SINGER/SONGWRITER CJ TEMPLE RELEASES DEBUT ALBUM  SMOKE TODAY

Photo Credit: Shawnee Custalow

 SMOKE OUT TODAY - STREAM  

RICHMOND, VA. - Dreamy, yet down-to-earth, singer-songwriter CJ Temple releases her debut album Smoke today.  

On her debut album Smoke, Temple distills her vibrant personality and chaotic emotions into stirring anthems that hover between indie folk and serene, modern pop drawing comparisions Annie Lennox, Sarah McLachlan and Amy Lee.

A collection of stunning, narrative songs driven by well-crafted vocal melodies and supported by symphonic swells, Smoke represents everything that clouds the good in life: depression, anxiety, sadness, and struggle. It’s what you have to wade through to get to the other side.

“[Smoke]’s evening mood is all moonlight, last vestiges of sunset purples and oranges giving way to a smoky grey sky, stars sprinkled above silent trees. It’s the magic-hour soundtrack to peeling off your social façade after being who you are in the world and becoming effortlessly alone in your skin." - AudioFemme

BUZZ 

“bedroom pop perfection.” -INTO Magazine

“Temple's voclas are encompassed with serenity while the instrumentals float gracefully from beginning to end.” -Ghettoblaster Magazine

“…a heartbreak ballad, showcasing Temple’s heavenly vocals over sparse beats, resonant guitars, and swelling strings, building from an atmospheric confessional to a triumphant orchestral climax. Though at its core the song is a simple vulnerable ballad, it takes on a shimmering pop sheen thanks to the spacious production of Josh Kaler and the supporting bursts of strings, soaring from melancholy to euphoric hope.” – Under The Radar 

ABOUT CJ TEMPLE: After years working in corporate America, struggling with self-doubt, mental health (including imposter syndrome) and her journey of self-discovery as a member of the LGBTQ+ community, CJ Temple returned to music with a singular goal: to provide a space of calm amid the chaos. She found this space during COVID as she amassed over 1 million+ fans when her videos went viral on TikTok overnight.

“I AM YOU ARE ME” STREAM || YOUTUBE

“THIS GAME” (OUT NOW) STREAM || YOUTUBE 

“SMOKE”(OUT NOW) STREAM || YOUTUBE 

KEEP UP WITH CJ TEMPLE

WEBSITE || INSTAGRAM || TIKTOK || FACEBOOK || YOUTUBE || SPOTIFY

BUFFALO ROSE RELEASES "RUNAWAY" AND ANNOUNCES NEW EP RABBIT IN COLLABORATION WITH TOM PAXTON

photo by Zian Meng

LISTEN: “RUNAWAY”         

Pittsburgh-based collective Buffalo Rose, chosen as a 2022 SXSW Official Showcase band,  has announced their forthcoming EP Rabbit, due out on February 22nd. The band joined forces with GRAMMY Lifetime Achievement Award winner and folk legend Tom Paxton to write and record the EP’s four tracks. Today, they release the lead single “Runaway,” a song with all the energy and anxiety of new love, fear and excitement of the unknown, and the electric push and pull of hope and hesitation. 

Rabbit follows Paxton’s 2019 release Live! (with The DonJuans) and Buffalo Rose’s 2020 release Borrowed & Blue: Live Around One Microphone. The EP, a perfect release for the last gasp of winter, combines Paxton’s honed writing skills with the instrumental prowess of Buffalo Rose. It’s about how sweet, wild, and precious the present is when it is all you have. The world is strange and dangerous for a rabbit, but even so, a rabbit knows how to take pleasure– in green grass, a safe burrow, or the warmth of another body. Rabbit’s themes are derived from the hope of doing all we can do to find what we’re looking for. In this EP, these seven musicians explore answers to many questions and have some serious fun in the process. 

Buffalo Rose is a wildly charismatic six-piece modern folk/Americana band from Pittsburgh that will change your entire perspective on acoustic music. They take the singer-songwriter tradition to a new level by crafting original songs which are emotive, meticulously arranged, and inspired by a world of idiosyncratic influences that never let a dull or predictable moment creep in. 

In 2018, the band released their debut album, The Soil and the Seed and established themselves as a vocal, instrumental, and creative force. Since then, Buffalo Rose has dropped two EPs, 2019’s Big Stampede and 2020’s Borrowed and Blue, opened for the Wood Brothers, Mipso, Pokey LaFarge, Tyler Childers, Infamous Stringdusters, and shared a festival stage with the legendary Sam Bush. The band’s upward trajectory will continue into 2022 with the release of Rabbit, followed by a new full-length LP later in the year.  

Buffalo Rose's lineup of Lucy Clabby (vocals), Margot Jezerc (vocals), Bryce Rabideau (mandolin), Malcolm Inglis (dobro), Jason Rafalak (upright bass), and Shane McLaughlin (guitar, vocals) pushes itself and each other far beyond their perceived limits and blends their diverse and atypical approach to songwriting with the desire to see how unique a song can get and still feel like home. They use powerful vocal harmonies, strong playing, and an original vision to operate at every possible emotional level and put on dynamic live shows that are unforgettable experiences. They go from up and moving to sad and sweet and back again, bringing the entire audience along.  

This combination of artistry and enthusiasm makes Buffalo Rose one of the most vital and important groups working today. Rather than play the folk music of the past, the band gleefully combines genres and ideas together to move acoustic music forward to a new, contemporary place without ever losing sight of its roots. Fans of Lake Street Dive, Nickel Creek, and Punch Brothers will find much to like in this crew. Anyone seeking compelling new acoustic music needs to join Buffalo Rose in the future right now. 

TOUR DATES 

2/17 - Isis Music Hall - Asheville, NC 

2/18 - Focal Point Traditional Arts Center - St. Louis, MO 

3/11-3/20 - SXSW (Official Showcase) 

4/2 - Amazing Things Arts Center - Framingham, MA 

5/7-5/8 - Central Ohio Folk Festival - Columbus, OH 

5/18-5/22 - Folk Alliance International Conference - Kansas City, MO 

6/16-6/18 - Smoked Country Jam - Cross Fork, PA 

6/18 - Solarfest - Pittsburgh, PA 

LOS ANGELES BAND CALLING CADENCE RELEASES “JUST THE WAY IT GOES” SINGLE + ANNOUNCE THEIR SELF-TITLED DEBUT ALBUM OUT THIS SPRING ON HI-RES RECORDS

”L.A. band Calling Cadence has released a new song with an old-school vibe. The band says the song “Throw My Body” was recorded without the use of any computers; the performance was captured with a vintage tape machine.”  -  KTLA (on “Throw My Body”)

“...it’s a smorgasbord of folk, rock, soul, punk, jazz, and country with an easy-to-digest attitude and gotcha hooks. All that, coupled with the extremely high level of musicianship, makes the end product easily absorbed.” - The Audio Beat

“The band casts a large net and has clearly soaked up inspiration from a disparate cross-section of some all-timers while forging their own sound that could sit comfortably next to Chris Stapleton (“Took a Chance”) or… Michael frigging Jackson (“This Time”). There’s Memphis Soul, and A.M. Gold in them hills too. A veritable smorgasbord of sonic exploration and goodness. “ - Secrets of Home Theater and High Fidelity 

LISTEN TO “JUST THE WAY IT GOES” : HERE

Los Angeles band Calling Cadence have released their latest single, “Just The Way It Goes”— out today on hi-res records. Fronted by Oscar Bugarin and Rae Cole, and backed by a wrecking crew of LA musicians, Calling Cadence is a band rooted in harmony — harmony between voices, between songwriters, between genres like rock, country and Southern soul. The result is a sound that's as warm and diverse as the duo's native California, where Oscar and Rae first crossed paths. He was an ace guitarist from L.A. who'd grown up listening to old-school rock and roll pioneers like Elvis Presley, Buddy Holly and Ritchie Valens, only to discover country music while serving in the U.S. Army in Kansas. She was a lifelong vocalist who'd grown up onstage, starring in countless theater productions in her hometown of Huntington Beach before exploring her interests in classic rock, folk and modern pop as an adult. Together, they began writing songs that blended their vintage influences — the dreamy pop of Fleetwood Mac, the sunny soul of Stevie Wonder, the rootsy rock and roll of the Eagles — with modern melodies. 

 “Just The Way It Goes” is a revenge song for anyone who has ever been ghosted, in addition to being a lament on modern-day dating. Oscar was listening to a lot of Motown and Sam Cooke when this song came about. “Oscar brought this song to the group, and described it as a slap in the face for people who ghost other people,” Rae told Folk n’ Rock magazine. “We only jammed on the song a couple of times before he brought it to the studio. Once he got it going, everyone was super stoked on it, and we had to add it to the album. It was also a new experience watching Oscar in front of a mic without a guitar, but he killed it.”  

The song is off the band's self-titled debut album, whose songs nod to the past while resolutely pushing forward. It's a classic-sounding record for the contemporary world. The album was recorded, mixed, and mastered straight to analog tape. Computers were only employed for streaming prep and CD replication. Produced by David Swartz and Matt Linesch, the album is being released on their label, hi-res records. The producers and band thought long and hard about diving into the all-analog domain but came to the conclusion that the final product would benefit in a way that digital would not allow. The 15 songs shine a light on Calling Cadence's strength as a live act, blending Oscar and Rae's entwined voices with vintage keyboards, guitar heroics, and plenty of percussive and low-end stomp. The accompanying musicians on this album include Josh Adams on drums (Jon Batiste, Norah Jones, Devendra Banhart, Beck), Mitchell Yoshida on keyboards (Edward Sharpe & the Magnetic Zeros), and Elijah Thomson on bass (Father John Misty, Nathaniel Rateliff).

For Calling Cadence (whose name pays tribute to Oscar's time in the army), recording to analog tape wasn't just a production choice; it was a way of maintaining honesty with themselves and their audience. Like the classic albums that inspired Calling Cadence's layered vocal arrangements and warm, guitar-driven sound, the record is a genuine snapshot of a band on the rise. And, once again, it all comes back to harmony.

"When you're playing live and people know your songs, it's like you're calling cadence in the military," Oscar says. "There's that connection — that call and response with your audience — that brings everyone together. And that's what we hope to do with these songs.”

KEEP UP WITH CALLING CADENCE

Press Materials || Website || Facebook || Instagram

LOS ANGELES SINGER-SONGWRITER TEDDY GROSSMAN RELEASES LATEST SINGLE “GIVING UP” + ANNOUNCES DEBUT ALBUM SOON COME OUT MARCH 11

"Grossman’s lyrics tread the classic territory of a failed love affair, while his vocals cast the track in the bruised cries and irresistible melodies of Otis Redding or Bill Withers. Like the best of those soul classics, “Giving Up” also sports a universal pop appeal, with gospel backing vocals and a standout climactic sax solo, bringing the track to a sing-along fever pitch." - Under the Radar

“With its lyrics about opening up to someone and letting the walls come down in order to give love and receive love, the song has a throwback soul sound that is sunny and hopeful. Drawing on the 60s and 70s R&B and soul music, the song carries a deep groove and sensuality. It’s also a wonderful showcase for Grossman’s silky smooth vocals."  - Glide Magazine

“The L.A.-based singer/songwriter creates soulful music with melodies that linger in listeners’ minds. “- American Songwriter

“Teddy Grossman …...takes inspiration from the heartland folk feel of Neil Young’s Harvest for an intimate look at Grossman’s joy in finally feeling settled after a cross-country move.” -UPROXX

Listen to “Giving Up”: HERE 

LA-based singer/songwriter Teddy Grossman has released the soulful single “Giving Up”, off of his forthcoming debut solo full-length Soon Come due out on March 11 available to pre-save and pre-order HERE.  

“Giving Up" charts a pathway through the heart of American roots and soul music by channeling a universal frustration of unrequited love.  “I wrote this song towards the end of a brief, unrequited love affair - poking a little fun at me and my bruised ego,” Grossman told Under the Radar Magazine.  “I was listening to Blake Mills’ Dylan cover ‘Heart of Mine’ at nauseam at the time, and Bob’s ethos of avoiding any shred of vulnerability definitely found its way into the song.”

 Lamenting the walls that hesitant loves build, and the pride that keeps one another from opening up, Grossman pours his own unique vulnerability into his music, all while honoring his R&B influences, legends such as Otis Redding and Bill Withers. Grossman laments the lost potential of early love, and finds solace and acceptance in going at it on his own.  

With only a handful of songs out to date, Grossman has come out of the gates swinging with over 700K streams on his first few singles.  “Leave it on the Line”  landed marquee Folk & R&B playlists, What I Owe has garnered praise from New Commute & Uproxx - Indie Mixtape Best New Music, and American Songwriter hails single “Power in Pain” is “a song, for now, tomorrow, and the years to come”. Soultracks said the song Ready”  ....showcases an artist who is more than ready to make his mark in the music world,” and Golden State called Out Of Thin Air” “a warm glass of rye whiskey cupped in your hand while you digest your meal and watch the Lions lose another game.” 

Although a lifelong music lover & maker, pursuing a career in music was put on the back burner for a time for Grossman,  but after a cross-country move to Los Angeles Grossman took the leap to embark on that long-gestating journey.  “I’m finally feeling like I’m right where I’m supposed to be,” says Teddy Grossman. The ever-soulful singer-songwriter emotes like a man who has been down many paths, only to arrive back definitively where he’s forever belonged. That’s because after a decade of his own music career playing second fiddle to the life of a traveling salesman, Grossman picked up everything and moved to Los Angeles, where he soon began recording his highly-anticipated full-length solo debut, Soon Come. Eventually, leaving behind his job and former life along the way. The result is a refreshingly honest, fully-honed Americana-Soul classic, calling to mind Grossman’s heros:  the soulful roots of The Band, vocal stylings of Otis Redding and Stevie Wonder, and the simplicity and charm of Bill Withers and John Prine. “I need to be able to look back at my life and say I gave it a real go.”  This steady perseverance, this take-no-prisoners passion of Grossman’s— it all goes a long way in explaining why the multi-talented artist has finally arrived at this moment, his moment, which comes pouring forth via his cerebral and sublimely centered songs— the sort that speak to years of hard-won wisdom and, well, maybe a bit of luck.

He’s eager to bring the songs from Soon Come to life on stage  this year. “For a long time in my life, I felt this low-grade hum in the background that I wasn’t really where I was supposed to be,”says Grossman. Soon Come, then, he says, “is ultimately a record about hope, and a deep knowing that we’re gonna get there… all in good time.”

IAMEVE RELEASES HER ETHEREAL SYNTH DRIVEN SINGLE “OCEAN DEEP”

 “... if Alice took Ziggy Stardust’s hand and followed him down the rabbit hole to a world guided by the twists and turns of ethereal and colorful vocals.”  -  The Huffington Post

“.... it is out there — way out there.”  - Buzzbands LA

 "Deftly and viscerally channeling Kate Bush and ’90s era industrial Bowie (remember Outside?), and with a few obvious nods to NIN, it envisions an explorer navigating a journey of the self, represented in video form by a sparkly avatar surfing the cosmos (without the help of space-racing billionaires, we might add).” - BlackBook

“Under the musical moniker IAMEVE, Tiff Randol pens and performs epic songs that ooze with spacey surrealism.” - American Songwriter

“ Her evocative sound tapestries are inspired by a world of a supernatural nature full of hypnotic vocals, spacey sounds, and surrealism.” - Mundane Magazine

 “... IAMEVE, sings with bittersweet longing, her voice filling the airwaves with goddess energy in an epic, windswept electronic soundscape.” - Rock Mommy

LISTEN TO “OCEAN DEEP”:  HERE

Los Angeles based artist and composer IAMEVE has released her latest single the haunting and celestial “Oceans Deep.” Tiff Randol, the creative force behind IAMEVE  wrote “Ocean Deep '' last year during the pandemic when she was preparing a live looping performance for Noise Engineering's Noiseblast series. After acquiring a number of new modules and gear, she began experimenting with and sampling sounds in Ableton. Stacking up layers on layers, she was quickly blown away by the depth of this modular pad sound.

 Finding inspiration from her two-year old son’s interest in whales and oceans sounds, Randol began painting rich sonic landscapes thick with analog synth sounds that recall the expanse of the ocean and the gentle, enveloping warmth of the giants that reside in it. She prepared this song for the performance, and returned to it afterwards to add more layers, and to experiment with its sonics. Adding drum sounds using Noise Engineering's Basimilus Iteritas Alter, live guitar and bass layers, and sampled vocals using her Roland V23 Unit, Randol continued to find inspiration in the process. An interesting challenge that arose came in the keyboard part, which Randol discovered was actually a quarter tone sharp. Because of this, it forced her and her fellow musicians to tune to that quarter tone, and to hit everything straight away without counting on tuning after the fact, or relying on perfect scale. It's a unique result for a creatively rewarding process, and one that pushed Randol out of her comfort zone.

“Oceans Deep,” comes on the heels of the release of her EP Archetype, and the wildly imaginative Starman 360 video. Archetype is musical and conceptual exploration of the psyche and its many variants cloaked in a world of whimsy. Randol has made a habit of exploring archetypes in previous IAMEVE releases and in this particular chapter goes deeper, unraveling new aspects of herself and the unconscious collective in each song.  From ‘The Seeker’ in “Raindrops” following her curiosity to ‘The Mother’ in “Unnerving”, a song written when Randol first learned that she was pregnant to “If I Were Queen”. “Red and Black” highlights ‘The Priestess’ or highest self, while “X Girl” gives voice to her inner child feeling everywhere like an outsider, and “Unravel the Genius Inside You’ in a cacophony of all these variants colliding.  This EP is full of intimate self-discovery and creates a dynamic and cinematic journey that is at times ethereal and playful while veering fearlessly into the dark and occasionally disquieting territory. 

Archetypes was the debut release from Mamas in Music, of which Randol is a co-founder. Randol started Mamas in Music as a community support system for mothers in the music industry. Being a mother is a challenge in itself, and the strain can be exacerbated in creative fields such as music which have traditionally not been family-friendly. The organization is not only working to shift the paradigm for working parents in the industry but is looking to create resources and support for members through strategic partnerships. The first is a partnership with Burnside Distribution/Orchard, providing select members with a worldwide distribution channel and access to marketing resources.

The Starman  360 video stars IAMEVE and Keon Alexander best known for his villainous role in FX’s renowned SciFi series The Expanse as Starman, was directed by Thor Freudenthal (Percy Jackson, Diary of A Wimpy Kid, La Brea) and re- envisioned in 360 with creative collaborator Kelon Cen.  The Fulldome version of Starman was tested and designed at Vortex Domes in Los Angeles. The original film received the Festival Platform Award at the Japan Media Art Festival,  won awards at the HollyShorts Film Festival, Los Angeles Independent Film Festival Awards, showed at Jena, Down Under in Melbourne, UCLA’s Hammer Museum Flux Festival, and numerous festivals around the globe.

IAMEVE is not a persona, but a project devoted to exploring the collective unconscious.  It was birthed after a life-altering injury that led her to a major spiritual shift.  During this time of healing, she began to unravel many of her own archetypal discoveries, while her limited mobility forced a massive creative shift, spurring her towards electronic composition and performance.

KEEP UP WITH IAMEVE

WEBSITE || INSTAGRAM || TWITTER || FACEBOOK || YOUTUBE || SPOTIFY

SUZANNE SANTO ANNOUNCES 2022 TOUR DATES

NEW ALBUM YARD SALE OUT NOW 

“A sturdy arrangement of indie-ish roots-rock that blooms into a spacey Radiohead-style instrumental break.” - Rolling Stone 

“Yard Sale is an urgent, timely roots record...that feels fresh and fully of the moment. Sharp and forthright songwriting. Her most compelling, forward-looking album to date.” - Slant Magazine 

“What makes Yard Sale shine is the dramatic power of Santo’s vocal delivery and her emotionally resonant lyrics.” - Austin American-Statesman   

“Yard Sale delivers a cathartic slow burn that both sears and soothes on its way to rejuvenation. Santo's immaculate vocals dig into the crevices of emotion.” - Austin Chronicle 

LISTENYARD SALE  

Suzanne Santo will kick off the beginning of her 2022 tour on January 28th with a show in Denver, followed by shows in Seattle, Portland, Phoenix, Nashville, and more. See below for a complete list of venues and tour dates. 

In August 2021, the Austin, Texas-based Santo released her latest album, Yard Sale, produced by John Spiker. She wrote the album’s 12 songs between a farmhouse on the Irish coast, long bus rides, backstage writing sessions, and hotel stays—all during a world tour with Hozier, of which Santo was an opening act and a member of the headliner’s band.  

Yard Sale presents Santo at the very top of her game musically, writing her own string arrangements and singing each song in an agile, acrobatic voice—perhaps in part due to the cathartic making-of process and what that has meant for her professionally and personally. At times she bridges the gap between indie-rock and neo-soul. On other tracks, she mixes gospel influences with a deconstructed R&B beat. Fans will hear layers of spacey, atmospheric electric guitar and Shakey Graves on a rainy-day ballad driven forward by a metronomic drum pattern, and Gary Clark Jr. punctuating with fiery fretwork.  

A tireless creator, Santo, who logged a decade as a member of Los Angeles-based duo HoneyHoney, has built her sound in the grey area between Americana, Southern-gothic soul, and forward-thinking rock & roll. It's a sound that nods to her past—a childhood spent in the Rust Belt, which is also where she learned to love a yard sale.  

The Cleveland, Ohio-born artist’s creative output also extends to the screen, having had acting roles in several series and features. With Yard Sale, Santo boldly moves forward, staking her claim once again as an Americana innovator. It's an album inspired by the past, written by an artist who's only interested in the here-and-now. And for Suzanne Santo, the here-and-now sounds pretty good. 

Be sure to follow Suzanne Santo at the links below for all the latest news and tour information. 

TOUR DATES 

1/28 - Globe Hall - Denver, CO 

1/29 - Ute Theater and Events Center - Rifle, CO 

1/30 - The State Room -  Salt Lake City, UT 

2/1 - Filling Station VFW - Bozeman, MT 

2/2 - Pub Station Taproom and Concert Hall - Billings, MT 

2/4 - Lucky You Lounge - Spokane, WA 

2/5 - Tractor Tavern - Seattle, WA 

2/6 - Doug Fir Lounge - Portland, OR 

2/14 - Felton Music Hall - Felton, CA 

2/15 -Constellation Room - Santa Ana, CA 

2/16 - SOhO Restaurant & Music Club - Santa Barbara, CA 

2/17 - Casbah - San Diego, CA 

2/20 - Valley Bar - Phoenix, AZ 

3/29 - City Winery - Atlanta, GA 

3/30 - The Radio Room - Greenville, SC 

4/1 - City Winery - Nashville, TN 

4/2 - Zanzabar - Louisville, KY 

4/3 - The Grey Eagle - Asheville, NC 

4/6 - The Southern Café & Music Hall - Charlottesville, VA 

4/7 - Club Cafe - Pittsburgh, PA 

4/9 - The Ballroom @ the Taft Theater - Cincinnati, OH 

4/10 - Beachland Ballroom - Cleveland, OH 

ALI SPERRY RELEASES NEW SINGLE “COOL UNDER PRESSURE” AND ANNOUNCES LP IN FRONT OF US DUE OUT MARCH 11TH

Photo credit: Fairlight Hubbard

LISTEN // “COOL UNDER PRESSURE”  

Nashville-based artist Ali Sperry has announced her forthcoming LP In Front Of Us, due out on March 11th, with the release of its lead single “Cool Under Pressure.” The venerated singer/songwriter was inspired to write the song after watching the 2020 U.S. Vice Presidential debate. “Kamala Harris was a force to be reckoned with that night and made a deep impact on me,” Sperry recalls. “I stirred with pride to be a woman, pride to witness such a woman demonstrating her ability for leadership. The way she elegantly fought for her time to speak, insisted upon it, was almost shocking to me, as it was an example too-seldom seen,” she continues. “I thought about this debate in the weeks to come and lyrics began to emerge. I called on my impressions of that night and quotes from our now-Vice President, as well as reflections on other women leaders of our time.” “Cool Under Pressure” was co-written with friend, fellow singer/sonogwriter, and frequent collaborator Carey Ott

Sperry, when faced with a year of trauma, racial reckoning, and downright worldwide existential crisis, did what she has always done — turned inward and wrote songs that channeled, mirrored, and ultimately distilled those cultural currents into what became In Front Of Us. The album was made in the thick of the pandemic and was produced by her husband, Jamie Dick. The restrictions of life in 2020 compelled the couple to set up a home studio and create a safe place to make the record, remotely collaborating with friends like Allison Russell, Kyshona, Jill Andrews, and more.  

“While it is not a record about the pandemic, it was very much informed by the stillness of life at that time,” Sperry reveals. “The concurrence between our new quieter, slower daily pace with the intense political atmosphere of 2020, including the racial reckoning that was taking place in our country and the #metoo movement still active in the public discourse, spilled into a batch of songs about mortality, our place in the universe, how we treat one another and ourselves, and what we are passing along to the next generation,” she adds. “The pandemic, violence, bigotry, racism, lack of respect for other human beings and for the planet--this was on my mind and in my heart as these songs came to be. There are also themes of being your most authentic self, speaking your own truth, and relying on hope when all else fails.” 

With In Front Of Us, Sperry wisely avoids long-form folk indulgence for streamlined contours and razor hooks that feel more rock/pop than folk, and are fairly begging for a decent car stereo and an open road. In her singing and writing, she is the people’s champ of the “less is more" ethos. There is a slight echo of Laurel Canyon in the sonics of the record, and, always, the confident under-singing of a woman who knows her words and melodies will happily do the heavy lifting.  

Jamie Dick’s production artfully maintains the connective tissue from song to song, and always gives pride of place to Sperry’s voice and truth-telling. Raised by musician/Transcendental Meditation-teacher parents in Fairfield, Iowa, music has been a constant thread throughout Sperry’s life and was the driving force that brought her to Nashville in 2009. 

The album also features an absolute murderers' row of beloved Nashville players, including Jen Gunderman, Audley Freed, Sadler Vaden, Joe Pisapia, Owen Biddle, Kai Welch, Kristin Weber, Rich Hinman, and a slew of other bright lights. It's a testament to both their instincts and their respect for Sperry’s presence and voice, that it never feels like a cavalcade of assembled star-turns, but a real love-in of massively talented musical souls.    

IN FRONT OF US TRACKLIST: 

Climber  

Lucy  

I Know You're Scared  

Excuses  

Hope  

Cool Under Pressure  

Safe  

In Your Dreams  

Peace By Moonlight  

In Front Of Us  

 

SAD DADDY PREMIERES NEW SINGLE “ARKANSAS BOUND” VIA THE BLUEGRASS SITUATION

NEW LP WAY UP IN THE HILLS  DUE OUT JANUARY 28TH 

"Sad Daddy do what they do best: mine old-time string music for today's lessons" - The Boot  

"Way Up In the Hills is a marvelous collection of homegrown goodness that encompasses the spirit of the hills while showcasing avid musicianship and songwriting." - The Jamwich  

"...the album is a blanket of warmth in a season of tumbling temperatures, and even features the soothing sounds of bacon sizzling, the perfect accompaniment to round out that down-home feel." - Americana Highways 

“Sad Daddy might be onto something here with this authentic throwback cut" - Glide Magazine  

"Now, that's some blazing bluegrass!" - Last Day Deaf 

"The record is a master class in old-timey, bluegrass sound, especially the vocal harmonies. The song themes cluster around escaping back to the country and living the simple life...Although all four members are certainly capable of laying down fast-paced licks, they left some nice white space on many of the tunes. That generated a laid-back feel that really reflects a few days spent with friends up in the hills."  - Twangville 

"...a down-home rustic and raw kind of sound" - Americana-UK 

Photo: Melissa Brawner

LISTEN // WATCH: “ARKANSAS BOUND” 

Arkansas/Texas four-piece roots powerhouse Sad Daddy has released “Arkansas Bound,” the newest track and its accompanying performance video from their forthcoming LP, Way Up In The Hills, due out on January 28th. “‘Arkansas Bound’ was inspired by living in the big city and longing to go back to a slower pace of life in the country, surrounded by nature,” band bassist Melissa Carper, who wrote and sings lead on the track, explained to The Bluegrass Situation. “I was making a lot of trips from Austin, Texas, back to Arkansas at the time and once I would hit those winding country roads in the Ozark Mountains, a sense of relief would come over me. I’ve been drawn to cities to find the inspiration of various music communities but I really have never loved living in a city. I have spent a good deal of time in and around Eureka Springs, Arkansas, which is a tiny town in Northwest Arkansas, in the Ozarks. There is something about the country there that keeps drawing me back in.” 

“The video was filmed in Greers Ferry, Arkansas, on the boat dock at Brian’s cabin,” she continued. “We reunited at the cabin to make some videos and he had a couple friends visiting. Besides the band, the video features fisherman Madewell and dogs Georgia Peach and Rooster. Sadly, Rooster has passed away since we filmed.”  

“Arkansas Bound” follows “Cold Rain,” a yearning song about navigating our new normal which Holler. called a “simple and strangely uplifting song for simpler times that sounds like the soundtrack to the pre-apocalypse.” Both follow lead single “Charlie Pickle,” a foot-stomping tune about an old-timer who just wants to dance and doesn’t care what others think about it, and its accompanying hilariously heartwarming video made of band- and fan-sourced footage.  

LISTEN: “COLD RAIN” 

LISTEN // WATCH: “CHARLIE PICKLE” 

Since 2010, Sad Daddy has traveled down many a road--together and separately--at times focusing on their solo projects and then reuniting for a band project. The four members, Brian Martin, Joe Sundell, Rebecca Patek, and Melissa Carper, all conspired and united in the sudden spare time of 2020 to create their third album, Way Up in the Hills.  

They all met at Brian’s cabin in Greers Ferry, Arkansas, and over a couple of bottles of chocolate milk and a few jugs of whiskey they collaborated, writing and arranging songs specifically for the new album. A first for Sad Daddy, they took the brand-new bones of each other’s ideas and worked on them as a band to construct and finish the songs. The collective decided on a down-home, back-to-the-country theme—a reflection on the state of the world and the desire to go back to simpler ways and self-sufficiency, goin’ way up in the hills and letting the chaos settle.   

Engineer Jordan Trotter brought his equipment into the cabin and the band recorded 14 original tunes live and in a circle. The feeling of being at a lakeside "home" studio in the serene Arkansas woods was distilled into sound and a genuine relaxed and good time vibe purveys the recordings. Sad Daddy explored using unique sounds, recording stomps on the cabin’s porch, hamboning, using the natural sounds of insects buzzing and bacon sizzling, mouth didgeridoo, handclaps, double clawhammer banjo, and more, along with the foursome’s strong vocals and harmonies.  

Unique to Sad Daddy, all of the members sing lead and write original tunes--the convergence of influences and interpretation of feeling into sound is a stylistic blend of the very best elements of American Roots Music. From the sounds of early blues, jazz, and jug bands to early country, folk, old-time, bluegrass, soul, and funk, they combine many influences, creating an indefinable genre of their own.   

NEW ZEALAND MUSIC AWARD WINNER JAMIE MCDELL RELEASES HER SINGLE “POOR BOY” FEAT. TOM BUSBY

FROM HER FORTHCOMING SELF-TITLED ALBUM  

OUT FEBRUARY 22 VIA ABC MUSIC

“...but the true stunner is McDell’s unforced voice” -  Rolling Stone

“The New Zealander enchants with airy vocals and confessional lyrics” - Billboard

“McDell’s voice carries such weight with you feeling every poignant word...honestly, she’s a modern day Stevie Nicks” - New Music Collection

"It doesn’t take long to realize that McDell has a way with words. Not only that, but she manages to sing acid-tongued lyrics in a very sweet voice that almost makes it sound complimentary – to a point." - Americana Highways

“The song has McDell examining her flaws with sweet melodic vocal twirls and jangly guitars.” - Parade Magazine (on “Botox” single)

“The song is a poignant moment of self-awareness…” - The Boot (on “Worst Crime”)

LISTEN HERE

New Zealand born, Americana artist Jamie McDell releases ‘Poor Boy’, the third single from her forthcoming self-titled album, set to drop on February 25, which is available for pre-order HERE

‘Poor Boy’ features Tom Busby of Busby Marou fame and was written by Jamie to acknowledge the powerful influence of her father – she says, “I hope that he knows what a wonderful father he has been, how much he’s taught us about what’s truly important.”

McDell’s fourth studio album was recorded in Nashville, the gifted singer songwriter teaming up with Nash Chambers in his eastside studio and drawing on the amazing musical talents of Dan Dugmore, Jedd Hughes, Dennis Crouch, Shawn Fichter, Jerry Roe, Jimmy Wallace, Tony Lucido and Ross Holmes, along with guests such as the McCrary Sisters, Robert Ellis, Erin Rae and Tom Busby. This new longplayer contains Jamie’s most brutally honest moments, in both writing and performance, while the musicians and production take you on a modern  journey through 70s folk and country, blended with a healthy dose of roots and rock. 

JAMIE MCDELL - JAMIE MCDELL (Out 2/25)

  1. Dream Team

  2. Botox

  3. Not Ready Yet

  4. Limousine Running

  5. Something More

  6. Poor Boy ft. Tom Busby

  7. Baggage Claim

  8. Sailor ft. The McCrary Sisters

  9. Worst Crime ft. Robert Ellis

  10. Mother’s Daughter

  11. Daddy Come Pick Me Up

  12. Where Are You Now ft. Erin Rae

  13. Boy Into A Man

MORE ON JAMIE

Born in New Zealand, at the age of 7 McDell’s father left his job at an Auckland law firm to shift her mother, younger sister and Jamie onto the high seas and began living aboard a yacht in the Mediterranean. It’s here Jamie wrote her first song, a sea shanty to the dolphins. Also on that yacht lived a small collection of her parents’ favourite cassette tapes, which luckily included albums by Jimmy Buffett, John Denver and James Taylor. The young artist quickly formed a particularly strong bond with these records and she fondly remembers watching her parents perform Buffett duets - and occasionally chiming in, learning how to harmonise with her mother. An eager learner, Jamie then picked up the guitar after studying her fathers’ John Denver chord book collection and has never looked back. 

Now at age 28, New Zealand singer/songwriter Jamie McDell has achieved a prolific amount in her formative years. Being signed to EMI at age 16 sparked the beginning of a successful musical journey, making her a household name across the nation. With the release of her debut album ‘Six Strings and a Sailboat’, she went on to achieve Gold album sales, receive three NZ Music Award nominations, winning Best Pop Album of 2013. Then her sophomore record ‘Ask Me Anything’ gained global attention, seeing album track ‘Moon Shines Red’ featured on American TV series Pretty Little Liars

In March 2017 Jamie made trip to Nashville, looking for a change of scenery and to connect with the environment that birthed much of the music throughout her youth. It’s here she wrote the songs that would make up the fabric for her third record “Extraordinary Girl”. She met with expat Australian producer Nash Chambers for coffee one day and decided they shared the same musical values. Not long after that meeting McDell arranged to fund her first independent record “Extraordinary Girl”, which was recorded over the space of two days later in 2017 at House of Blues studio in Nashville. She then returned home for the albums’ release, promotion and supporting tours throughout New Zealand and Australia. 

Then in early 2019 Jamie relocated to Toronto, Ontario for a new chapter and to be closer to Nashville. It’s here she found herself sitting on the floor of her tiny apartment, feeling overwhelmed and frustrated with a friend in a troubled relationship, and out came the powerful song, Botox. “It’s a story depicting the dangers of silencing our instincts and compromising our values, just because a significant other has you convinced that you need fixing” Jamie says. This track would then fuel a new era of unapologetic honesty in McDell’s songwriting, and the release of The Botox EP. 

After opening a US tour for Robert Ellis (Texas Piano Man) in early 2020, Jamie made her return to Nashville to begin working on this new studio album.

CONNECT WITH JAMIE MCDELL

INSTAGRAM  // FACEBOOK //  WEBSITE

SAD DADDY PREMIERES NEW SINGLE “COLD RAIN” VIA HOLLER

NEW LP WAY UP IN THE HILLS  DUE OUT JANUARY 28TH 

"Sad Daddy do what they do best: mine old-time string music for today's lessons" - The Boot  

"Way Up In the Hills is a marvelous collection of homegrown goodness that encompasses the spirit of the hills while showcasing avid musicianship and songwriting." - The Jamwich  

"...the album is a blanket of warmth in a season of tumbling temperatures, and even features the soothing sounds of bacon sizzling, the perfect accompaniment to round out that down-home feel." - Americana Highways  

“Sad Daddy might be onto something here with this authentic throwback cut" - Glide Magazine  

"Now, that's some blazing bluegrass!" - Last Day Deaf 

"The record is a master class in old-timey, bluegrass sound, especially the vocal harmonies. The song themes cluster around escaping back to the country and living the simple life...Although all four members are certainly capable of laying down fast-paced licks, they left some nice white space on many of the tunes. That generated a laid-back feel that really reflects a few days spent with friends up in the hills."  - Twangville 

"...a down-home rustic and raw kind of sound" - Americana-UK 

Photo by Annemarie Sundell

LISTEN: “COLD RAIN”  

Arkansas/Texas four-piece roots powerhouse Sad Daddy has released “Cold Rain,” the latest track from their forthcoming LP, Way Up In The Hills, due out on January 28th. “As soon as you hear it, it makes sense that 'Cold Rain' was recorded in a studio out in the wilds of the Arkansas woods, looking out on a lake, breathing in the overwhelming depth and vastness of the American landscape,” says Holler. in their premiere. “'Cold Rain' blends [Joe] Sundell's scratchy box-banjo sound with Rebecca Patek's yearning fiddle in this simple and strangely uplifting song for simpler times that sounds like the soundtrack to the pre-apocalypse.” 

"I thought about the loss of control we were all going through, both as individuals and as a society, and how it made some of us feel like the walls were closing in,” bandmember Joe Sundell tools Holler. of the song’s inspiration. "In trying to come up with some imagery that depicted that in some form, I imagined the last two verses – first a guy whose life is turned upside down and finds himself in a hole at the bottom of a lake, and then the idea that if things keep progressing the way they are, we all have to jump into this new reality and learn to swim." 

“Cold Rain” follows lead single “Charlie Pickle,” about an old-timer who just wants to dance and doesn’t care what others think about it, and its accompanying hilariously heartwarming video made of band- and fan-sourced footage.  

LISTEN // WATCH: “CHARLIE PICKLE” 

Since 2010, Sad Daddy has traveled down many a road--together and separately--at times focusing on their solo projects and then reuniting for a band project. The four members, Brian Martin, Joe Sundell, Rebecca Patek, and Melissa Carper, all conspired and united in the sudden spare time of 2020 to create their third album, Way Up in the Hills.  

They all met up at Brian’s cabin in Greers Ferry, Arkansas, and over a couple of bottles of chocolate milk and a few jugs of whiskey they collaborated, writing and arranging songs specifically for the new album. A first for Sad Daddy, they took the brand-new bones of each other’s ideas and worked on them as a band to construct and finish the songs. The collective decided on a down-home, back-to-the-country theme—a reflection on the state of the world and the desire to go back to simpler ways and self-sufficiency, goin’ way up in the hills and letting the chaos settle.  

Engineer Jordan Trotter brought his equipment into the cabin and the band recorded 14 original tunes live and in a circle. The feeling of being at a lakeside "home" studio in the serene Arkansas woods was distilled into sound and a genuine relaxed and good time vibe purveys the recordings. Sad Daddy explored using unique sounds, recording stomps on the cabin’s porch, hamboning, using the natural sounds of insects buzzing and bacon sizzling, mouth didgeridoo, handclaps, double clawhammer banjo, and more, along with the foursome’s strong vocals and harmonies.  

With a long and dedicated history of making their audiences happy, Sad Daddy is emerging rejuvenated with Way Up in the Hills. With a more down-home and old-timey feel than their previous albums, they all stretched themselves a bit to create a common theme and new songs together. Unique to Sad Daddy, all of the members sing lead and write original tunes--the convergence of influences and interpretation of feeling into sound is a stylistic blend of the very best elements of American Roots Music. From the sounds of early blues, jazz, and jug bands to early country, folk, old-time, bluegrass, soul, and funk, they combine many influences, creating an indefinable genre of their own.   

 

  

THE SULLY BAND RELEASES NEW SINGLE “WHEN THE BATTLE IS OVER (ft. REBECCA JADE)”

DEBUT LP LET’S STRAIGHTEN IT OUT!   SET FOR RELEASE ON MARCH 11TH  
VIA BELLY UP RECORDS 

Photo by Steve Sherman

LISTEN: “WHEN THE BATTLE IS OVER (ft. REBECCA JADE)” 

Today, San Diego 10-piece powerhouse The Sully Band has unveiled their new single “When The Battle Is Over.” This hidden Dr. John-penned gem was originally recorded as a one-sided boast by Delaney & Bonnie, and later by Aretha Franklin. The Sully Band gives the song a fun and funky update, flipping the tune into a rollicking duet between Sully and the soulful Rebecca Jade (Sheila E., Elton John, Dave Koz). “When The Battle Is Over” is from The Sully Band’s debut LP, Let’s Straighten It Out!, set for release on March 11th via Belly Up Records/Blue Élan Records. “This song was a howl to perform in such an iconic studio setting with the equally inimitable Rebecca Jade, one of the true talents of our time,” says frontman Bob “Sully” Sullivan. 

Let’s Straighten It Out! was conceived in the hallowed halls of Henson Recording Studio in Hollywood, California (formerly A&M Studios). With it, Sully and his bluesy, nine-piece beast of a band take us on a journey through the ups, downs, and all-arounds of love by way of 10 classic ‘60s and ‘70s soul, blues, and R&B tunes.  

The album was recorded in only five jam-packed days, with “mostly-live” versions of carefully curated love-themed songs that made a mark when they were originally released and yet also feel relevant today. Sully’s soulful, heartfelt vocals cut across layers of horns and guitars that take the listener on an emotional arc of joy, disappointment, struggle, and redemption. 

Multiple Grammy Award-winning producer Chris Goldsmith (Blind Boys of Alabama, Ben Harper, Charlie Musselwhite, Big Head Todd) provided the musical curation that makes up Let’s Straighten It Out!. Anchored by Grammy Award-winning slayer of the bass, James East (Eric Clapton, Elton John, Michael Jackson, and many others), The Sully Band is composed of seasoned, accomplished players who hail from diverse locales like Japan, Panama, and the island of Lemon Grove. The horn section features sax-flute-harp-man Tripp Sprague (Kenny Loggins, The Little River Band, Smokey Robinson, The Temptations, The Four Tops) and trumpet and flugelhorn player Steve Dillard (The Righteous Brothers, Lynyrd Skynyrd). 

Sully caught the music bug at age six after picking up a nylon-string guitar and playing the first few chords of “Sitting on the Dock of the Bay” with his dad. In high school, the barrel-chested, all-American football player rocked out to Boston and Foreigner with his buddies, starred in every show-tune-laden musical theatre production through college, and ended each day with James Brown or Stevie Wonder on his Pioneer receiver.   

In his 20’s, after pounding the unforgiving Los Angeles pavement trying to cut a record deal, he embarked on a 35-year detour, traveling a storied path from Price Club cashier to self-made entrepreneur and national radio/TV personality, ultimately finding his way back to his first true love: music.  

Now, after years away from the stage, he is back in full force. He and the band have been playing regional and national shows to small but mighty crowds, from Southern California’s legendary Belly Up Tavern to Austin’s illustrious Antone’s Nightclub, making his mark as a compelling musician and live performer ready to “Straighten it Out.” 

UPCOMING SHOWS: 
1/20 - The Mint - Los Angeles, CA 
3/17 - Belly Up Tavern - Solana Beach, CA 

ABOUT BELLY UP RECORDS 

Belly Up Records is the recording component of the legendary Belly Up concert venue, located in Solana Beach, California. Opened in 1974 with only a couple of mics and no stage, it soon became a frequent stop for legends like John Lee Hooker, Etta James, and BB King and hosted classic performances by Curtis Mayfield, George Clinton, The Neville Brothers, and Toots and The Maytals. Since then, many artists have stopped by on their way up the ladder, including No Doubt, Black Eyed Peas, Mumford and Sons, and Childish Gambino, while artist underplays at the venue in recent years include The Killers, The Red Hot Chili Peppers, Jimmy Buffett, Willie Nelson, Ben Harper, Damian Marley, and even Tom Jones. And, perhaps most famously, the Rolling Stones played a private event in 2015. With over 100 live recordings in the Belly Up catalogue, The Sully Band’s Let’s Straighten It Out! is the label’s first studio release. 

ABOUT BLUE ÉLAN RECORDS 

At Blue Élan Records it’s about the Music, it’s about the Artist, it’s about Collaboration. Blue Élan Records is a young and fresh independent label headquartered in Los Angeles. Founded in 2014 by veteran entertainment attorney and music lover Kirk Pasich, his son and musician Connor Pasich, and an experienced label team, Blue Élan believes in doing things differently.  

Blue Élan is the happy home of more than 20 artists, including 2-time Grammy® winner Rita Coolidge, the late Rusty Young, Soul Asylum, Grammy® nominated Colin Devlin (The Devlins), Gerry Beckley (America), outlaw country's Jesse Dayton, LA’s own Ozomatli, and self-assured newcomers like Chelsea Williams and Rod Melancon, who contribute to a full house of exciting and diverse talent across all genres. Blue Élan embraces a self-starting ingenuity and offers our artists a creative and nurturing music haven where they can continue to grow and flourish.  

 

CONNECT WITH THE SULLY BAND: 

WEBSITE | FACEBOOK | INSTAGRAM | YOUTUBE | SPOTIFY 

 

WILD HEART CLUB RELEASES NEW VIDEO “RAINBOW”

WILD HEART CLUB PREMIERES NEW VIDEO “RAINBOW” VIA AUDIOFEMME

DEBUT LP ARCADE BACK IN MANITOU OUT NOW


“Castro continues to walk a path that is deeply honest, living fully in her truth as she works to pass on the core message embedded into her music: it gets better.” - Audiofemme 

Photo: Anna Haas

WATCH: “RAINBOW” 

Today, Nashville-based dream-pop outfit Wild Heart Club has released a video for “Rainbow,” a track from their debut LP, Arcade Back In Manitou, which came out November 12th. 

“In Japanese culture, there’s a special method of repairing a broken object. Known as Kintsugi, the art form uses lacquer mixed with gold to not only mend broken pottery, but celebrate its imperfections, incorporating the broken pieces into the object’s history,” says Audiofemme in the video’s premiere. “The art from continuously revealed itself to Kristen Castro – singer, songwriter, and multi-instrumentalist behind Wild Heart Club – while in the writing process for her new album...But before she could walk the path to her destiny, she had to embrace her own brokenness.”

Castro created Arcade Back In Manitou to help her process the aftermath of a difficult breakup, though she penned the track when she and her ex-girlfriend had just begun dating. “When you’re young and in love, you’re looking for any sign to tell you you’re on the right path. I saw so much magic in that moment and in that person, and looking at myself now, even though I miss her, I feel like all my favorite parts of her are part of me now,” Castro told Audiofemme. “I love when the sky is crying and all of a sudden you get a rainbow. For some reason, I felt like that sky, and I was like, ‘I deserve a rainbow. Is she my rainbow?’ I’ve had a lot of sadness in my life, so it’s just looking for signs.”

In the live acoustic video, Castro stands on a beautiful California beach with just an acoustic guitar and the sound of the waves to accompany her gentle voice, baring her soul as she sings, “Break down like a waterfall/When your tears dry there’s a rainbow/Lost in love, lose yourself/When your tears dry there’s a rainbow.”

LISTEN: ARCADE BACK IN MANITOU 

WATCH: “ARCADE BACK IN MANITOU”

Transforming abstract emotion into compelling music, her early releases feature everything from mandolin to bass, piano to synth, banjo to drum programming, in songs that feel both effortless and complex at the same time. Castro’s latest project, Wild Heart Club, builds off the hybrid style of her solo work, evolving her eclectic foundations into an even more distinct and cohesive sound. The synth-heavy, guitar-driven soundscapes are laced with Castro’s breezy, candied vocals: think Sigur Rós meets Heart. It’s a strange and compelling combination that feels right for the current moment. 

“I’ve always been drawn to people who aren’t in the cool club—the weirdos embracing their weirdness. This is music for them, as always.” Arcade Back in Manitou was written, recorded, and produced primarily by Castro herself. 

She started writing the songs that would become Arcade Back in Manitou while recovering from heartache after a particularly difficult breakup. The album is an ethereal and lush collection of melancholy songs with a brilliant gloss of retro sheen. There’s a genuine and hopeful engagement with the positive, a buoyant, almost-ironic sense of cheer teeming from the instrumentation throughout, and a spirit of experimentation and discovery, despite the themes of loss the lyrics explore. 

Hints of 80s plastic-pop and elements of 90s alternative cool are nestled in the mix, as well as nods to vintage and modern Swedish pop acts like Robyn, Léon, and ABBA. “I want to be the artist who can make you cry on the dance floor. I like songs that pair darker thoughts with happy vibes. Emotions are complex. It feels right to have that kind of complicated juxtaposition play out in music,” she says. “It feels honest.”         

SAD DADDY RELEASES HILARIOUSLY HEARTWARMING VIDEO FOR "CHARLIE PICKLE"

SAD DADDY’S NEW VIDEO “CHARLIE PICKLE” PREMIERES VIA TWANGVILLE

 NEW LP WAY UP IN THE HILLS DUE OUT JANUARY 28TH

Photo: Annemarie Sundell

WATCH: “CHARLIE PICKLE”

 Arkansas/Texas four-piece roots powerhouse Sad Daddy has unveiled their hilariously heartwarming new video for “Charlie Pickle,” the lead single from their forthcoming LP, Way Up In The Hills, due out on January 28th. “It’s about an old-timer who just doesn’t care what other people think and is frequently spurred to dance,” says Twangville in the video’s premiere. “It always reminded the band how friends and fans dance at shows. Fiddler Rebecca Patek came up with the idea of having friends send clips of themselves dancing, and as luck would have it Halloween was upon them. The clips were edited together to create the video for Charlie Pickle...If this doesn’t leave you with a smile, you need some serious therapy.”

LISTEN: “CHARLIE PICKLE”

Since 2010, Sad Daddy has traveled down many a road--together and separately--at times focusing on their solo projects and then reuniting for a band project. The four members, Brian Martin, Joe Sundell, Rebecca Patek, and Melissa Carper, all conspired and united in the sudden spare time of 2020 to create their third album, Way Up in the Hills

They all met up at Brian’s cabin in Greers Ferry, Arkansas, and over a couple of bottles of chocolate milk and a few jugs of whiskey they collaborated, writing and arranging songs specifically for the new album. A first for Sad Daddy, they took the brand-new bones of each other’s ideas and worked on them as a band to construct and finish the songs. The collective decided on a down-home, back-to-the-country theme—a reflection on the state of the world and the desire to go back to simpler ways and self-sufficiency, goin’ way up in the hills and letting the chaos settle. 

Engineer Jordan Trotter brought his equipment into the cabin and the band recorded 14 original tunes live and in a circle. The feeling of being at a lakeside "home" studio in the serene Arkansas woods was distilled into sound and a genuine relaxed and good time vibe purveys the recordings. Sad Daddy explored using unique sounds, recording stomps on the cabin’s porch, hamboning, using the natural sounds of insects buzzing and bacon sizzling, mouth didgeridoo, handclaps, double clawhammer banjo, and more, along with the foursome’s strong vocals and harmonies. 

 With a long and dedicated history of making their audiences happy, Sad Daddy is emerging rejuvenated with Way Up in the Hills. With a more down-home and old-timey feel than their previous albums, they all stretched themselves a bit to create a common theme and new songs together. Unique to Sad Daddy, all of the members sing lead and write original tunes--the convergence of influences and interpretation of feeling into sound is a stylistic blend of the very best elements of American Roots Music. From the sounds of early blues, jazz, and jug bands to early country, folk, old-time, bluegrass, soul, and funk, they combine many influences, creating an indefinable genre of their own.  

INTRODUCING: JESSE CORRELL

NEW SINGLE & VIDEO “AN ICY COLD”  PREMIERES VIA POPWRAPPED 

INNER SHIBORI LP DUE OUT FEBRUARY 11TH

LISTEN // WATCH: “AN ICY COLD” 

Nashville-based singer/songwriter Jesse Correll has announced his forthcoming LP Inner Shibori, out on February 11, 2022, with the release of the album’s lead single and video, “An Icy Cold.” “I remember sitting in the waiting room at a doctor’s office and the opening line – ‘Seaweed, ‘round my ankle, a cork-screwed tentacle’ – scrolled through my mind. I wrote it pretty quickly in an attempt to describe cycles of resentment and misunderstanding that were tearing my relationship apart. A relationship that, at that time, I thought was fine,” Correll told PopWrapped, who called the track a “lyrical oceanic dreamscape, one that became a metaphor for Correll’s subconscious becoming aware of a troubling situation before his mind or body did.”

The track’s accompanying video was directed, filmed, and edited by Anana Kaye and Irakli Gabriel of Duende Vision Productions, and choreographed by Rebecca Steinberg, in collaboration with the featured dancers. “The song is about destructive cycles that can happen in relationships; when I was working with the Anana, Irakli, and Rebecca, the question came up early on regarding whom we should cast: one couple? Male/Female? Did it matter? The more I thought about it, the more I wanted to be clear that this song is about love, and what happens in all relationships,” Correll continued. “The song took on a deeper meaning for me – making it more clearly about what we can take from any one relationship to the next.”

Shibori is a traditional Japanese resist-dyeing technique wherein a pattern is made by binding, folding, or compressing a natural fabric, dyeing it, and then releasing the bind and pressure to reveal its pattern. When the fabric is returned to its flat form after dyeing, the design that emerges is the result of the bound and tied three-dimensional shape. The cloth sensitively records both the form and the pressure; the “memory” of the tied shape remains imprinted in the cloth. 

“The technique spoke to me. We endure a lifelong process of unfolding, unbinding, unstitching, and unblocking. Little by little, we see that what we thought were stains, are intricate patterns; the design of unseen hands,” Correll shares. He explores this parable on his latest album, Inner Shibori, a timeless and elegantly expressive record that feels like a singer-songwriter album draped in torch-song finery.  

Inner Shibori, produced by Correll and Anne McCue, is his fourth record since 1994, and his second release after a 15-year hiatus from music. Oozing luxury and longing, the album brims with sophisticated and tastefully sentimental songs, its smooth musicianship recalls the lonely balladeering of Frank Sinatra and Chet Baker – the type of recordings made at Capitol Studios in Hollywood during the 1950s and 1960s. The songs are also interwoven with threads of Americana, R&B, soul, and folk, recalling contemporary artists such as Ray LaMontagne, Jacob Collier, and Madison Cunningham.  

Correll’s last release, 2015’s Held Momentarily, was an intimately soulful bedroom production that captured the joys of romantic and personal reclamation – this included a new love relationship and returning to music. A Berklee graduate and a lifelong musician, Correll was based in New York, then followed his muse to Music City, where he blossomed as a songwriter, a member of the Nashville music community, and a popular podcaster. In parallel, Correll and his lady were two marriage-resistant lovers that decided to do the thing, but unfortunately, their seven-year union unraveled in under a year of marriage.  

What seemed and felt like a bottom became a turning point of self-reflection, acceptance, and even a love rebirth. This journey became an inner Shibori experience for him, and he processes it on his album.  “It was like a breakup with my former self. I had been running from old stuff – like early abandonment – and I needed to address them to move on. There is definitely a story of the greatest love ever followed by the worst pain ever,” he says.  

Reflective, redemptive, and triumphant, Inner Shibori simmers with classic R&B, heavenly harmonies, and jazz-tinged soul-pop. “This album felt like a homecoming,” Correll explains. Rebirth, the record I made at the end of my Berklee years, hinted at my musical identity. I can see now that I got lost for a while, and struggled to find my way back. Held Momentarily was a turning point. I needed all of those years of being lost to be able to fully express myself as a musician; as a human being. Making this record, and finding my home in the Nashville music community, has been a peak experience that I will never forget.” 

 

INNER SHIBORI TRACKLIST
Go Deeper 
One More Time
 Begin Again, Again 
Life
An Icy Cold 
Backyard Thursday 
Fetch The Water 
Inner Shibori 
I’ll Just Keep Tryin’ 
Dusty Sweetness
Hope Like Adrenaline 
Slow Accepting 
Worst Of Both Worlds 

CONNECT WITH JESSE CORRELL:

WEBSITE || FACEBOOK || INSTAGRAM || YOUTUBE || SPOTIFY  


BRIAN MACKEY ANNOUNCES FORTHCOMING LP GOOD MORNING IRELAND

 NEW SINGLE “MY ONLY FRIEND” OUT TODAY

LISTEN: “MY ONLY FRIEND”

 Singer/songwriter Brian Mackey has announced his forthcoming LP, Good Morning Ireland, with the release of a new single, “My Only Friend.” During a routine soundcheck before a show at The Bluebird Cafe in Nashville, a sound emerged from the right side of the stage, a happy ditty from Mackey’s friend and guitar lord, Jeff King (Brooks & Dunn, Reba McIntyre).  

“I was so happy to have a show that wasn’t 2500 miles away from home for once, and I was happy to be playing somewhere with him because he’s one of those people that has the natural ability to make you breathless with laughter,” Mackey recalls. “Jeff started playing, and we were looking at the line forming outside the front window.  I declared, ‘It’s good to be here again, I hope this feeling never ends, so great that you’re around me now.’ It was a true statement, and so the song was written.” 

The track also features Jeff King's wife, Tammy King, a singer/songwriter and fiddler (Steeldrivers, Chris Stapleton), along with his daughter Delana King, who added her beautiful, sweet-and-no-pretense-style harmonies. 

“My Only Friend” follows Mackey’s powerful single "Saturday Night Sleeping," released in May 2021,  Mental Health Awareness month. The song was about his son who lost his life to opioid addiction in 2018. Mackey partnered with The Recording Academy’s nonprofit MusiCaresⓇ to donate the proceeds from the single towards treating substance abuse. Both songs appear on Good Morning Ireland, to be released in Spring 2022.

LISTEN: “SATURDAY NIGHT SLEEPING” 

Brian Mackey voices what often goes unsaid with warmth and vulnerability that is reminiscent yet new. He's often been told that he has a sound that combines a healthy balance of folk, pop, rock, and Americana, drawing comparisons to artists like the late Jim Croce. Originally from the northern Florida panhandle, he was raised on a diet of 90s alt-rock and 70s folk music.  

Amidst the COVID-19 pandemic, Mackey released his single "Keep the World Alive," written and recorded remotely as an anthem for 2020 and how the world as we knew it has changed - simultaneously with the loss of his brother. 

Mackey recorded his forthcoming album Good Morning Ireland, his second full-length effort, at Sony Tree Studios in Nashville. A writing project during 2019-20 with his friend Jeff King (Brooks & Dunn, Reba McEntire) sparked several tracks, including standouts “My Only Friend” and “Saturday Night Sleeping.” 

In 2018 and 2019, Mackey toured with Kate Voegele and Tyler Hilton on their joint European tour and on Hilton’s solo tour, with Howie Day, and American Idol winner Taylor Hicks. The tours supported a collection of singles, "Promise Me," "Don't Own Much," "Underwater," and "Learn To Be," produced in Los Angeles by Jon Levine (Rachel Platten, Andy Grammer). "Learn To Be" charted #1 Most-Added for three weeks in a row, tied with John Mayer on the US FMQB A/C Charts. During this timeframe, he also toured with David Bromberg in the US, with Ron Pope in Europe, and Jon McLaughlin for select dates.  

In 2015, he released his first full-length album Broken Heartstrings, a very personal collection of pop-infused American folk-rock, spurred by loss and then renewal, signifying a new beginning for Mackey. He assembled a talented team: producer Sam Ashworth, engineer Richie Biggs (Tom Petty, The Civil Wars), bassist Mark Hill (Carrie Underwood, Keith Urban), and guitarist Jeff King (Brooks & Dunn, Reba McEntyre). 

Broken Heartstrings yielded his hit single, “Are You Listening,” which, after being featured on YouTube by gamer Gronkh about the PlayStation 4 game “Until Dawn,” became a runaway hit in Germany. The song peaked at #8 on the A/C Radio Charts in the US, charted top 25 on German iTunes, was on the ‘100 Most Sold’ chart on Amazon Germany, had over 400k streams on Spotify, and resulted in sold-out shows throughout the country. Be sure to follow Brian Mackey at the links below for updates and the latest news.

 

UPCOMING TOUR DATES:
5/7 - The Peacock Performing Arts Center - Hayesville, NC

 

CONNECT WITH BRIAN MACKEY:   

WEBSITE || FACEBOOK || INSTAGRAM || TWITTER ||  YOUTUBE || SPOTIFY   


SAD DADDY RELEASES SINGLE “CHARLIE PICKLE”

NEW LP WAY UP IN THE HILLS 
 DUE OUT JANUARY 28TH

LISTEN: “CHARLIE PICKLE”  

Today, with the release of lead single “Charlie Pickle,” roots powerhouse Sad Daddy announces their forthcoming LP, Way Up In The Hills, due out on January 28th. “It's about a conceptualized character, an ol’ timer named Charlie Pickle,” says Sad Daddy’s Brian Martin. “Charlie’s a man who’s lived it all, seen it all, and done it all. He’s not interested in fitting in or impressing anyone. He just wants to cut loose on a dance floor and let the music take him wherever it’s going to take him.” 

Since 2010, Sad Daddy, whose members are based in Arkansas and in Texas, has traveled down many a road--together and separately--at times focusing on their solo projects and then reuniting for a band project. The four members, Brian Martin, Joe Sundell, Rebecca Patek, and Melissa Carper, all conspired and united in the sudden spare time of 2020 to create their third album, Way Up in the Hills.  

They all met up at Brian’s cabin in Greers Ferry, Arkansas, and over a couple of bottles of chocolate milk and a few jugs of whiskey they collaborated, writing and arranging songs specifically for the new album. A first for Sad Daddy, they took the brand-new bones of each other’s ideas and worked on them as a band to construct and finish the songs. The collective decided on a down-home, back-to-the-country theme—a reflection on the state of the world and the desire to go back to simpler ways and self-sufficiency, goin’ way up in the hills and letting the chaos settle.  

Engineer Jordan Trotter brought his equipment into the cabin and the band recorded 14 original tunes live and in a circle. The feeling of being at a lakeside "home" studio in the serene Arkansas woods was distilled into sound and a genuine relaxed and good time vibe purveys the recordings. Sad Daddy explored using unique sounds, recording stomps on the cabin’s porch, hamboning, using the natural sounds of insects buzzing and bacon sizzling, mouth didgeridoo, handclaps, double clawhammer banjo, and more, along with the foursome’s strong vocals and harmonies.  

With a long and dedicated history of making their audiences happy, Sad Daddy is emerging rejuvenated with Way Up in the Hills.  With a more down-home and old-timey feel than their previous albums, they all stretched themselves a bit to create a common theme and new songs together. Unique to Sad Daddy, all of the members sing lead and write original tunes--the convergence of influences and interpretation of feeling into sound is a stylistic blend of the very best elements of American Roots Music. From the sounds of early blues, jazz, and jug bands to early country, folk, old-time, bluegrass, soul, and funk, they combine many influences, creating an indefinable genre of their own.   

 

WAY UP IN THE HILLS TRACK LIST 

Arkansas Bound  
Bacon  
 Big River  
Live Real Lean 
Cold Rain  
Charlie Pickle  
 Hangin' Them Clothes on the Line  
Make it Roll  
Up in the Hills  
Sunday Evening 
Back in Arkansas  
Poor Man's Son  
Wild Road 
Arkansas Bound Reprise 

LOS ANGELES SINGER-SONGWRITER TEDDY GROSSMAN RELEASES HIS LATEST SINGLE “READY”

“With its lyrics about opening up to someone and letting the walls come down in order to give love and receive love, the song has a throwback soul sound that is sunny and hopeful. Drawing on the 60s and 70s R&B and soul music, the song carries a deep groove and sensuality. It’s also a wonderful showcase for Grossman’s silky smooth vocals."
 - Glide Magazine

“The L.A.-based singer/songwriter creates soulful music with melodies that linger in listeners’ minds. “- American Songwriter

“Teddy Grossman...takes inspiration from the heartland folk feel of Neil Young’s Harvest for an intimate look at Grossman’s joy in finally feeling settled after a cross-country move.” - UPROXX

"Sprinkled with horns and fuzzy Big Muff tones, “Out Of Thin Air” is a warm glass of rye whiskey cupped in your hand while you digest your meal and watch the Lions lose another game.” - Golden State

Listen to “Ready”: HERE 

LA-based singer/songwriter Teddy Grossman has released his latest single “Ready”, off of his forthcoming debut solo full-length LP due out early next year. 

“Ready was written during the later stages of recording the album” Grossman told Glide Magazine, “an album I've always dreamed of making, in the early stages of a budding relationship. It's a song about opening up, and letting a little love in.” Having finally arrived in this sense, the song finds Grossman opening up to both a new partner and way of life - with his music at the forefront.

Although a lifelong music lover & maker, pursuing a career in music was put on the back burner for a time, but after a cross-country move to Los Angeles Grossman took the leap to embark on that long-gestating journey.  He’d always been a lifer at heart — his childhood was spent ingesting Otis Redding and Steve Wonder, Bob Dylan and The Band — but upon graduating college, he took the road often traveled and held down an all-consuming tech job, ever the weekend warrior recording and touring with his former band on the margins. A few years back, however, after a near-decade in Chicago and New York City, all the while holding down the desk job, in 2018, Grossman was finally ready to take the plunge.  “Moving to LA and finding my community here unquestionably changed everything,” says Grossman looking back at his decision to break out on his own and transform his passion into his livelihood.

With only a handful of songs out to date, Grossman has come out of the gates swinging: his single Leave it on the Line has racked up nearly 500k spins, landing marquee Folk & R&B playlists, What I Owe has garnered praise from New Commute & Uproxx - Indie Mixtape Best New Music, and American Songwriter hails single Power in Pain is “a song, for now, tomorrow, and the years to come”. His latest single Out of Thin Air was co-written with and features Theo Katzman (Vulfpeck) on slide guitar. 

Keep Up With Teddy Grossman

BANDCAMP // INSTAGRAM // TWITTER //