Wide Open Country

  MELISSA CARPER PREMIERES NEW SINGLE “BACK WHEN (ft. SIERRA FERRELL)” VIA WIDE OPEN COUNTRY   NEW LP DADDY’S COUNTRY GOLD OUT ON MARCH 19

  MELISSA CARPER PREMIERES NEW SINGLE  

“BACK WHEN (ft. SIERRA FERRELL)” VIA WIDE OPEN COUNTRY   

NEW LP DADDY’S COUNTRY GOLD OUT ON MARCH 19 

Yearning, stone cold country - Wide Open Country 

Singer-bassist Melissa Carper sounds like a voice from a bygone era...Evoking the cool, smoky croon of a lounge singer, Carper gives some winking commentary about having a good time. - Rolling Stone Country 

Daddy’s County Gold stays light on its feet, and Carper sings with ease...Carper is a first-rate songwriter, as her new music demonstrates.”- Nashville Scene 

A new batch of songs from Melissa Carper is something to smile and rub your hands together about like waiting for permission to cut into an apple pie. - Saving Country Music  

Captivating and authentic vintage country - Glide Magazine  

As a dish cooked up with the spice of many talented hands, there rightfully should be a line out the door to sample this new album by Melissa Carper…itll meet all your expectations for a classic country music with a dose of carefree humor.  -  Americana Highways  

Melissa Carper is a talented singer-songwriter and upright bass player who is worth our intention - Americana-UK  

There’s something so absolutely refreshing about straightforward, old-fashioned playing. An homage at points, but very much of Carper’s sound…the right amount of rascally sweetness of a country night out. - Country Queer  

 

Photo: Aisha Golliher

Photo: Aisha Golliher

LISTEN: “BACK WHEN”   

Singer/songwriter and upright bassist Melissa Carper has unveiled her newest single “Back When (ft. Sierra Ferrell),” a track from her forthcoming album Daddys Country Gold, set for release on March 19th. "A lot of my songs are based on my real life experiences and with 'Back When' every single word of that was lived and true," Carper told Wide Open Country in the song’s premiere. "I started writing it a bit after a breakup while longing for the relationship I once had with someone--that is, the beginning of the relationship when we were in love and everything was wonderful.  It was written with a hopeful desire that things could be as they once were, and though that never happened, I feel like this song does have that hopeful air that maybe 'back when' could happen again, for any relationship that has lost that spark.” “Back When” follows singles “I Almost Forgot About You” and “Makin’ Memories.”  

WATCH // LISTEN: “I ALMOST FORGOT ABOUT YOU”  

WATCH // LISTEN: “MAKIN’ MEMORIES” 

Carper’s refreshingly unique style calls to mind greats like Kitty Wells, Billie Holiday, and Loretta Lynn, beautifully conveyed in the grooves of the album’s 12 sparkling gems. Carper enlisted fellow bassist Dennis Crouch (The Time Jumpers) and producer/engineer Andrija Tokic (Alabama Shakes, Margo Price) to co-produce the album and bring her dream to life. Recorded live to tape at Tokic’s analog studio wonderland The Bomb Shelter in Nashville, the album features Crouch (bass), Chris Scruggs (guitar, steel guitar), Jeff Taylor (piano, organ, accordion), Matty Meyer (drums, percussion), Billy Contreras (fiddle), with guest appearances from Brennen Leigh, Sierra Ferrell, and legendary pedal steel maestro Lloyd Green. 

As a child, Carper, who acquired the nickname “Daddy” years ago from her bandmates for always knowing how to “take care of ‘bidness’,” would lay her head underneath the family record player as she listened to Hank Williams, Patsy Cline, Johnny Cash, and other greats from her parents’ collection. After a childhood spent in her family’s country band, Carper attended the University of Nebraska on a music scholarship, spending much of her time in the library devouring every Billie Holiday, Ella Fitzgerald, Frank Sinatra, and Nat King Cole album she could find. Around this time, Carper’s father gifted her a full collection of Jimmie Rodgers’ recordings, which was a pivotal moment in finding her unique style of songcraft.  

The wayfaring Carper soon found herself in the historic town of Eureka Springs, Arkansas, where she saw street performers for the first time. Busking seemed a very free and appealing endeavor, so Carper diligently learned all the old country songs she loved as a child. She soon relocated to music hubs like New Orleans, New York City, Austin, and eventually Nashville, oftentimes busking to make ends meet until gigs would come along. On the way, she founded award-winning bands like power trio The Carper Family, playing festivals and gigs across the globe, and on shows like “A Prairie Home Companion.” Carper also holds a spot in award-winning Arkansas foursome Sad Daddy, and founded roots duo Buffalo Gals with Sad Daddy bandmate and girlfriend Rebecca Patek.   

Her forthcoming solo record Daddys Country Gold is just that - 12 glittering Carper originals of the country, western swing, and jazz variety. From the first notes of album opener “Makin’ Memories,” to the whimsical “Would You Like To Get Some Goats,” and the heart-wrenching tenderness of album closer “The Stars Are Aligned,” this lifetime of work, experience, and wanderlust culminates in a beautiful portrait of heartfelt music, written by a road-lovin’ gal who has lived these songs and spent her life playing music for folks that still love the real thing. 

Be sure to catch Melissa Carper perform live on Facebook every Monday night at 6:00 pm CST, which is streamed HERE

 

CONNECT WITH MELISSA CARPER:   

WEBSITE || FACEBOOK || INSTAGRAM || BANDCAMP || YOUTUBE || SPOTIFY   

MARK ERELLI CONFRONTS PRIVILEGE IN NEW SINGLE “ROSE-COLORED REARVIEW”

Photo credit: Joe Navas

Photo credit: Joe Navas

Boston-based master songcrafter Mark Erelli has released his new single “Rose-Colored Rearview,” a track from his forthcoming LP Blindsided, out March 27th via Soundly Music. “Nostalgia has a way of allowing us to gloss over certain parts of the past…Mark Erelli examines the ‘good old days’ through a different lens,” Wide Open Country said in its premiere of the song. “The song's final verse looks at how privilege plays a role in how you view days gone by.” "I wanted to land a bit of a lyrical gut-punch to finish the song, and just couldn't let go until I felt the last verse's visceral impact,” Erelli told Wide Open Country. “Though we certainly have a ways to go to improve things for all colors and creeds, I am fairly certain that longing for the 'good ol' days' is mainly another form of white privilege. I love how this track feels nostalgic and almost like a classic rock song you might have heard before -- until you pay attention to the lyrics.”

LISTEN: “ROSE-COLORED REARVIEW”

“Rose-Colored Rearview” follows the release of the title track via The Bluegrass Situation last month, and “A Little Kindness” via American Songwriter in January. “For Erelli, music is a way to appreciate the world and the people in his life,” American Songwriter remarked. “And perhaps most acutely, the practice of music has taught Erelli the beauty of sublimation and reinforced the joy of helping others achieve their dreams, which, in turn, helps Erelli also achieve his.” 

LISTEN: “BLINDSIDED”

LISTEN: A LITTLE KINDNESS”

Blindsided, a step in a different sonic direction for Erelli, is an unflinching examination of the distance between innocence and experience. The album was forged in a process of reckoning, of taking stock of the soul, and being pleasantly surprised. Mining the same gritty yet soulful territory as John Hiatt’s Bring The Family or Bonnie Raitt’s Nick Of Time, Erelli contemplates the delicate tension between love and commitment, faith and family, disillusionment and hope. But this isn’t a confession from the therapist’s couch, it’s rock ’n roll, and Erelli is clearly taking his cues from heroes like Petty and Prine. To create the soundtrack that reflected this reinvigorated approach to songwriting, Erelli consulted his mental list of fellow musicians with whom he had forged connections in recent years, and realized they all lived in Nashville. So, he made the trek to the Music City, with best friend and multi-instrumentalist/producer Zachariah Hickman in tow, curious to see what effect a change in geography, personnel, and context would produce. With the help of drummer Jamie Dick (Rhiannon Giddens, Our Native Daughters), guitarist Sadler Vaden (Jason Isbell, Josh Ritter), Kai Welch (Molly Tuttle, Kacey Musgraves) on keys, producer Hickman on bass, and Dan Knobler (Lake Street Dive, Caroline Spence) recording and mixing, the result couldn’t have been more unanticipated. Against the backdrop of Blindsided’s hungrier, hook-laden sound, with the inspired addition of a string quartet on half of the album, Erelli has never sounded more passionate or vital. Over the course of Blindsided’s 11 tracks, the message of each song is distilled to its purest form, as fearlessly honest in perspective as it is straightforward in its delivery.  

Erelli has forged a colorful career by making the art of “being everywhere all the time” seem effortless. It’s hard to think of another artist who seems equally at home serving as a sideman for GRAMMY-winning artists like Paula Cole, Marc Cohn, and Josh Ritter, or producing albums for Lori McKenna, as he does writing and producing his own material, like last year’s “By Degrees,” on which he was joined by a host of voices including Rosanne Cash and Sheryl Crow. That song was nominated for “Song Of The Year” at the 2019 Americana Music Awards, and served to reintroduce Erelli to a wider audience. And just in time, because Blindsided combines the exuberance of Erelli’s signature sound with the wisdom that comes with over 20 years of songwriting, capturing an artist at a point in his career where he is clearly digging deep and swinging for the fences.  

TOUR DATES

3/6 - The Stone Church - Brattleboro, VT

3/7 - Narrows Center For The Arts -  Fall River, MA

3/20 - The Ark - Ann Arbor, MI

3/21 - The Kent Stage - Kent, OH

3/25 - Club Passim - Cambridge, MA

4/5 - G.A.R. Hall - Peninsula, OH

4/16 - The Basement - Nashville, TN

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4/23 - Ripspique Lier, Lier, Belgium

4/24 - Tivoli Vredenburg, Utrecht, Netherlands

4/25 - SPOT Groningen, Groningen, Netherlands

4/26 - Theater Junushoff, Wageningen, Netherlands

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4/29 - Rogue Theatre - Grants Pass, OR

4/30 - Aladdin Theater - Portland, OR

5/1 - Historic Everett Theatre - Everett, WA

5/2 - McMenamins Elks Temple - Tacoma, WA
5/6 - Rockwood Music Hall - New York, NY

5/7 - Philadelphia Folksong Society - Philadelphia, PA

5/8 - The Parlor Room - Northampton, MA

5/9 - Club Passim - Cambridge, MA

5/12 - Woodbury Brewing Company - Woodbury, CT

5/13 - One Longfellow Square - Portland, ME

5/14 - Caffe Lena - Saratoga Springs, NY

5/15 - The Word Barn - Exeter, NH

5/17 - Cotuit Center for the Arts - Cotuit, MA 

5/19 - Hangin’ & Sangin @ Bearsville Theater, Woodstock, NY 

5/21 - The Kessler Theater - Dallas, TX

5/22 - The Paramount Theatre, Austin, TX