompson now cites artists like Siouxsie and the Banshees, The Cramps, Nancy Sinatra, Lana Del Rey, My Bloody Valentine and Jack White as newer touchstones that round out her sound. 

Graduating right out of high school into those long lockdown months during the pandemic, she further honed her nascent teenage sound by collaborating with producer James Salter (The Raveonettes, Black Rebel Motorcycle Club) who produced both “Napoleon” and “Soft Like Water.” Now, she’s drilled down into her strongest work as a solo star, expertly showcased in these two singles with plenty of other new material waiting in the wings. 

KEEP UP WITH DEVON

WEBSITE // TIK TOK // INSTAGRAM

Cr: Kevin Astrada

SPEELBURG EXTENDS AN “INVITATION” INTO THE WILD ABANDON WITH HIS CHAOTIC AND LIVELY NEW SINGLE 

LISTEN TO “INVITATION”:  HERE

The UK-based Belgium-American multi-hyphenated creative Speelburg has released his latest single, "Invitation" out today on his own Sophomore Slump records. This song follows the singles “Be Yourself”  and “I’m Back,” released earlier this year. 

“Invitation,” is a fast-paced celebration of youth, with a flavor of the exquisite vibrancy of the early aughts indie rock, that sees Speelburg working with his longtime collaborator mix engineer Joe Visciano (Action Bronson, Beck, Doja Cat, Joy Again, Wet et) as well as string arranger and composer Haydn Wynn (Calathea Quartet, Catherine Called Birdy Soundtrack). 

According to Noah Sacré, the mastermind behind Speelburg “the song is like being in the eye of a hurricane watching it all fly by via loud explosive trumpets and a galloping string section to achieve something beautiful, chaotic and fun.”

No Speelburg release would be complete without a visual component, directed and produced by Sacré featuring his signature wit and sharp sense of humor.   In addition to music,  Sacré has a burgeoning career as a director and animator.  The videos for the past three single releases are essentially the same video with small subtle changes to the background and the actors' wardrobe. They were created to have the same effect as looking at a series of paintings in a gallery.  “I’m trying to get to a point where the videos are so absent of any kind of narrative and so performance-based, that it’s all style and emotion and no story, " says Sacré. “ And really what I want is for it to be like you’re watching a 720p CAM version of 2O1: A Space Odyssey overdubbed with the audio from Beavis & Butthead: Do America.”

Speelburg has amassed over 11 million total streams from previous releases, including his 2020 debut full-length album Porsche and most recent single “I’m Back” which was featured in a spot for  Jimmy Kimmel.  Speelburg splits his time between the UK and Los Angeles and has received accolades and support from Noisey, Ones To Watch, The Line of Best Fit, Pigeons & Planes, Clash Magazine, SPIN, American Songwriter, BBC Radio 1, Sirius XM, Los Angeles’ KCRW, Chicago’s WTMX and more. His music has been used by global brands such as FIFA, Samsung, and Google Pixel and featured on FoxSports, MatchOfTheDay, Channel 4 UK, and more. Speelburg is signed to Sony Music Publishing where he has worked with Danny Burke, Adam Lambert, Cautious Clay, Gnash, Ben H Allen, Nat Motte, Brian West, and more.  His innovation as a visual artist and unique approach to filmmaking has made him a sought-after director, directing videos for artists such as John Legend and the National. This month Speelburg is supporting Magic Giant at Venice West in Los Angeles on March 11 and at the Rebel Lounge in Phoenix, Arizona  on March 14.

KEEP UP WITH SPEELBURG

MARK ERELLI RELEASES NEW SINGLE “IS IT ENOUGH” + LAY YOUR DARKNESS DOWN LP OUT FEBRUARY 3 VIA SOUNDLY MUSIC

NEW TOUR DATES ANNOUNCED 

"Suspense, sustain, and we’re all ears for this one…A classic." - Americana Highways  

"...a musical exploration about finding hope and optimism in the midst of despair." - Twangville  

"Epic" - Americana-UK  

"Stirring" - Ghettoblaster Magazine  

"...once you’ve heard this man’s voice, all will be right in the world...he has one of the loveliest storytelling tenors in the business" - UpToHear   

Lay Your Darkness Down is Erelli’s story of resilience and the indomitable creative spirit.” - Alchemical Records 

by Joe Navas

LISTEN: “IS IT ENOUGH”

Acclaimed singer-songwriter Mark Erelli has unveiled “Is It Enough,” the latest from his forthcoming LP, Lay Your Darkness Down, due out on February 3rd via Soundly Music. "Is It Enough" fights back at the complacency that can set in when something or someone is taken for granted. It’s a full-throated appeal to really feel the love in your life and to never leave the ones you love doubting your capacity to show the same in return.

"There is a certain degree of restlessness baked into the artist’s job description. A creative soul must always be pushing further in, chasing a mode of expression that remains tantalizingly just beyond reach," Erelli says. "It’s easy to be so distracted by all this seeking that you miss the value of all that you already have. Really, what more should one need than to be loved?"

“Is It Enough” follows the emotionally raw “You,” which Erelli calls a “wrecking ball of a love song,” soulfully sultry “The Man I Am,” a tribute to Polly, his wife of 20 years, and lead single “You’re Gonna Wanna Remember This,” an epic track he co-wrote with his “musical big sister,” GRAMMY-winning artist Lori McKenna.

LISTEN // WATCH: “YOU”

LISTEN: “THE MAN I AM”

LISTEN // WATCH: “YOU’RE GONNA WANNA REMEMBER THIS”

In the summer of 2020, Erelli was diagnosed with Retinitis Pigmentosa ("RP"), a degenerative eye disease that causes progressive loss of night and peripheral vision, and can lead to complete blindness. After his terrifying diagnosis, he began to wonder - Does diminished eyesight decrease one’s insight? What does it mean to be ‘fully seen,’ by oneself and by others? These questions, along with his drive to regain his creative agency, are at the heart of Lay Your Darkness Down.

The tracks, though decorated with references to shadows, light, and obscured vision, are about resilience, love, and the human condition. The album is more than a collection of affirmations and optimism in the face of despair; it is a clarion call for anyone lost in the shadows. Yet Erelli doesn’t proclaim any easy answers for how to navigate the unknown. Instead, he squarely examines question after question, reveling in mysteries both great and small. With equal parts hope and resignation, he reminds us in the title track that our deepest challenges are more than a simple test of our endurance—they ultimately help us chart our course.

 

Lay Your Darkness Down is a reconciliation of life’s trials and human frailties, adversity transformed into finely-embroidered rock n’ roll, burning with urgency. “These aren’t songs about blindness. They’re songs I could only write once I realized what I was losing,” Erelli explained to The Boston Globe. “My impending blindness opened my eyes, and I was able to write from that new viewpoint.”

The album is available for pre-order HERE. Those who pre-order Lay Your Darkness Down through Bandcamp will receive an exclusive bonus track - a live acoustic performance of "You." Click HERE for more information.

Erelli has announced a series of new tour dates which kick off on January 6th in Philadelphia, see below for a full list of shows

TOUR DATES

1/6 - World Cafe Live - Philadelphia, PA

1/7 - Union Stage - Washington, DC

1/8 - Jammin Java - Vienna, VA

1/14 - 30A Songwriters Festival 2023 - Santa Rosa Beach, FL

3/2 - Flying Goose Brew Pub - New London, NH

3/3 - The Music Hall Lounge - Portsmouth, NH

3/4 - Burnham Hall - Lincoln, VT

3/5 - Caffè Lena - Saratoga Springs, NY

3/8 - The Ark - Ann Arbor, MI

3/9 - The Bur Oak -Madison, WI

3/10 - CSPS Hall - Cedar Rapids, IA

3/11 - Stone Arch Brewpub - Appleton, WI

3/24 - Crystal Ballroom - Somerville, MA

3/25 - The Parlor Room - Northampton, MA

CONNECT WITH MARK ERELLI:

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FRANCES LUKE ACCORD RELEASES NEW SINGLE “SAINT MARY”

SAFE IN SOUND LP DUE OUT FEBRUARY 9TH VIA TWO-DALE RECORDS/TONE TREE MUSIC

Photo: Luke Jackson

LISTEN: “SAINT MARY”

Indie folk duo Frances Luke Accord (“FLA”) has unveiled “Saint Mary,” the latest from the latest harmony-laden track from Safe In Sound, their gorgeous LP out on February 9th via Two-Dale Records/Tone Tree Music.

The song was inspired by a cycling accident that nearly cost co-founder Nicholas Gunty his life, an experience that made him reflect on the fragility of being human:

It took time
To recoup what was taken Self in remaking Rethink this life
In my head oh
In our only life cycle
In the blink of an eye I was left

The whole world was ending But also rebirth
And also pretending Knowing what life is worth

“Saint Mary” follows album tracks “Window” and “In My Life,” a hopeful ballad and vocal tour de force reminiscent of Simon & Garfunkel and Peter, Paul, & Mary which features FLA’s mentors and brethren, Darlingside. The band has recently released three other tracks from the album, “This Morning (ft. Liz Chidester),” and “Friend You’ve Been.”

LISTEN: “WINDOW”

LISTEN // WATCH: IN MY LIFE (ft. Darlingside)”

LISTEN: “FRIEND YOU’VE BEEN”

LISTEN: “THIS MORNING”

When FLA’s Nicholas Gunty and Brian Powers put their songs and voices together, there is a delicate magic that commands the room to attention–NPR’s Mountain Stage has called them “the definition of lean-in music.” Their soft, contemplative vintage of indie-folk gestures toward a timelessness that honors the Simon & Garfunkel comparisons but pushes beyond into the world of Bon Iver, Jose Gonzalez, and progressive folk music.

Both raised in South Bend, Indiana, Gunty and Powers met and began performing together during their time at the University of Notre Dame. Their first release, Kandote, was a bold intercultural collaboration with the Barefoot Truth Children’s Choir in Uganda, a not-for- profit effort that continues to support the choir to this day.

Relocating to Chicago in 2013, the duo honed their songwriting craft while releasing two more self-produced EPs, laying the groundwork for their breakthrough debut full-length, Fluke, in 2016. This immersive, philosophically rich album set them off on their first national tour, which included support dates with Darlingside, Anaïs Mitchell, and The Ballroom Thieves.

A remote band since 2017, the duo’s DIY ethos has remained strong since Fluke. Still self- managing and producing, the duo has released two more EP’s, Silver & Gold (2019) and Sunnyside (2021)–the latter under their new label, Two-Dale Records–as well as a number of singles. Be sure to follow them at the links below for the latest news and updates.

CONNECT WITH FRANCES LUKE ACCORD:

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ISAAC WATTERS RELEASES “CHILD IN THE RAIN” SINGLE FROM UPCOMING EXTENDED PLAY 001 OUT ON hi-res records JANUARY 17TH

“...unapologetically cerebral.” - Magnet Magazine

“...it’s hooked me, line and sinker. ‘Everywhere I go, I leave a little sadness,’ sung in the vein of Wolf Parade’s wobbly warbles? Take my money.” - Monster Children

“Known for cinematic, electro-baked…Watters draws lyrically vivid landscapes to accompany his soundscapes. Often he sketches forlorn places fraught with peril — territory that seems to occupy more acreage these days.” - Buzzbands LA

“The song is reminiscent of the post-rock psychedelic phase of the 80s, with a touch of folk and an impassioned message which almost becomes spoken word poetry.” - Folk n Rock on “Listen to the Wind”

LISTEN TO “CHILD IN THE RAIN”: HERE

Los Angeles artist Isaac Watters has released his latest single “Child In The Rain” today. The song is the third offering from his forthcoming EP, Extended Play 001, out January 17th via Los Angeles-based label hi-res records, and follows previous singles “Listen To The Wind” and “Sadness.”

“When I was a kid in the desert in Arizona, whenever it rained it would rain really hard, the wash would fill up and we'd run down in it and wade out in the water. It was such a rare occurrence to have a river running through our backyard that we really enjoyed it,” says Watters. Now living in LA, he still thinks a lot about water and the desert, and the way that we’ve drastically altered the landscapes, especially in the last 100 years.

“Try driving around your city and think about where the streams used to be, how wide the river would get when it would flood, before we encased it in concrete. We've made this desert into something entirely different, less wild, more controlled,” says Watters. “It feels like we've robbed the landscape of its child-likeness, and dressed it up in a suit to go work in a tall building.”

The start of the song references a thesis project Watters did while studying architecture at the University of Southern California. The thesis proposed an International Museum of Border Conflict at San Diego’s Friendship Park along the US/Mexico border. Friendship Park serves as a meeting point for visitors from both countries to meet, complete with a border fence that separates the park and runs through to the ocean; this irony is not lost on Watters.

“In the last 15 years since my project the US border patrol has replaced what was just a chain link fence that families could meet at and talk through, with two thirty-foot tall walls that are constantly patrolled, as if it is a war zone,” says Watters. “If you get a chance to visit, you can walk down the beach from San Diego, or up from Tijuana, and you'll see a wall rising up in front of you on the continuous coastline. It's the most unnatural thing. Whoever built that wall must have lost their childlike mind.”

LISTEN TO “LISTEN TO THE WIND: HERE

LISTEN TO “SADNESS”: HERE

“This EP is about living in Los Angeles. The dirt and grime and fire and smoke and the perfect light in all of it. After living here now for 20 years, I finally felt like I could make a record about it. It still has the deserts of Arizona and the cities and jungles of Mexico around the edges, but at its heart, it's about Los Angeles,” says Watters. “It's about sitting alone on a desert mesa, seeing a cloud of dust rise up in the distance, and hoping that someone is coming for you. The mesa is your life, and the puff of dust you can barely see is the news you’ve been waiting for. Maybe it's a tiny rain cloud full of your dreams.”

Watters found an incredible creative partner in hi-res records to help bring his vision to life. The label’s focus is on high-quality productions. For Watters’ album, the choice was made to record, mix and master all in analog. It’s an audiophile’s dream, and something that connected with Watters’ creativity.

“Building these songs with the limitation of having only 24 tracks on the tape machine was a challenge, but also a driving element in the creativity of the production,” says producer Matt Linesch. “Working solely on analog tape forces you to commit to your songwriting decisions, requires a high caliber of musicianship to execute the recordings, as well as requiring the skillset to see a production from beginning to end.”

EXTENDED PLAY 001 - OUT JANUARY 17TH

Photo by Peter Brownlee

KEEP UP WITH ISAAC WATTERS

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INDIE POP CHANTEUSE LISA CRAWLEY SINGS OF HOPES, HEARTS AND HACKERS ON NEW SINGLE “DON’T DELETE ME” AVAILABLE 11/18

“DON’T DELETE ME”

SPOTIFY | APPLE MUSIC 

LOS ANGELES, CA - New Zealand-born, indie-pop chanteuse Lisa Crawley returns with “Don’t Delete Me” a poignant metaphor for anxiety and self-doubt in the digital age, due 11/18.

“Don’t Delete Me” was written by Lisa Crawley and frequent collaborator Rob Kleiner that Crawley explains was ‘inspired by the challenges of staying relevant in the ever-changing worlds of social media, music and relationships….and also being hacked for three months this year!’. 

“…her refreshingly honest onstage presence and emotionally authentic pop songs enchant the hearts and minds of an ever-growing global audience…Much in the way of her previous efforts, listeners will be captivated by the emotional comfort of Crawley’s vocals and the soft touch of the keys [on ‘Don’t Delete Me’]” – Ghettoblaster Magazine

“Don’t Delete Me” will be followed by both an affecting and humorous music video directed by Harry Katz, featuring Crawley as both herself and acting various characters, and of course, a pink piano. The single follows her 2021 critically acclaimed EP Looking for Love (In A Major).

RECENT PRAISE

“A breath of fresh air, it’s no wonder Crawley has become one of the country’s most respected ladies in the game.” – The AU Review 

“… a collection of nostalgic, catchy pop songs.” – Muzik.net.nz 

“Therein lies the strength of Looking For Love: Crawley’s ability to take well-worn topics and styles and renew them with fresh energy” - Under The Radar Mag 

 “…from the opening seconds of reverberating bassline, Crawley hooks you. The tropical vibe is all sunshine, cocktails and romance novels by the hotel pool…There’s something of the playful, poppy, ultra-feminine Nina Elsabet Persson [Cardigan’s] in Crawley’s delivery.” – Audiofemme 

“That moment when you think of everything you should’ve said after it’s all said & done perfectly captured in a catchy melody… an anthem for all of humanity.” -BTR Today 

“With a free-flowing melody dancing above a laid-back, soulful groove, [“The Right Way”] hits a sweet spot, production-wise… between the sheer vibes of the tune and Crawley’s transportive lyricism, the finished product is a truly communicative expression, employing rhythm, harmony and verse to depict a complex feeling.” – American Songwriter 

“An enchanting collection of radiant songs about all things love, Lisa Crawley’s latest EP is as buoyant as it is introspective, and as dazzling as it is utterly immersive and provocative. Delving into intimacy’s intimate and emotive depths, Looking for Love (In A Major) wraps its audience in passionate pop waves of desire, allure and longing attraction and connection – all in the charming key of A Major.” – Atwood Magazine

ABOUT LISA CRAWLEY

Lisa is a four-time APRA Silver Scroll Award nominee and a recent winner of the APRA Professional Development award, and was twice selected for the prestigious Banff Centre songwriter residency (Canada), where many of her notable songs were written.

Lisa has performed her own song arrangements with the Auckland Symphony Orchestra and opened for Suzanne Vega, John Mayer, Jools Holland, Paul Weller and Simply Red. More recently, Lisa donned her acting hat to star as ‘GIRL’ in the Tony Award-winning musical ‘Once’.

Over the past year, Lisa harnessed her insatiable creative drive to write “Show You What Love Is”, “Tragedy Boy”, “Clear History” and “See Me Soon”’ all produced with Grammy-nominated Rob Kleiner. Lisa’s songs also graced the airwaves of US TV shows “Nancy Drew”, “Good Trouble”, “Stumptown”, “Proven Innocent” and most recently “Devil In Ohio.”

Lisa is currently working towards her third album and will be back touring NZ and Australia in summer 2023.

ON TOUR

NOV 20 / Los Angeles, CA @ The Dresden

NOV 23/ Los Angeles, CA @The North End - Writers Room

NOV 29 / Los Angeles, CA @ The Hotel Café w/ Georgia Lines

DEC 14 / Los Angeles, CA @ The Hotel Café w/ Open Folk

NASHVILLE INDIE POP SINGER/SONGWRITER MANDI MAPES BREEZY WHIMSICAL SINGLE “SURELY GOODNESS” OUT TODAY

“SURELY GOODNESS”

LISTEN

NASHVILLE, TENN. - Today, Nashville indie folk/pop singer-songwriter Mandi Mapes has dropped the first single “Surely Goodness” from her forthcoming full-length debut Levees due March 10, 2023. It’s a breezy, whimsical tune that recalls to mind the goodness that is all around us, even in shadowy times of loneliness, grief and confusion.

“Surely goodness follows me around and around and around…” Mapes sings in playful affirmation, aided by producer Lucas Morton’s backing vocals. Fingerpicked guitar and uncluttered piano and violin arrangements make room for Mapes’ voice and preternatural sense of melody Mapes’ piano hooks are stunning, like gentle waltzes. There’s a sweetness to this track, one that reminds us that hope takes courage.

“I think so many of us are struggling right now, post the pandemic, with depression and anxiety and I just wanted to write a song that reminded all of us that even in the darkness, there is light breaking through,” says Mapes. “Even in our loneliness, love is reaching out. And even though the news headlines leave us feeling hopeless, goodness is not so far away.”

“Surely Goodness” is out everywhere now. A second single, “Daffodil Fields” will follow January 13, 2023, prior to the release of  Levees on March 10, 2023.

ABOUT MADI MAPES

Upon hearing Mandi Mapes' dulcet voice and imaginative songwriting, it's no surprise to find she was born in the music-rich culture of New Orleans. Similar to the city she grew up in, her music carries both the honest feelings about life's hurricanes and the resilient hope of brighter days ahead. Mandi lived in the Middle East with her husband for three years where she pressed pause on making music. During that season she experienced loss, loneliness and a crushing creative drought. But it was during that very season that deep beneath the ground, something beautiful was to come. Birthed from that barren soil, Mandi's upcoming album, Levees blooms with mellifluous melodies and poetic lyrics.

Mandi's music has been well received across the globe. Two of her songs are featured on the Turkish Spotify Playlist, Sabah Kahvesi (which means Morning Coffee in Turkish). You can hear her song, “Dance With Me” in the romance film, Coffee Shop, now streaming on Netflix. Also, her music has been featured in the Erwin Brothers' films, October Baby and Mom's Night Out. Mandi has over 21,000 monthly listeners and over 6,000 followers on Spotify. 

KEEP UP WITH MANDI MAPES

Website | Instagram | Facebook | Twitter | Spotify | YouTube

THE BIRD AND THE BEE CHILDREN’S BOOK FROM FIRST-TIME AUTHOR JONNIE FORSTER OUT TODAY VIA SIMON AND SCHUSTER

ACCOMPANIED BY THE RELEASE OF

“THE SONG OF THE BIRD AND THE BEE”   SONG AND VIDEO 

BY  MULTI-PLATINUM SELLING SONGWRITER AND ICON AWARD HONOREE M’JESTI

“Against the laws of nature, love really does conquer all.” - Kids Picture Book Review 

“This beautiful children’s book teaches us that no matter what background we come from, diversity makes the world a more beautiful place.” - Dr. Samantha Tamburro., PSYD

"A very uplifting and delightful story about love and accomplishing common goals. I absolutely love the message about working hard and creating something beautiful. A great message for children to show nothing comes easy but if you work for it you get great results! " - Sharen Hardy Kindergarten Teacher, Carden Conejo 

"The bird and the bee is a beautifully written story that Spreads the message of love and positivity. Geared towards 4 to 8-year-olds it is simply written with a strong message. The illustrations are beautiful and would definitely inspire the young art student. " - Carrie Cowit, Early Childhood Educator

"The story is incredible and very much needed! Kids need to be exposed to stories like this that normalize love across races. When kids see parts of their world reflected in books the lesson is so much deeper. Incredible!" - Alyssa Tucker //Teacher Stephen Gaynor School NYC // Co-Founder of @LiveFromSnackTime

THE BIRD AND THE BEE:

 THE BOOK // THE SONG OF THE BIRD AND THE BEE + VIDEO

Founder and CEO of the Los Angeles based music company The Penthouse, Jonnie Forster is excited to add the title of author to his resume with the release of the beautiful children’s book The Bird and The Bee out today via Simon & Schuster. The book is accompanied by the release of  “The Song of The Bird and The Bee '' written and performed by multi-platinum-selling songwriter M’Jesti available today on all major streaming platforms. The book tells the story of two creatures from very different backgrounds,  Herbie the Hummingbird and Bree Princess Bee as they join forces to help save the forest. Along the way, they meet a colorful trove of beautifully illustrated characters, brought to life by Ukrainian artist and refugee Yuliia Danchuk, and learn lessons of love and acceptance. According to Herbie the Humming Bird  “if progress must start somewhere why not with Herbie and Bree."

Forster’s initial inspiration for the book came from his wedding, an event that brought together   a colorful cast of characters from all different walks of life, to celebrate love and the union of two people from very different backgrounds. Forster was raised Jewish and is from  New York,  and his wife, Kamilah, is part Native American and African American.  Basking in the glow of the wedding, Forster was at Lake Tahoe where observed a hummingbird feeding on a flower, next to a group of bees. He started to contemplate how incredible it was that these two very different creatures could not only co-exist but were enjoying nature together in harmony. Forster started to develop a story about a long nose hummingbird (him) who falls for the future Queen of the hive (Kamilah).  After the birth of their daughter Ivy, and during the height of the pandemic, in the midst of cultural divisiveness and political tensions,  Forster thought it was time to put pen to paper. This was a story his daughter, and the world at large was in need of.  

Forster knew he had a good story but would need to partner with an incredible illustrator to bring breathe life into the characters he created. After scouring the internet and sifting through thousands of potential creators, he found Yuliia Danchuk, an unknown and unpublished Ukrainian illustrator. Forster, also of Ukrainian lineage, was immediately drawn to her talent and expressed sympathy for the volatile state she was in. With no formal training, and despite living within a warzone,  Danchuk connected with the story on many levels and was able to beautifully interpret the characters. “This project was the largest book I have drawn,” said Danchuk. “I was terribly afraid that I wouldn't be able to cope, I'm still self-taught without an education,  but I wanted to test myself, I wanted to prove to myself that I could do it, no matter what. Thanks to this project, I gained confidence in my strengths and abilities. This project prevented me from falling into a deep depression, it became my hiding place from everything, a place where my psyche could rest.” In addition to the impact, the work had on her mental state, with the payment she received from the project she was able to flee the war and relocate to the Czech Republic where she and her brother currently reside.

Since Forster’s world is music it was going to be a part of this project, and he took it upon himself to share the project with his network of musicians and songwriters, which found its way to  BMI award recipient, multi-platinum selling, Icon Honoree M’Jestie.  In her early 20s, M'Jestie began writing songs for Bad Boy and Roc-A-Fella Records and by the age of 26 had sold more than 2 Million albums, notably penning Rihanna’s very first global hit “Pon De Replay.” After that career-making opportunity, M’Jestie walked away from the music industry to start her Dream Little Dreamer music school for children. M’Jestie  was so taken by the story that she came out of retirement from songwriting to write songs inspired by the book starting with the theme song “The Song of The Bird and the Bee.”   "Honestly, I was amazed by the artwork. It helped me to draw inspiration for the music. When Johnnie asked me to be a part of the project, it was just a magical moment. The song and music naturally came together. There is nothing more true than the bird and the bee." Coming soon, just in time for the Holidays is a Bird and the Bee Holiday song from M’Jestie and the launch of an exclusive line of  luxury wallpaper with Evolve Textiles

KEEP UP WITH THE BIRD AND THE BEE 

Press Materials // Website // YouTube // Instagram // Facebook// TikTok

OUT TODAY: MARK ERELLI’S NEW SINGLE “YOU” & LIVE PERFORMANCE VIDEO FILMED AT CLUB PASSIM

LAY YOUR DARKNESS DOWN LP OUT FEBRUARY 3

VIA SOUNDLY MUSIC

Photo credit: Joe Navas

LISTEN // WATCH: “YOU”

Critically-acclaimed singer-songwriter Mark Erelli has released “You,” one of the rawest, most emotional tracks from his forthcoming LP, Lay Your Darkness Down, due out on February 3rd via Soundly Music. “This is a wrecking ball of a love song,” Erelli explains. “It’s a cry for help, directed at a partner who is also struggling and may not be feeling strong enough to be supportive. There is real desperation here, an honest need to be reminded of the redemptive power of love, especially at one’s lowest moment.”

Erelli also recorded a stripped-down performance of “You” at Club Passim in Cambridge, Massachusetts. “I wanted to capture this in one of the rooms that’s most meaningful to me,’ he says of Passim. “At its essence, the song explores the need to be fully seen by the ones that we love, and it felt fitting to play it in a space where I always feel I can be at my most vulnerable and honest with my audience.”

“You” also serves as a mission statement, a reaffirmation of the commitment to walking together through the darkness together and emerging stronger on the other side. Its release follows the soulfully sultry “The Man I Am,” a tribute to Polly, his wife of 20 years, and lead single “You’re Gonna Wanna Remember This,” an epic track he co-wrote with his “musical big sister,” GRAMMY-winning artist Lori McKenna.

LISTEN: “THE MAN I AM”

LISTEN // WATCH: “YOU’RE GONNA WANNA REMEMBER THIS”

In the summer of 2020, Erelli was performing an outdoor show in New Hampshire when something strange happened. “I looked down and couldn’t see my fingers on the guitar,” he recently told The Boston Globe. “I’m literally about to go into the downbeat for the solo, and, as you can imagine, it didn’t go great. It was embarrassing. I came offstage thinking, ‘Note to self: Check the lighting next time.’” Later, when driving home one night through a Boston tunnel, he lost sight of the road. After a trip to the ophthalmologist, Erelli was diagnosed with Retinitis Pigmentosa ("RP"), a degenerative eye disease that causes progressive loss of night and peripheral vision, and can lead to complete blindness.

After his terrifying diagnosis, he began to wonder - Does diminished eyesight decrease one’s insight? What does it mean to be ‘fully seen,’ by oneself and by others? These questions, along with his drive to regain his creative agency, are at the heart of Lay Your Darkness Down.

The tracks, though decorated with references to shadows, light, and obscured vision, are about resilience, love, and the human condition. The album is more than a collection of affirmations and optimism in the face of despair; it is a clarion call for anyone lost in the shadows. Yet Erelli doesn’t proclaim any easy answers for how to navigate the unknown. Instead, he squarely examines question after question, reveling in mysteries both great and small. With equal parts hope and resignation, he reminds us in the title track that our deepest challenges are more than a simple test of our endurance—they ultimately help us chart our course.

Lay Your Darkness Down is a reconciliation of life’s trials and human frailties, adversity transformed into finely-embroidered rock n’ roll, burning with urgency. “These aren’t songs about blindness. They’re songs I could only write once I realized what I was losing,” Erelli explained to The Boston Globe. “My impending blindness opened my eyes, and I was able to write from that new viewpoint.”

The album is available for pre-order HERE. Those who pre-order Lay Your Darkness Down through Bandcamp will receive an exclusive bonus track - a live acoustic performance of "You." Click HERE for more information.

Be sure to follow Mark Erelli at the links below for all the latest news and updates.

CONNECT WITH MARK ERELLI:

WEBSITE | FACEBOOK | TWITTER | INSTAGRAM | YOUTUBE | SPOTIFY

“ADDICTED TO MY PHONE” - NEW SINGLE & VIDEO FROM BENBEN OUT NOW

SOLO DEBUT EP ALGORITHMIA EP OUT NOVEMBER 18

VIA GIFTSHOP RECORDS

LISTEN // WATCH: “ADDICTED TO MY PHONE”

Brooklyn-based animator, producer, and self-described “gnome rocker” Ben Wigler, who makes music under his experimental art-rock project moniker BenBen, has unveiled his latest track, “Addicted To My Phone,” along with its deliciously disturbing stop motion video.

“Addicted To My Phone” is the third single from BenBen's solo debut, a seven-song EP Algorithmia. The EP is a disgruntled rainbow rock extravaganza about weeping into the cyber-void of digital culture. “Addicted To My Phone” is about internet addiction and our unnatural attachments to our devices. While the song is lyrically simple, the theme cuts deeply. The song’s mind-blowing video is meant to make us uncomfortable, as the imagery swirls and repeats, its disturbing truth that we are losing ourselves is on full display.

 “Addicted To My Phone” follows “Every Day Is The Same” or (“E.D.I.T.S.”) and its mind-melting video, animated by artist and musician Dima Drjuchin. He is best known for painting the revered album art for Father John Misty's Fear Fun and for his collaborations with Flaming Lips frontman Wayne Coyne. The song itself rocks super hard but has an unforgettable zombie-like hook and anesthetized vibe that mimics the dopamine-havoc of internet addiction.

 “E.D.I.T.S.” follows the EP’s first single, title track “Algorithmia,” along with its award-winning AI-generated video. The song's angular riffs and soaring vocals sound like Soundgarden and Queen had a musical baby and then fed it, squealing, directly into the gaping maw of the internet. The video was directed by experimental artist Nate Dorr using AI generative art-making techniques, as the song speaks to how we are increasingly allowing algorithms to make our choices.

LISTEN // WATCH: “EVERY DAY IS THE SAME (ft. DIMA DRJUCHIN)”

LISTEN // WATCH: “ALGORITHMIA”

The “Algorithmia” video premiered in Denver at the Supernova Digital Animation Festival (September 2022), winning “Most Original Music Video” at the Grand Rapids Film Festival (September 2022), was a part of the Boundless Film Festival (October 2022) in London and the HB Film Festival (October 2022) in Glasgow, where it was nominated for Best Music Video.

Wigler helped pioneer 21st-century indie rock with under-the-radar bands Arizona and New Beard, performing live and in the studio with artists like Band of Horses, Samantha Crain, and Indigo Girls. Wigler’s last LP was mixed by legendary Dungen frontman Gustav Ejstes. Best known for an unforgettable high tenor voice and infectious melodies, BenBen crafts riff-driven music with a golden heartbeat–living creatures and invitations to adventure in other worlds.

Be sure to follow BenBen at the links below for all the latest news and updates.

CONNECT WITH BENBEN:

WEBSITE | TWITTER | INSTAGRAM | YOUTUBE | SPOTIFY

AMBIENT-FOLK ARTIST AARKTICA RELEASES A STUNNING HOLIDAY COVER OF JOHN PRINE’S “CHRISTMAS IN PRISON”

"Evocative ambience and electronica." - Penny Black Music

"Aarktica has long been a reliable name for those interested in the more otherworldly and transporting side of the guitar.”- Dusted Magazine

"Under the guise of Aarktica, you never know where Jon DeRosa is going to end up." - Exclaim

"Why isn’t Jon DeRosa’s work as Aarktica mentioned in the same breath as Stars of the Lid or Eluvium when discussing ambient/drone music? Ever since losing hearing in his right ear in 1999, DeRosa has succeeded in using the drifting guitar tones of Aarktica to conjure up the underwater experience that hearing music has become for him.” - Pop Matters

LISTEN TO CHRISTMAS IN PRISON: HERE

Ambient shoegaze-folk artist Aarktica has released his cover of John Prine’s “Christmas In Prison,” a wintery homage to mark the changing of the season. Aarktica’s Jon DeRosa crafts comforting sonic terrains for listeners to traverse across through his reverb-soaked guitar, melding his own unique style of glowing shoegaze-ambient with Prine's quintessential American folk songwriting. Delicate guitar tones glisten in the foreground before unleashing a wall of sound throughout the chorus, further underscored by soaring vocal harmonies with help from Mascot's Kendall Jane Meade. DeRosa's guitar is joined by a steady beat and sleigh bells provided by renowned drummer Butch Norton (of Lucinda Williams' band), whose playing fully immerses "Christmas in Prison" into the wintery soundscapes conjured through both Prine and DeRosa. For DeRosa, the magic of John Prine is not only in his masterful songwriting, but also in his ability to empathize with the characters he writes and sings about. "I can't think of another songwriter with both his level of sensitivity as well as lyrical strength."

"When I heard "Christmas in Prison" with its lilting waltz rhythm, beautiful vocal melody and lyrics that were sad, sentimental and funny all at once, I knew it was the one," says DeRosa. "The imagery Prine conjures up in the lyrics is also so vivid and poetic. Prine once said about the song, "It’s about a person being somewhere like a prison, in a situation they don’t want to be in. And wishing they were somewhere else."

On September 30th Aarktica released his tenth album We Will Find The Light via Darla Records. We Will Find the Light is Aarktica's most ambitious and sublime album to date, and marks his first collaboration with Grammy-nominated producer Lewis Pesacov. The album is available on all streaming services, as a CD digipack, and as a limited edition double vinyl gatefold, available here. This is the first physical release from Aarktica since 2009's In Sea and the first full-length since 2019's Mareación.

Beginning with the ambient guitar opus No Solace in Sleep (Silber) in 2000, the classically trained DeRosa has spent the last two decades charting his way across cosmic terrains and ambient soundscapes through patient songwriting and a curiosity in experimentation. It's a journey that began with DeRosa recording guitar experiments on a four-track cassette recorder in his college dorm after going permanently deaf in his right ear. "I was having aural hallucinations,” says DeRosa.

“Everything I knew as sonically 'normal' suddenly changed. When I started Aarktica, it was a bit like a sonic journal, trying to recreate and reinterpret sounds as I was hearing them." These recordings, which would become No Solace in Sleep, translated those classical musical forms he’d studied for years to electric guitar, stretched them into infinity, soaked them in reverb and delay, and created an entirely new sound identity that would evolve over the years.

Leading into the writing of We Will Find the Light, DeRosa hadn’t felt inspired to write music for several years. “I had been telling myself, ‘I have nothing to say,’” he says, “but after a certain amount of time, and trying everything I knew to break through, it began to feel like perhaps I was just done, nothing left in the tank.” To get to answers on whether his drive for making music was really in his heart, or because he was trying to chase some made-up idea of success, DeRosa who is a Somatic healer held a private ceremony for himself on New Years Eve and sat alone with the feelings of emotional and spiritual blockage. What began to bubble up was uncomfortable and unpleasant. Through this process DeRosa had a realization that with all the music he made in the past none of it was truly personal. He had always created characters and personas, and had only written about personal experience from an arms length. To move forward, he was going to have to approach writing from a truly authentic place. “Eventually I picked up a guitar and started playing” says DeRosa, “and that marked the beginning of how this album came to be. Something truly shifted. All the songs with the exception of the covers were written in a matter of a few months after this.”

STREAM/BUY: We Will Find The Light LP

The album, which is essentially about healing, beautifully traverses through the canyons between ambient and folk genres. With gentle acoustic plucking, haunting string arrangements, and subtle, comforting electronic atmospheres, the eleven songs that make up We Will Find the Light, showcase Aarktica’s prowess in bridging all sides of his sonic spectrum, moving seamlessly through both melancholia and optimism, setting the scene for nuanced emotions to pollinate.

“The album is about this idea that once we acknowledge certain wounds, weaknesses or unpleasant feelings, and instead of ignoring them,” say Derosa “we dive headfirst into the darkness and face everything that is terrifying, there’s at least the possibility (and more so, the likelihood) that we will come out on the other end feeling stronger and more empowered.”

Praise for We Will Find the Light

"A beautiful and dynamic ride between ambient electric symphony and intimate human song."

- Alan Sparhawk, Low.

"We Will Find the Light is a gigantic double album that feels like a rebirth." - Rosy Overdrive

“The artist holds nothing back in creating vast worlds of space and sonic exploration, but in each of those worlds is an open heart on full display. Achingly visceral and softly stirring, We Will Find the Light is the haunting and hopeful expression of a raw soul exposed.” - Atwood Magazine

“A lot of pop songs can heal heartbreak, but Aarktica goes deeper than that." - Two Story Melody

“For this new Aarktica record DeRosa explores ambient chamber pop and does a really beautiful job here.” - Daggerzine