Miss Tess

MISS TESS RELEASES NEW SINGLE  “REAL CHANGE”

MISS TESS RELEASES NEW SINGLE  “REAL CHANGE”

PROCEEDS TO BENEFIT SOCIAL JUSTICE NONPROFIT

GIDEON’S ARMY 

Captivating - Billboard

 Rooted in a retro groove that’s equal parts blues, mid-century rock & roll and Booker T-worthy R&B - Rolling Stone Country

 Old-time warmth, 21st-century sass. It’s a potent recipe for that few artists successfully pull off — and Miss Tess is one of them - No Depression 

 A voice that recalls artists such as Bonnie Raitt, Patsy Cline and Lindi Ortega - The Boot

 Soulful - Wide Open Country

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LISTEN: “REAL CHANGE”

 Today, Nashville chanteuse Miss Tess released her brand new single, “Real Change.” The song was written with Maya de Vitry a month or two after the death of George Floyd. “The world was on fire,” recalls Miss. Tess. “Of all the sadness and loss already experienced through the onset of a global pandemic, I thought maybe it all happened for a reason. Most of our working systems came to a standstill for the first time in recent history, and the world had time to listen, watch, and react.”  

While the conversations are not new, people of all shapes and colors were and are willing to fight for accountability. “A lot of us have had the luxury of not knowing for a very long time. It’s much harder not to notice now, but it seems like you still never really understand until it happens to you or someone you love,” Miss Tess explains. “Our power and money-hungry machines are always waiting in the wings to push their agendas and keep us divided with their tools of racism, misogyny, and exploitation. ‘Divide and conquer’ as the old saying goes. The people must remember how much power they have. My goal is not to preach from some high pulpit but rather to spread a humble message of hope and unity. As we emerge from this dark pandemic cocoon may we continue practicing the power of love and awareness toward our fellow humans,” she continues. “The world will never be perfect, but we have to keep trying, and insisting that real change is possible."  

“Real Change” was co-produced by Miss Tess and Thomas Bryan Eaton (guitar), and also features Lindsay Lou and Rachael Davis (background vocals), John Pahmer (piano, organ), Rhees Williams (bass), and Dan Holmes (drums). Miss Tess will donate 100% of the song’s proceeds to Nashville racial justice nonprofit Gideon’s Army*, a community-based, grassroots organization that uses restorative justice programs to dismantle the school-to-prison pipeline through social activism by children, families, and the community. Click HERE to purchase “Real Change” or make a donation.

WATCH: “REAL CHANGE”

  When most people think of defiant music, they think of punk rock or outlaw country. But defying genres while transcending eras and resisting clichés is hard to pin down when it comes to artistry unless you're talking about Miss Tess, who does all of that and more. Swinging for the fences and from the branches of jazz, country, blues, and old school rock and roll, she employs all of her influences and talents while cleverly taking standard perspectives and ideas - like the definition of a love song - to task. From soulful swagger to jazz, blues, a little old school country, and even a touch of psychedelia, Miss Tess shows both the pluck and poise to fold a multitude of styles into her own. In early 2020, Miss Tess released her acclaimed LP The Moon Is An Ashtray, co-produced with Andrija Tockic and lauded by Billboard, Rolling Stone Country, No Depression. Wide Open Country, The Boot, and more. 

*ABOUT GIDEON’S ARMY: Gideon’s Army is a community-based, grassroots organization that works to design programs based on contemporary interpretations of the theory of restorative justice. As a locally-based organization with a long-term goal for state-wide expansion, Gideon’s Army is currently the only local organization in Nashville that focuses solely on dismantling the school-to-prison pipeline through social activism by children in the prison pipeline, their families, and their community. Utilizing research-based best practices combined with community outreach, Gideon’s Army builds its restorative justice programs based upon this information and uses program results to guide its policy work. Through intensive volunteer and community training as well as dialogue, we as a community lead and work together throughout the entire process. The organization uniquely emphasizes youth empowerment and community member leadership as well as direct interfacing with families, the juvenile courts, and the public school system. Gideon’s Army facilitators, mentors, and other volunteers are members of the North Nashville community who train fellow youth, educators, and others in continuing the process of educating. This training structure creates a positive cyclical pipeline based in restorative juice to combat the destructive effects of the school-to-prison pipeline.

TOUR DATES:

July 3 -  The Brick Church Social @ Farm Fresh Eggs - Nashville, TN*

July 8 - Purple Fiddle - Thomas, WV 

July 10 - Red Wing Roots Music Festival - Mount Solon, VA

July 15 - Colony - Woodstock. NY**

July 16 - Rose Hall - Cortland, NY**

July 17 - Abilene Bar & Lounge - Rochester, NY**

July 18 - Argyle Brewing Company - Cambridge, NY**

July 21 - The Barn - Egremont, MA**^

July 22 - Sunny’s - Brooklyn, NY**

July 23 - Americana In The Archway - Brooklyn, NY**

July 24 - Augusta Block Party Honky Tonk Dance - Elkins, WV

July 30 - The Burl - Lexington, KY^^

August 14 - East Nashville Tomato Art Fest - Nashville, TN

*w/ Thomas Bryan Eaton & Hobson's Choice, Kristina Murray, & Joshua Rilko

**duo w/ Thomas Bryan Eaton

^w/ Lydia Luce

^^w/ John R. Miller

CONNECT WITH MISS TESS

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MISS TESS RELEASES NEW LP "THE MOON IS AN ASHTRAY"

From a historical perspective, one could say that rebellious music that doesn’t necessarily fit a certain genre or time period leaves a lasting effect on people. Think of David Bowie..or Johnny Cash…Both went against what the mainstream audiences wanted and lived on to be legends. For Miss Tess, she wants to become a legend in her own right but wants to use some of Bowie’s and Cash’s rebellious tools to do so - American Songwriter 

Captivating - Billboard

Rooted in a retro groove that’s equal parts blues, mid-century rock & roll and Booker T-worthy R&B - Rolling Stone 

Old-time warmth, 21st-century sass. It’s a potent recipe for that few artists successfully pull off — and Miss Tess is one of them - No Depression 

A voice that recalls artists such as Bonnie Raitt, Patsy Cline and Lindi Ortega The Boot 

Soulful - Wide Open Country 

Miss Tess swings, swaggers, seduces, and soothes on The Moon Is An Ashtray - Glide Magazine 

This album is tremendous display of Miss Tess’s range as an artist. She bounces from soul to country to jazzy vocals with no difficulty. In fact, she makes it seem effortless - Americana Highways 

An eclectic mix of country, jazz and rock ‘n’ roll - Americana-UK

Miss Tess has a musical vocabulary that continues to confound.  Country, blues, rock, folk, jazz – you name it – you’ll find shades of it infused into her music…The Moon Is an Ashtray is both warm and raucous, not to mention a damn fine listen. Twangville

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LISTEN: THE MOON IS AN ASHTRAY 

Nashville chanteuse Miss Tess has released her lauded new album The Moon Is An Ashtray today via Tone Tree Music. “The moon is an ashtray. I fell in love with this metaphor,” Miss Tess told American Songwriter in its premiere. “The album cover draws inspiration from an old picture I came across from what must have been a 1930s movie, where the women sitting on the moon looked well, kind of pissed off. I loved that attitude captured as a juxtaposition against the classic romanticized ‘woman on moon’ image, and wanted to recreate that sentiment for the title track. Things are not always what they seem, especially when you’re used to filtering them through an illusion of childlike romanticism. Objects such as the moon, and ideas of love often fall into this category, but are too often followed by disappointment. when you realize that this type of idealistic, cruel optimism is just an illusion. From far away the moon is a mystical glowing entity, yet in reality is cratered and dusty, sort of like … an ashtray.” 

The sentiment was deftly captured in the video for the title track, directed by Tom Krueger (Bruce Springsteen, U2, David Bowie). “With a distinct old timey flair, the singer transports the listener to another time period with the throwback number,” Billboard remarked of the whimsical video, which involves an evil villain luring in souls for his wonderland vignettes.

WATCH: “THE MOON IS AN ASHTRAY” 

To help capture and shape her own unique sound, Miss Tess enlisted not only her trusty 1930s Weymann archtop, but also heavy input from co-producers Andrija Tokic (Margo Price, Alabama Shakes, Hurray for the Riff Raff) and Thomas Bryan Eaton, her full-time bandmate and musical partner. Combining Eaton's' arranging ideas and skilled instrumental work with Tokic's studio full of vintage mics, tube amps, keyboards, and tape machines, the resulting record has a rich, buttery warmth well-suited to Miss Tess' voice and authentic, retro-contemporary songwriting style. 

When most people think of defiant music, they think of punk rock or outlaw country. But defying genres while transcending eras and resisting clichés is hard to pin down when it comes to artistry unless you're talking about Miss Tess, who does all of that and more on The Moon Is An Ashtray. Swinging for the fences and from the branches of jazz, country, blues and old school rock and roll, she has employed all of her influences and talents on a tour-de-force, while cleverly taking standard perspectives and ideas - like the definition of a love song - to task. From soulful swagger to jazz, blues, a little old school country, and even a touch of psychedelia, Miss Tess shows both the pluck and poise to fold a multitude of styles into her own. 

The Moon Is An Ashtray is available for purchase on iTunesGoogle Play, and at her websiteMiss Tess will be performing today on Nashville roots radio station WMOT’s Finally Friday show which broadcasts live from 3rd & Lindsley. Tune in HERE to listen at 1pm CST. She’ll also be celebrating the album’s release on her upcoming tour, see dates below.

TOUR DATES: 

2/19 Nashville, TN @ The 5 Spot

2/20 St. Louis, MO @ Focal Point 

2/21 Chicago, IL @ Honky Tonk BBQ

2/22 Indianapolis, IN @ Duke's

3/04 Charlotte, NC @ The Thirsty Beaver

3/05 Fayetteville, NC @ Cameo Art House

3/06 Aberdeen, NC @ Rooster’s Wife

3/07 Saluda, NC @ Purple Onion

3/11 Knoxville, TN @ TN Shines

3/12 Bristol, TN @ Farm & Fun Time

3/13 Charlottesville, VA @ The Front Porch

3/14 Washington, DC @ The Soundry

3/15 Philladelphia, PA @ Philadelphia Folk School 

3/17 New York, NY @ Voices on the Hudson at City Vineyard 

3/18 Northampton, MA @ Parlor Room

3/19 Cambridge, MA @ The Lizard Lounge

3/20 Portland, ME @ One Longfellow Square

3/21 Peacedale, RI @ Roots Hoot House Concert

3/22 Cazenovia, NY @ Nelson Odeon

3/25 Rochester, NY @ Abilene

3/26 Buffalo, NY @ Sportsmen's Tavern

3/27 Peninsula, OH @ GAR Hall

3/28 Columbus, OH @ Natalie's

 

MISS TESS RELEASES DREAMY NEW VIDEO “THE MOON IS AN ASHTRAY”

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“A voice that recalls artists such as Bonnie Raitt, Patsy Cline and Lindi Ortega” - The Boot  

“Rooted in a retro groove that’s equal parts blues, mid-century rock & roll and Booker T-worthy R&B” - Rolling Stone  

“Soulful “- Wide Open Country

Nashville’s Miss Tess released the dreamy new video for “The Moon Is An Ashtray,” the title track to her forthcoming album due out February 7th. “Miss Tess blends country, jazz, blues and folk on the captivating ‘The Moon is an Ashtray,’” Billboard said in its premiere of the video. “With a distinct old timey flair, the singer transports the listener to another time period with the throwback number.” "Things are not always what they seem,” Miss Tess told Billboard. “Reality can be a harsh mistress when we find ourselves trapped in an idea of childlike romanticism that doesn't quite measure up to our hopes and dreams.” The video was directed by Tom Krueger, who has directed videos for Bruce Springsteen, U2, David Bowie, and more. For the video’s concept, Miss Tess was inspired by a 1930s-era photo of a woman on a paper moon. “I had been inspired by an old picture I came across…where the woman sitting on the moon looked pissed off. I loved that attitude captured as a juxtaposition against the classic romanticized 'woman on moon' image, and wanted to recreate that sentiment,” she explained. “Tom…really took the idea and ran with it, expanding the idea to involve a whole meta plot where an evil villain is luring in souls for his wonderland vignettes.”

WATCH: “THE MOON IS AN ASHTRAY”

To help capture and shape her own unique sound, Miss Tess enlisted not only her trusty 1930s Weymann archtop, but also heavy input from co-producers Andrija Tokic (Margo Price, Alabama Shakes, Hurray for the Riff Raff) and Thomas Bryan Eaton, her full-time bandmate and musical partner. Combining Eaton's' arranging ideas and skilled instrumental work with Tokic's studio full of vintage mics, tube amps, keyboards, and tape machines, the resulting record has a rich, buttery warmth well-suited to Miss Tess' voice and authentic, retro-contemporary songwriting style.

LISTEN: “GAMBLIN’ MAN”

LISTEN: "IF YOU DON'T KNOW HOW TO LOVE ME"

LISTEN: "THE MOON IS AN ASHTRAY"

LISTEN: "TRUE FLOOD (ft. Rachael Price)"

When most people think of defiant music, they think of punk rock or outlaw country. But defying genres while transcending eras and resisting clichés is hard to pin down when it comes to artistry unless you're talking about Miss Tess, who does all of that and more on The Moon Is An Ashtray. Swinging for the fences and from the branches of jazz, country, blues and old school rock and roll, she has employed all of her influences and talents on a tour-de-force, while cleverly taking standard perspectives and ideas - like the definition of a love song - to task.

From soulful swagger to jazz, blues, a little old school country, and even a touch of psychedelia, Miss Tess shows both the pluck and poise to fold a multitude of styles into her own.