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PRODIGY’S MAXIM RELEASES AN NFT SERIES IN COLLABORATION WITH WLS (EUGUNE RIECANSKY) TO ACCOMPANY HIS LATEST MIXED MEDIA SERIES “HOPE”

PRODIGY’S MAXIM RELEASES AN NFT SERIES

 IN COLLABORATION 

WITH WLS (EUGUNE RIECANSKY)

TO ACCOMPANY HIS LATEST MIXED MEDIA SERIES “HOPE” 

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VIEW THE NFT’S :  HERE

“We are in times of uncertainty, but I believe the answer to our problems is the four-letter word, ‘love’.” - MAXIM

Multi-faceted UK based musician and mixed media artist Maxim has launched a series NFT’s in collaboration with digital artist WLS (Eugene Riecansky) best known for his work with Prodigy, NIN, HIM, Madonna, Pixar and more. Maxim, who in addition to being part of the hard-hitting and chart-topping group Prodigy is an acclaimed mixed-media artist. His most recent exhibit is a series called "Hope," a hybrid of sculpture, music, and film,  which is available to view and experience online (on his website) and was on display at London’s new 99 Projects gallery. 

The series is a powerful and poignant collaboration with artist Dan Pearce, born out of the pandemic entitled “Hope” The series features 50 limited edition sculptures,  hand-painted colors with ten special editions, which have Swarovski Crystals added by Dan and Maxim. The two artists spent over a year in lockdown creating this ambitious, multi-platform collaboration, which is inspired by the “Hope” that everybody is clinging onto, as we gradually ease out of the devastation wreaked by Coronavirus. The sculpture is based on Pearce’s son - wearing a gas mask and preparing to pull the pin on a clear, resin grenade, containing a heart, which represents the vaccine and the hope that will help us navigate our post-lockdown worlds. The grenade is a recurring symbol and theme in Maxim’s art, which includes highly sought-after paintings, prints, and sculptures created during his 18 years in the art world. The pieces demonstrate Dan’s skills in 3D modeling and Maxim’s experience floating objects in resin. 

Each piece also contains bespoke memory cards housing an exclusive 4 track Hope  EP from Maxim, that will only be available via the sculptures until the end of the summer (August) where he will release the new music out wide via streaming services. In addition to the EP the exhibit has an accompanying short film also entitled Hope starring Pearce’s son that tells the story of the sculpture. The film touches on the mental health implications the virus has had on children, showing the 11-year-old son Jackson living through the pandemic. It also references the pandemic’s impact on homelessness - with a moving cameo from Maxim, playing a person living on the streets - as well as austerity, with touching food bank scenes. The soundtrack to the film is also titled Hope is one of the four songs on the EP being packaged with the pieces.

The physical exhibit opened on May 20 and in addition to being on display at 99 Projects, one sculpture will also be donated to NHS Charities Together, one to the young people’s mental health charity, YoungMinds, and one to the homeless charity Shelter, to raise funds for those most affected by the COVID, the themes of which are explored in the moving film. 

The resin grenades containing the hearts have been repurposed into an NFT multiple edition series NFT’s. The series will be dropped on Rarible platform on Friday, the 18th of June. The edition consists of 16 various grenades available in 1/1 and ⅕ copies. NFTs are unique as each has a special sound cover.  Where most grenades cause destruction these grenades  spread love and tap into a different energy source. The animations are accompanied by original music compositions created and produced by Maxim. 

RARIBLE NFT SERIES

“HOPE” SHORT FILM


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Art was originally a means of winding down between tours with the chart-topping band, The Prodigy, but Maxim has cemented his reputation as an acclaimed, mixed media artist and designer. Grenades carried on the breeze by a raft of red balloons; clown-faced butterflies brandishing Samurai swords, and gun-toting cats are just a few of the surreal fantasy worlds created by Maxim, using everything from spray paint, resin, acrylic, ceramics, and bronze to objects like bullets, blades, and pills.

STAL RELEASES “FRESH BLOOD” SINGLE

STAL RELEASES “FRESH BLOOD” SINGLE

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LISTEN TO FRESH BLOOD: HERE

Just in time for Halloween  STAL has released the incredible new track “Fresh Blood.” from the eponymous  EP due out next year.  STAL translates to steel in more than a few languages. As a result, the word conjures feelings of coldness and evokes imagery of a modern, industrial life. On the new EP  Pierre-Marie Maulini, the creative force behind  STAL,  strikes the perfect balance between the cold, sleek varnish of this picture and something decidedly more harmonious and human. With the help producer Eric Palmquist (Bad Suns, Mute Math, Night Riots) STAL was able to craft the perfect example of how one can keep their humanity in the age of twenty first century digitalism.

Get Fresh: http://smarturl.it/STALFreshBlood Official Video: https://youtu.be/YjeR8CNlTtw Live Studio Video: https://youtu.be/0f1rgDBjAeI Produced & Mixed by Eric Palmquist Mastered by John Greenham Stay fresh! -- https://www.instagram.com/stalofficial https://open.spotify.com/artist/0tmG4q8xPVP7NJV481rXi3 https://soundcloud.com/stalofficial https://www.facebook.com/STALofficial https://twitter.com/STALofficial https://www.stalmusic.com LYRICS: I’m filled with fresh blood I shoot like John Wayne I scream like Kurt Cobain I walk like Kate Moss Disco like Diana Ross I believe in you I believe in me too A new lease on life We can get it, get it, get it yeah Hands on the wheel I’m feeling alive Oh oh oh oh oh I’m filled with fresh blood Oh oh oh oh oh I’m filled with fresh blood Sexual as Marvin Gaye A fool like Kanye Pop as Madonna Royal as Diana A hungry wolf In the empty streets On the hunt While the city sleeps Not about to let the moment pass I’m going for the kill Sink my teeth in I’m feeling alive I’m clutch like M.J I rock like Presley

 

Maulinin got his start very young and his first project was a  post-rock effort influenced by Sigur Ros and Explosions in the Sky called A Red Season Shade. The project lead to him developing a close friendship with local shoegaze icon Anthony Gonzalez. Gonzalez asked Pierre him to come and play guitars and synths as part of M83 for the tour following the release of their fifth album Saturdays = Youth. The band spent almost 2 years traveling around the world, opening for bands such as Kings Of Leon in the UK or Midnight Juggernauts in Australia, and of course headlining sold out shows all over America.

Touring with M83  is where Maulini was first exposed to the world of synths, keyboards and other electronic elements that would soon be so prevalent in the music he would create. Upon his return home from the tour, Maulini wanted to delve deeper into this new world of musical possibilities he had discovered. Still, Maulini hadn’t forgotten his roots and a lot of the guitar work on which he first made a name for himself would remain integral to the new songs he was writing. Post rock is “all about atmosphere” says Maulini, who pulling on his background in the genre, strives to bring an air degree of epicness into his new work. Maulini released first experimental demos from STAL in 2011, and since then release and  EP, We Are Two (2012), and his debut full-length, Young Hearts (2015). The releases were followed  by touring with acts like Nothing But Thieves and Matt & Kim.

Maulini took a huge leap faith this year relocating from Paris to Los Angeles, and the location and cultural shift is ever present in the new material. Palmquist who was a fan of STAL, bonded with  Maulini  immediately over their shared love of Emo. Working with Palmquist would instilled in Maulini the need for diligence in the recording studio. Prior recordings for STAL were a very straightforward process, with a great deal of spontaneity and clumsiness, for Fresh Blood there were countless hours of pre-production. The initial days in the studio consisted solely of listening to the artist and producer’s greatest influences, as well as, Top 40 pop and rock. This led to an extended demoing session that saw their creative direction pulled in many different ways before the two settled on a final vision for the EP. Lyrically, Fresh Blood shows just how much maturity Maulini has gained over the past few years. While he speaks largely to the true and simple happiness one can find in life, love and hope, there is certainly a new level of profundity to his lyrics.

Fresh Blood EP : STREAM / DOWNLOAD
The Crime
Jump With Me
Fresh Blood
Magic

When Words Are Not Enough

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7 COME 11 RELEASES “NOBODY WINS” SINGLE +  ANNOUNCE THE UNIVERSE OUT OF TIME EP  OUT SEPTEMBER 29 ON TALLEST MAN RECORDS

7 COME 11 RELEASES “NOBODY WINS” SINGLE +  ANNOUNCE THE UNIVERSE OUT OF TIME EP  OUT SEPTEMBER 29 ON TALLEST MAN RECORDS

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“...it's cool to see music we made 50 years ago inspiring a lot of young musicians...I'm glad they're listening....It's cool to see these young dudes take that inspiration and do their own thing....” - Art “Poppa Funk” Neville

The Bay Area’s Tallest Man Records is excited to announce the release of “Nobody Wins” the first track off the forthcoming EP Universe Out of Time from 7 Come 11 due out on September 29th.

From the forthcoming EP Universe Out of Time out 9.29.17 http://www.7come11.net https://www.facebook.com/7come11 https://twitter.com/7come11band https://www.instagram.com/7come11band https://www.youtube.com/7c11 https://soundcloud.com/7come11

7 Come 11 is the brainchild of San Francisco Bay Area based musician Gianni Staiano. The project was created with Staiano and his Hammond B3 as the focal point, which for this new EP has expanded to include a whammy clavinet, modified to Staiano’s specs by Ken Rich at Sound Services. The clav, with the whammy bar adds a level of heaviness to the 7 Come 11 sound, mimicking searing guitar like wails (all created by the clav) that are all over the EP. “I saw a Castlebar Clavinet on YouTube years ago and was blown away,” says Staiano. “Of course only like 7 were made back in the 70's and good luck finding one for sale. In the search though I found Ken Rich who had taken the initial concept which was fraught with design flaws and reimagined it. His creation changed my musical life. All of a sudden I could be super expressive with a keyboard instrument. Bending notes and playing the in between ones. Things I've been fantasizing about since childhood now suddenly at my fingertips. This was something I could man-handle and really feel the connection to the strings. It's like a whole new universe of expressive possibilities has been opened up to me. That's why I guess this is more of a rock album and way wilder sounding.”

“Nobody Wins”  was the very first song recorded with the whammy clav and is the most raw track on the album. The track is two takes pieced together, and was Staiano’s first real bonding moment with the whammy clav, where the instrument showed him what it was capable of, including making some decisions of its own.

The track opens with distorted vocals stating “We’re all the same people, We’re all the same race, If we don’t come together, Nobody wins.” This track was written in the fall of 2016 where the topics of immigration and race dominated the news feeds and stayed on the tip of the Nation’s tongue amidst the rise of Trump’s Nationalist movement. This tension can be felt in the heaviness of the song and the strain of the whammy bar bending the notes on the clavinet. In the wake of Charlottesville, the weight and depth of “Nobody Wins”  is more palpable now than ever.

This past year has seen Staiano share the stage with some of his musical heroes the funky METERS, and The Original Meters whom he has supported on numerous shows, including the Original Meters 50th anniversary show at the Orpheum Theatre in New Orleans during the New Orleans’ Jazz and Heritage Festival. He has also warmed up the rooms for dance inducing funk power houses Con Brio, Lettuce, and Ivan Neville’s Dumpstaphunk.

Staiano’s  forward thinking musical heroes, like the Meters,  have been the driving force for him to push the limits and boundaries of his sonic creativity— and more specifically, how he can merge his classically trained musical mind with new technology.  The result is a whiplash mélange of futuristic funk it that calls to mind  a sonic dance party with Herbie Hancock by way of Daft Punk.  This process has been a slow burn for Staiano, who attended the Berklee College of Music before studying jazz at San Diego State.  Although Staiano grew up removed from the world of dance, 7 Come 11’s music has developed into a sonic dance party. Staiano’s version of dance music comes from his intense study of  West African music. Staiano fell hard for dance music, while traveling the region to study with its most dedicated disciples, and now feels it as an essential part of his musical being. Staiano describes simply, that was he is making is music that he wants to dance to. With this new record and new instrumentation Staino dives even deeper into experimenting with technology and making music that moves him.

Staino will be taking 7 Come 11 out on the road this fall. Tour dates to be announced soon.

7 Come 11 PR Materials: http://smarturl.it/7come11PR

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